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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
Contemporary Art Monographs
April 2006, London
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.
Contemporary Art Monographs
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his(...)
Photography monographs
March 2003, Bristol
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists. Includes text by Catsou Roberts, Stephen Bann, Peter Osbourne, Françoise Parfait and Victor Burgin
Photography monographs
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
Photography Collections
archives
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28 items ; 97 cm. or smaller.
CCA Mellon Lectures : products, 2001-.
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28 items ; 97 cm. or smaller.
archives
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xiii, 410 pages : illustrations (chiefly color), plans ; 29 cm
New York : Bard Graduate Center, [2026], New Haven ; London : Yale University Press, ©2026
Viollet-le-Duc : drawing worlds / edited by Barry Bergdoll and Martin Bressani.
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xiii, 410 pages : illustrations (chiefly color), plans ; 29 cm
books
New York : Bard Graduate Center, [2026], New Haven ; London : Yale University Press, ©2026
Interlacing words and things : bridging the nature-culture opposition in garden and landscape
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This illustrated volume examines how the natural world is transformed through the creative use of language. Its contributors do not assume that there is an opposition between nature and culture, but rather emphasize that forms of language are embedded in our understanding and appreciation of the natural environment across cultures and time periods.
Interlacing words and things : bridging the nature-culture opposition in garden and landscape
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This illustrated volume examines how the natural world is transformed through the creative use of language. Its contributors do not assume that there is an opposition between nature and culture, but rather emphasize that forms of language are embedded in our understanding and appreciation of the natural environment across cultures and time periods.
Landscape Theory
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This volume presents the work of garden artists Hannsjorg Voth, Dani Karavan, Ian Hamilton Finlay, Bernard Lassus, Peter Katz, Dieter Kienast, Sven-Ingvar Andersson, Herman Prigann, Hans Dieter Schaal, Martha Schwartz, Peter Walker, and Adriaan Geuze. It also includes forewords by John Dixon Hunt and Stephen Bann.
Between landscape architecture and land art
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This volume presents the work of garden artists Hannsjorg Voth, Dani Karavan, Ian Hamilton Finlay, Bernard Lassus, Peter Katz, Dieter Kienast, Sven-Ingvar Andersson, Herman Prigann, Hans Dieter Schaal, Martha Schwartz, Peter Walker, and Adriaan Geuze. It also includes forewords by John Dixon Hunt and Stephen Bann.
books
January 1900, Basel
Gardens
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican(...)
Photography monographs
May 2008, Ottawa Vanouver Toronto Berkley
Utopia / Dystopia: Geoffrey James
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican border, reverberate with a sense of human habitation, which is not always formally evident. This major retrospective includes an illustrated chronology of James's career and essays from Lori Pauli, Stephen Bann and Britt Salvesen.
Photography monographs
books
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Examining how monuments preserve memory, the essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present, they explore not only how monuments have inspired travel and pilgrimage for millennia but also how new electronic media(...)
Architectural Theory
January 1900, Chicago / London
Monuments and memory, made and unmade
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Examining how monuments preserve memory, the essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present, they explore not only how monuments have inspired travel and pilgrimage for millennia but also how new electronic media are changing the very nature of such pilgrimages. With an epilogue on the World Trade Center. Contributors : Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung.
books
January 1900, Chicago / London
Architectural Theory
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The publication features essays by twelve authors grouped in four parts. It represents a major advance in the study of nineteenth century photographic representations of Indian architecture and a benchmark in the study of post-colonial history. Collectively, the authors demonstrate how photographs can be read not just as records of an architectural past, but as complex(...)
Traces of India: photography, architecture, and the politics of representation, 1850-1900
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The publication features essays by twelve authors grouped in four parts. It represents a major advance in the study of nineteenth century photographic representations of Indian architecture and a benchmark in the study of post-colonial history. Collectively, the authors demonstrate how photographs can be read not just as records of an architectural past, but as complex artefacts of the cultural and political forces shaping colonial India. Contributors include CCA Associate Curator Maria Antonella Pelizzari; art historian Stephen Bann; historians of photography Julia Ballerini, John Falconer and Janet Dewan; historical anthropologist Nicholas Dirks; political theorist Partha Chatterjee; colonial historians Tapati Guha-Thakurta and Peter H. Hoffenberg, Narayani Gupta and Thomas R. Metcalf; and anthropologist Christopher Pinney.
CCA Publications