photographs
PH2016:0080
25 July 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., west view
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PH2016:0080
photographs
25 July 1957
photographs
PH2016:0081
28 August 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., west view
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PH2016:0081
photographs
28 August 1957
photographs
PH2016:0085
26 September 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., west view
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PH2016:0085
photographs
26 September 1957
photographs
PH2016:0086
26 September 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., south-east view
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PH2016:0086
photographs
26 September 1957
photographs
PH2016:0089
26 October 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., east view
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PH2016:0089
photographs
26 October 1957
photographs
PH2016:0095
26 December 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., 52nd street entrance
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PH2016:0095
photographs
26 December 1957
photographs
Seagram building under construction, 375 Park avenue, New York, N.Y., south-east view Park avenue
PH2016:0096
26 December 1957
Seagram building under construction, 375 Park avenue, New York, N.Y., south-east view Park avenue
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PH2016:0096
photographs
26 December 1957
photographs
PH2016:0097
27 January 1958
Seagram building under construction, 375 Park avenue, New York, N.Y., 52nd street entrance
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PH2016:0097
photographs
27 January 1958
According to a Chinese legend well-known in Japan, a giant katsura tree was planted on the moon, inspiring the proverb, “We can see the katsura on the moon with our eyes, but we cannot touch it with our hands.” The saying celebrates the quest for an absolute and is a fitting epigraph for Departure for Katsura, which pursues issues of self-identity and personal(...)
Octagonal gallery, hall cases, and Sottsass Room
9 December 1998 to 28 March 1999
Irene F. Whittome: Departure for Katsura
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Description:
According to a Chinese legend well-known in Japan, a giant katsura tree was planted on the moon, inspiring the proverb, “We can see the katsura on the moon with our eyes, but we cannot touch it with our hands.” The saying celebrates the quest for an absolute and is a fitting epigraph for Departure for Katsura, which pursues issues of self-identity and personal(...)
Octagonal gallery, hall cases, and Sottsass Room
Environment: Approaches for Tomorrow broaches issues such as energy consumption and natural resources, the question of limiting humanity’s control of the environment, the search for renewable resources, and the optimal means to employ them. Through the work of French horticultural engineer and landscape architect Gilles Clément and Swiss architect Philippe Rahm, the(...)
Main galleries
18 October 2006 to 10 June 2007
Environment: Approaches for Tomorrow
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Description:
Environment: Approaches for Tomorrow broaches issues such as energy consumption and natural resources, the question of limiting humanity’s control of the environment, the search for renewable resources, and the optimal means to employ them. Through the work of French horticultural engineer and landscape architect Gilles Clément and Swiss architect Philippe Rahm, the(...)
Main galleries