books
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367 pages : illustrations (some color), plans (some color) ; 29 cm
New York : Rizzoli, 2008., New York : Random House, [2008]
I.M. Pei : complete works / by Philip Jodidio and Janet Adams Strong ; edited by Philip Jodidio ; foreword by I.M. Pei ; introduction by Carter Wiseman.
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367 pages : illustrations (some color), plans (some color) ; 29 cm
books
New York : Rizzoli, 2008., New York : Random House, [2008]
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in(...)
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in our cities, functioning as speculative wealth storage for the superrich, and cavernous "iceberg" homes extend architectural assets many stories below street level. Meanwhile, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighborhoods and abandoned housing developments.
Architectural Theory
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As Indigenous scientist and author of "Braiding sweetgrass" Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the(...)
Environment and environmental theory
November 2024
The serviceberry: Abundance and reciprocity in the natural world
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As Indigenous scientist and author of "Braiding sweetgrass" Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, "Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency."
Environment and environmental theory
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies(...)
Factory photo-books: The self-representation of the factory in photographic publications
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies commissioned photobooks in order to showcase their quality, innovativeness and progressiveness. The books went out into the world as promotional gifts for clients, investors, local public figures and employees. Meanwhile, factories themselves created promotional photobooks to extol their own production value and recruit new business. These gigantic centers for production employed designers, printers and photographers at the top of their field, including Margaret Bourke-White, Piet Zwart, Bruno Munari, Alvin Langdon Coburn, André Kertész, Albert Renger-Patzsch, Jacob Tuggener, Robert Doisneau, Paul Schuitema, Jurriaan Schrofer and Eugenio Carmi. The ambition to portray the firms in unique ways often led to amazing experiments with book forms, photography and graphic design.
Photography Collections
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into(...)
...Someone always had a camera. Private photography in East Germany, 1980–2000
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into terminal decline and then an entire society was turned upside down goes all but unseen in the pictures of children on their first day at school, weekend jaunts, and people exchanging Christmas presents. "... someone always had a camera ..." takes stock of a project that, since 2020, has been looking at private albums from these two decades to examine the world of private images they contain, informed by interviews with contemporary witnesses. In the essays in this volume, private photography is treated as a social practice, and the authors discuss how images were produced, organized in albums, and viewed, and how political conditions were registered in them.
Photography Collections
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Architectural Theory
Ephemeral urbanism
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The scale and patterns of urbanization today challenges the notion of permanence as the default condition for cities. Rubrics like informality have meanwhile become counter-productive, as they also implicitly aspire to create new processes in imagining permanence. Does permanence, as the sole instrument in urban imaginaries, really matter? For the over 700 million(...)
Ephemeral urbanism
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The scale and patterns of urbanization today challenges the notion of permanence as the default condition for cities. Rubrics like informality have meanwhile become counter-productive, as they also implicitly aspire to create new processes in imagining permanence. Does permanence, as the sole instrument in urban imaginaries, really matter? For the over 700 million people represented in this research, stability is a luxury! Permanence is not an affordable condition and does not really affect their daily existence. What does this then mean for architecture and the city?
Urban Theory
a+ t 54 : is this rural?
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With No. 54, the 'Is This Rural?' series continues with a second installment that reflects on the binary city-country vision, as opposing scenarios, and on the intermediate space spontaneously having arisen between both. It is also an inventory, a synchronously-displayed timeline of the events that have taken place in these three territories over the last 250 years.(...)
Rurality
July 2021
a+ t 54 : is this rural?
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With No. 54, the 'Is This Rural?' series continues with a second installment that reflects on the binary city-country vision, as opposing scenarios, and on the intermediate space spontaneously having arisen between both. It is also an inventory, a synchronously-displayed timeline of the events that have taken place in these three territories over the last 250 years. Meanwhile, the Culturing the Country, Cultivating the City section is a selection of projects that overthrows the prejudices related to urban and rural tasks. Works featured in this issue are by Grand Huit, Feilden Fowles Architects, Atelier Raum, Felt, Taller Capital, and many more.
Rurality
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This illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to(...)
Smoke
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This illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)
Literature and poetry
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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic(...)
New dark age : Technology and the end of the future
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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age. In his new work, artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime.
Critical Theory