books
$45.00
(available to order)
Summary:
This well illustrated book provides a complete overview of current knowledge about the sculptures of the Parthenon and suggests new interpretations of the ancient temple's sculptural creations. Margaretha Lagerlöf steps back from viewing the fragments of the sculptures that remain today to focus more clearly on their meanings in the light of classical(...)
History until 1900
January 1960, New Haven
The Sculptures of the Parthenon: Aesthetics and Interpretation
Actions:
Price:
$45.00
(available to order)
Summary:
This well illustrated book provides a complete overview of current knowledge about the sculptures of the Parthenon and suggests new interpretations of the ancient temple's sculptural creations. Margaretha Lagerlöf steps back from viewing the fragments of the sculptures that remain today to focus more clearly on their meanings in the light of classical Athenian knowledge and society. She considers what the sculptures reveal about the Greek sense of democracy and how they characterize women's lives in a warrior culture. Using Plato's philosophy and the visually oriented similes of his myths, Lagerlöf offers a new decoding of the aesthetic structure of the Parthenon's entire sculptural ensemble. The book compares the sculptures of the pediments to those of the metopes and the frieze, uncovering subtle differences in both the nature and the content of their images. Whereas the pediments represent divine elements, for example, the frieze is seen as the domain of human beings, representing events and also the stage of history when humans no longer have direct access to the presence of the gods. The frieze can be interpreted as an invocation of this presence, a means of regaining closeness with the gods. Using a multifaceted and imaginative approach to the sculptures of the Parthenon, Lagerlöf finds powerful new meaning in them as well as an enhanced appreciation of their Athenian creators.
books
January 1960, New Haven
History until 1900
$52.00
(available in store)
Summary:
We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary(...)
Detail 12 2025 : Transparency translucency
Actions:
Price:
$52.00
(available in store)
Summary:
We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary energy concepts are applied? Light, air, and sun are no longer universally welcome. The spaces behind the climate envelope must be protected from solar gains and heat loss. Limited opening ratios, smart building technology, and algorithm-driven facade design have become the norm. In such scenarios, people are treated as disruptive elements, better kept passive. Anne Lacaton and Jean-Philippe Vassal show that another way is possible. Working with 51N4E in Brussels, Lacaton & Vassal recently extended a residential block in the Peterbos district using their familiar approach: adding new winter gardens. Transparent and translucent sliding panels alternate, while curtains provide shade or privacy when needed. The result is adaptable space that responds to changing conditions – yet always leaves the final decision to the human user. A drawn curtain can create a sense of withdrawal, but it can just as easily be opened again
Magazines