633 Results
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research
research
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Description:
The 2023 edition of the Virtual Fellowship Program invited new directions, readings, and interactions with the photographic works held in our Collection with a view to charting how broader understandings of ‘vision’ may exceed what Vilém Flusser names the ‘technical image.’
The 2023 edition of the Virtual Fellowship Program invited new directions, readings, and interactions with the photographic works held in our Collection with a view to charting how broader understandings of ‘vision’ may exceed what Vilém Flusser names the ‘technical image.’
Date:
March 2023 to April 2023
March 2023 to April 2023
Title:
Virtual Research Fellows 2023
Actions:
Description:
The 2023 edition of the Virtual Fellowship Program invited new directions, readings, and interactions with the photographic works held in our Collection with a view to charting how broader understandings of ‘vision’ may exceed what Vilém Flusser names the ‘technical image.’
Virtual Research Fellows 2023
Actions:
Description:
The 2023 edition of the Virtual Fellowship Program invited new directions, readings, and interactions with the photographic works held in our Collection with a view to charting how broader understandings of ‘vision’ may exceed what Vilém Flusser names the ‘technical image.’
Form:
research
research
Date:
March 2023 to
April 2023
March 2023 to
April 2023
Form:
drawings
drawings
Title:
Working drawings
Working drawings
Actions:
Reference number:
AP140.S2.SS1.D52.P28
Description:
working drawing(s) ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plan, floor plans and sections for State Gallery Addition building
AP140.S2.SS1.D52.P28
Description:
working drawing(s) ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plan, floor plans and sections for State Gallery Addition building
People:
Title:
Working drawings
Actions:
AP140.S2.SS1.D52.P28
Description:
working drawing(s) ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plan, floor plans and sections for State Gallery Addition building
Working drawings
Actions:
AP140.S2.SS1.D52.P28
Description:
working drawing(s) ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plan, floor plans and sections for State Gallery Addition building
Form:
drawings
drawings
People:
Form:
drawings
drawings
Actions:
Reference number:
AP140.S2.SS1.D52.P23
Description:
working drawing(s) graphite and ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plans, partial plans, elevations, sections and details, including several for doorframes and staircases
AP140.S2.SS1.D52.P23
Description:
working drawing(s) graphite and ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plans, partial plans, elevations, sections and details, including several for doorframes and staircases
People:
Title:
Working drawing(s)graphite and ink on translucent paper
Actions:
AP140.S2.SS1.D52.P23
Description:
working drawing(s) graphite and ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plans, partial plans, elevations, sections and details, including several for doorframes and staircases
Working drawing(s)graphite and ink on translucent paper
Actions:
AP140.S2.SS1.D52.P23
Description:
working drawing(s) graphite and ink on translucent paper, reprographic copies James Stirling/Michael Wilford Fonds Collection Centre Canadien d'Architecture/ Canadian Centre for Architecture, Montréal site plans, partial plans, elevations, sections and details, including several for doorframes and staircases
Form:
drawings
drawings
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Actions:
Reference number:
DR2004:1285
Description:
materials relate to The Earth Centre in Doncaster, England and include correspondence, clippings, description of CCA photo collection, master plan of The Earth Centre, trade brochures, notes, promotional material, publication, sketches, and trade publication
DR2004:1285
Description:
materials relate to The Earth Centre in Doncaster, England and include correspondence, clippings, description of CCA photo collection, master plan of The Earth Centre, trade brochures, notes, promotional material, publication, sketches, and trade publication
People:
Date:
1998-1999
1998-1999
Title:
The Earth Centre in Doncaster
Actions:
DR2004:1285
Description:
materials relate to The Earth Centre in Doncaster, England and include correspondence, clippings, description of CCA photo collection, master plan of The Earth Centre, trade brochures, notes, promotional material, publication, sketches, and trade publication
The Earth Centre in Doncaster
Actions:
DR2004:1285
Description:
materials relate to The Earth Centre in Doncaster, England and include correspondence, clippings, description of CCA photo collection, master plan of The Earth Centre, trade brochures, notes, promotional material, publication, sketches, and trade publication
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Date:
1998-1999
1998-1999
People:
Level of archival description:
Sub-series
Sub-series
Title:
Education
Education
Reference number:
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
People:
Date:
[1776?]-1868
[1776?]-1868
Title:
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Level of archival description:
File 1
File 1
Date:
[1776?]-1868
[1776?]-1868
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
People:
Date:
[1840-1860]
[1840-1860]
Title:
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Public and Urban Architecture
CI001.S2.D4
Description:
The CCA collection includes albums of drawings for some of Charles Rohault de Fleury's most important public architectural projects, built and unbuilt. They provide valuable insight into his design development process, construction techniques, and flexibility regarding building types and styles, as well as illuminating the larger issues of urban planning and the complex interaction between architect, contractor, and entrepreneur in mid-19th century France. The neo-Moorish Hippodrome National (DR1974:0002:017:001-060) - an ephemeral structure constructed of a wood frame with canvas sheathing- was built adjacent to the Place de l'Étoile in 1845 and destroyed in 1856. The documents and drawings in the album provide a highly detailed and complete overview of the project from the study of historical models to contract drawings. Written documentation, including cost estimates, a contract, daily accounts of construction, entrepreneur's accounts, and correspondence with the principal contractor, is particularly revealing of the working procedures on a large commercial project. In 1855 Charles and Auguste Joseph Pellechet constructed the Chambre des Notaires on the newly transformed Place du Chatelet - the intended centre point of Haussmann's 'Nouveau Paris' (1). The CCA album contains primarily transfer lithographed working and contract drawings signed by the entrepreneurs and/or contractors (DR1974:0002:022:001-021). The plans reflect Charles' sensitive integration of iron and masonry construction, which allowed for abundant fenestration on the side facades, while maintaining the traditional aspects of character and solidity required in a prominent urban building. Charles' approach to the design of more utilitarian structures is indicated in his album of competition drawings for a municipal slaughterhouse submitted to the city of Saint-Germain-en-Laye, 1846-1847 (DR1974:0002:023:001-012). His interpretation of the written programme (included in the album) and the resulting design, is strongly influenced by his father's previous slaughterhouse projects, as well as his own for La Villete, 1835-1836 (see DR1974:0002:014:001-104 in Hubert Rohault de Fleury's Public and Urban Architecture (file CI001.S3.D1)). The pared down Neoclassical style of the slaughterhouse is typical of both Charles and Hubert's utilitarian structures. Charles' largest public urban project outside of Paris was for an unexecuted Hôtel de Prefecture (Departement de la Vienne) and Hôtel de Ville for the city of Poitiers, 1859-1860 (DR1974:0002:020:001-050). The project for the Louis XIIIth style Hotel de Prefecture is fairly complete and includes many working drawings, while the Francis Ist style Hotel de Ville is much less developed and consists primarily of unbound sketches and finished drawings. A site plan indicates that Charles intended the Hôtel de Prefecture and Hôtel de Ville to be located nearly opposite each other and connected by a major thoroughfare. The placement of both structures in the western quarter of the city probably reflects an earlier urban renewal plan proposed by the architects Morandiere et Compaing in 1849. The Hôtel de Prefecture (1864-1868) and Hotel de Ville (1869-1876) were eventually built after designs by Antoine Guerinot, in the same style, and on sites close to those proposed by Charles. Drawings and engravings of antique and contemporary theatres, fountains, honorific monuments, and large public projects by other architects are collected in album DR1974:0002:010:001-048 for reference purposes (some of these may have been collected by his father Hubert). (1) David Van Zanten, "Building Paris: Architectural Institutions and the Transformation of the French Capital, 1830-1870" (Cambridge, Eng.: Cambridge University Press, 1994), p. 235 and pp. 233-241 for the development of the Place du Chatelet.
Level of archival description:
File 4
File 4
Date:
[1840-1860]
[1840-1860]
People:
Form:
articles
articles
Title:
Reading Landscapes
Reading Landscapes
Actions:
Laura Aparicio Llorente, Leonie Hartung, and Viveca Pattison Robichaud reflect on how the concept of landscape is developed through books
Title:
Reading Landscapes
Laura Aparicio Llorente, Leonie Hartung, and Viveca Pattison Robichaud reflect on how the concept of landscape is developed through books
Actions:
Reading Landscapes
Laura Aparicio Llorente, Leonie Hartung, and Viveca Pattison Robichaud reflect on how the concept of landscape is developed through books
Actions:
Form:
drawings
drawings
Title:
Plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie
Plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie
Actions:
Reference number:
DR2012:0012:044
Description:
Consists of plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie, Paris, France, 1994. Material was originally housed in a tube labelled "UN DICTIONNAIRE... 1970-96 Original Installation Drawings - Vellum Copies of Final Installation/CCA Collection/09.99".
DR2012:0012:044
Description:
Consists of plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie, Paris, France, 1994. Material was originally housed in a tube labelled "UN DICTIONNAIRE... 1970-96 Original Installation Drawings - Vellum Copies of Final Installation/CCA Collection/09.99".
People:
Date:
1993-1999
1993-1999
Title:
Plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie
Actions:
DR2012:0012:044
Description:
Consists of plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie, Paris, France, 1994. Material was originally housed in a tube labelled "UN DICTIONNAIRE... 1970-96 Original Installation Drawings - Vellum Copies of Final Installation/CCA Collection/09.99".
Plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie
Actions:
DR2012:0012:044
Description:
Consists of plans for installing the project "Un dictionnaire" at the Galerie Catherine & Stéphane de Beyrie, Paris, France, 1994. Material was originally housed in a tube labelled "UN DICTIONNAIRE... 1970-96 Original Installation Drawings - Vellum Copies of Final Installation/CCA Collection/09.99".
Form:
drawings
drawings
Date:
1993-1999
1993-1999
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
People:
Date:
1979-2017
1979-2017
Title:
Research on the Ockham Park album, 1983-2016
Actions:
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
Research on the Ockham Park album, 1983-2016
Actions:
AP133.S2
Description:
This series documents Pierre du Prey's research and writing on the Ockham Park album held in the collection of the Canadian Centre for Architecture. The album consists of nineteen folios of drawings and manuscripts devoted to proposed alterations to the Jacobean house, Ockham Park, in Surrey, England. The house, built circa 1638, was altered by architect Nicholas Hawksmoor between 1729 and 1730. Du Prey originally began this research in 1979-early 1980s for a publication project. He returned to this research in 2016 on the occasion of Phyllis Lambert's 90th birthday. Pierre du Prey produced a book from this research which he gave to Lambert for her birthday. The series contains materials from Pierre du Prey's early research on the album from 1979 to 1985, as well as the additional research and writing he produced in 2016. Also included are photographic reproductions of drawings and manuscripts in the Ockham Park album, correspondence, notes and manuscript for du Prey's catalogue.
Level of archival description:
Series
Series
Date:
1979-2017
1979-2017
People:
Form:
exhibitions
exhibitions
Form:
exhibitions
exhibitions
Date:
September 2018 to
March 2019
September 2018 to
March 2019
