Project
CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
1925
Cabinet for the Domela Nieuwenhuis Collection, Museum Boymans, Rotterdam, Netherlands (1925)
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CI005.S1.1925.PR2
Description:
Oud was asked to submit a design for the Paris 1925 Exposition Internationale des Art Décoratifs et Industriels. He agreed on the condition that he could submit five photographs of the Witte Dorp, Tusschendijken and De Vonk buildings. D. Hannema, director of Museum Boymans, also asked Oud to construct a cabinet to submit to the Decorative Arts exhibition as part of Domela Nieuwenhuis' print collection. Cabinetmaker, M. van Dort, built the cabinet that Oud designed; the design featured two separate sections with two doors to each section, each emblazoned with the Museum Boymans monogram (Taverne et al. 2001, 372). Project series includes photographs of the wood cabinet.
project
1925
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Octagonal gallery
23 July 2015 to 13 September 2015
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
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Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Octagonal gallery
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
5 March 1997 to 25 May 1997
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
Toys and Transport
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Octagonal gallery
15 November 2000 to 1 April 2001
Toys and Transport
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Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Octagonal gallery
archives
Level of archival description:
Fonds
Max Wolfe Roth fonds
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
1933-2000
Max Wolfe Roth fonds
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AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
archives
Level of archival description:
Fonds
1933-2000
Series
Projects
AP041.S1
Description:
This series documents Melvin Charney's artistic, architecture and design projects from 1950 to 2012. It includes material related to his installations, architectural projects, his artworks and photographic projects. This series contains over 70 projects, including Charney's proposal for the Canadian government pavilion for the Japan world exposition, in Osaka, in 1967, his design for the Canadian tribute to human rights, in Ottawa, in 1986-1987, his installation Les maison de la rue Sherbrooke presented during the Corridart in 1976 for the Montréal Summer Olympics and Un dictionnaire presented, amongts others, at the 7th Venice Biennale in 2000. The series drawings and sketches, such as conceptual, design development, presentation and working drawings as well as some his mixed media artworks. It also contains some photographs including photographs of the installations design by Charney, reference photographs, textual documents, such as notes, rapports and proposals, correspondence and reference materials.
1955-2012
Projects
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AP041.S1
Description:
This series documents Melvin Charney's artistic, architecture and design projects from 1950 to 2012. It includes material related to his installations, architectural projects, his artworks and photographic projects. This series contains over 70 projects, including Charney's proposal for the Canadian government pavilion for the Japan world exposition, in Osaka, in 1967, his design for the Canadian tribute to human rights, in Ottawa, in 1986-1987, his installation Les maison de la rue Sherbrooke presented during the Corridart in 1976 for the Montréal Summer Olympics and Un dictionnaire presented, amongts others, at the 7th Venice Biennale in 2000. The series drawings and sketches, such as conceptual, design development, presentation and working drawings as well as some his mixed media artworks. It also contains some photographs including photographs of the installations design by Charney, reference photographs, textual documents, such as notes, rapports and proposals, correspondence and reference materials.
Series
1955-2012
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
16 November 2017
Counter-tour: Tim Benton’s Cut
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Description:
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
Inside the Sponge
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Octagonal gallery
10 August 2006 to 19 November 2006
Inside the Sponge
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Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Octagonal gallery
1973: Sorry, Out of Gas
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
7 November 2007 to 20 April 2008
1973: Sorry, Out of Gas
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Description:
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
Materiality of Parkour
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Paul Desmarais Theatre
19 February 2009
Materiality of Parkour
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Description:
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Paul Desmarais Theatre