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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and(...)
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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
April 2019
April 2019
Title:
Kengo Kuma: Portland Japanese garden
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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and craftsmanship. The resulting group of small buildings superbly blends with its magnificent natural environment and provides an outstanding example of Kuma's artistry of seamlessly connecting nature and architecture as well as past and present without falling into the trap of mimicry or sentimentality. The book includes chapters on the reverence of nature and Japanese culture, on architecture and gardens in Japan, on the architecture of Kengo Kuma beyond the garden, and on craftsmanship and design, as well as on the new buildings and the garden itself, which is widely considered the most beautiful such garden outside Japan.
Kengo Kuma: Portland Japanese garden
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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and craftsmanship. The resulting group of small buildings superbly blends with its magnificent natural environment and provides an outstanding example of Kuma's artistry of seamlessly connecting nature and architecture as well as past and present without falling into the trap of mimicry or sentimentality. The book includes chapters on the reverence of nature and Japanese culture, on architecture and gardens in Japan, on the architecture of Kengo Kuma beyond the garden, and on craftsmanship and design, as well as on the new buildings and the garden itself, which is widely considered the most beautiful such garden outside Japan.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Title:
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the(...)
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
February 2024
February 2024
Title:
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the renovation of the Swiss National Bank’s Bern headquarters, and the south wing of Zurich’s main train station. The images by photographers Adrian Scheidegger and Alexander Jaquemet, both longtime companions of the architects, demonstrate how the spaces they created gradually and naturally integrate with their environment. Writer Gianna Molinari joined Scheidegger and Jaquemet on their expeditions to Aebi & Vincent’s buildings. Her literary snapshots supplement the images in this volume, stimulating our imagination of the inner life of these structures and their occupants.
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the renovation of the Swiss National Bank’s Bern headquarters, and the south wing of Zurich’s main train station. The images by photographers Adrian Scheidegger and Alexander Jaquemet, both longtime companions of the architects, demonstrate how the spaces they created gradually and naturally integrate with their environment. Writer Gianna Molinari joined Scheidegger and Jaquemet on their expeditions to Aebi & Vincent’s buildings. Her literary snapshots supplement the images in this volume, stimulating our imagination of the inner life of these structures and their occupants.
Form:
books
books
Publication:
February 2024
February 2024
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
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$32.95
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Summary:
In 1949, the forest magnate, H.R. MacMillan, opened an exhibition at the Vancouver Art Gallery entitled “Design for Living,” a show which brought together design and artistic communities to create four imaginary households for postwar Vancouverites. It also heralded an unprecedented level of cooperation between the province’s industry and its artists and craftspeople – a(...)
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In 1949, the forest magnate, H.R. MacMillan, opened an exhibition at the Vancouver Art Gallery entitled “Design for Living,” a show which brought together design and artistic communities to create four imaginary households for postwar Vancouverites. It also heralded an unprecedented level of cooperation between the province’s industry and its artists and craftspeople – a(...)
Title:
A Modern life : art and design in British Columbia, 1945-1960
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In 1949, the forest magnate, H.R. MacMillan, opened an exhibition at the Vancouver Art Gallery entitled “Design for Living,” a show which brought together design and artistic communities to create four imaginary households for postwar Vancouverites. It also heralded an unprecedented level of cooperation between the province’s industry and its artists and craftspeople – a relationship that seemed to hold great promise for the development of art, furniture, and craft in B.C. The celebration of the cooperative spirit between “architects, artists and designers,” between “potters, weavers and gardeners” is central to "A Modern Life", which examines the coming together of what were often very separate disciplines in post-World War II British Columbia, as well as the trend-setting design and use of materials that developed in the province, and the impact these had on the more traditional art community. "A Modern Life", demonstrates that the ideas of the artistic and design community as a whole during this vibrant period – an era of optimism and promise for the future, in a province that had reason to believe passionately in what was to come – have a continued relevance and importance for our understanding of the history of this community and the relationship of the built environment to the extraordinary landscape of British Columbia. With essays by Rachel Chinnery on ceramics, Scott Watson on fine arts, Alan Elder on collaboration, Allan Collier on wood and design, and Sherry McKay on architecture.
A Modern life : art and design in British Columbia, 1945-1960
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Summary:
In 1949, the forest magnate, H.R. MacMillan, opened an exhibition at the Vancouver Art Gallery entitled “Design for Living,” a show which brought together design and artistic communities to create four imaginary households for postwar Vancouverites. It also heralded an unprecedented level of cooperation between the province’s industry and its artists and craftspeople – a relationship that seemed to hold great promise for the development of art, furniture, and craft in B.C. The celebration of the cooperative spirit between “architects, artists and designers,” between “potters, weavers and gardeners” is central to "A Modern Life", which examines the coming together of what were often very separate disciplines in post-World War II British Columbia, as well as the trend-setting design and use of materials that developed in the province, and the impact these had on the more traditional art community. "A Modern Life", demonstrates that the ideas of the artistic and design community as a whole during this vibrant period – an era of optimism and promise for the future, in a province that had reason to believe passionately in what was to come – have a continued relevance and importance for our understanding of the history of this community and the relationship of the built environment to the extraordinary landscape of British Columbia. With essays by Rachel Chinnery on ceramics, Scott Watson on fine arts, Alan Elder on collaboration, Allan Collier on wood and design, and Sherry McKay on architecture.
Form:
books
books
Publication:
October 2004, Vancouver
October 2004, Vancouver
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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$34.00
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
$34.00
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
Title:
Neon Palladian: Architecture without content 16. Harvard GSD
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
Neon Palladian: Architecture without content 16. Harvard GSD
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$34.00
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Summary:
Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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Description:
236 pages : illustrations ; 24 cm.
Description:
236 pages : illustrations ; 24 cm.
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Besançon : Editions de l'imprimeur, ©2004.
Besançon : Editions de l'imprimeur, ©2004.
Title:
Aux jardins de Cathay : l'imaginaire anglo-chinois en Occident / William Chambers ; textes réunis et présentés par Janine Barrier, Monique Mosser et Che Bing Chiu.
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236 pages : illustrations ; 24 cm.
Aux jardins de Cathay : l'imaginaire anglo-chinois en Occident / William Chambers ; textes réunis et présentés par Janine Barrier, Monique Mosser et Che Bing Chiu.
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Description:
236 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Besançon : Editions de l'imprimeur, ©2004.
Besançon : Editions de l'imprimeur, ©2004.
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books
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$69.95
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Un jardin ? Ca sert à vire dehors ! A cette simple demande, Eric Ossart et Arnaud Maurières répondent depuis plus de vingt ans. Mais on ne vit pas dehors de la même façon en ville ou à la campagne, sur la Côte d'Azur ou dans le Massif central. On peut vivre dehors en famille ou partager son jardin avec d'autres, avoir envie d'un potager, d'une roseraie, d'une piscine ou(...)
$69.95
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Summary:
Un jardin ? Ca sert à vire dehors ! A cette simple demande, Eric Ossart et Arnaud Maurières répondent depuis plus de vingt ans. Mais on ne vit pas dehors de la même façon en ville ou à la campagne, sur la Côte d'Azur ou dans le Massif central. On peut vivre dehors en famille ou partager son jardin avec d'autres, avoir envie d'un potager, d'une roseraie, d'une piscine ou(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
April 2008
April 2008
Title:
Les jardins de Ossart & Maurières: l'art de vivre dehors
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$69.95
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Un jardin ? Ca sert à vire dehors ! A cette simple demande, Eric Ossart et Arnaud Maurières répondent depuis plus de vingt ans. Mais on ne vit pas dehors de la même façon en ville ou à la campagne, sur la Côte d'Azur ou dans le Massif central. On peut vivre dehors en famille ou partager son jardin avec d'autres, avoir envie d'un potager, d'une roseraie, d'une piscine ou d'un verger. En dix-sept réalisations exemplaires, nos paysagistes livrent enfin leurs secrets de jardiniers.
Les jardins de Ossart & Maurières: l'art de vivre dehors
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$69.95
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Summary:
Un jardin ? Ca sert à vire dehors ! A cette simple demande, Eric Ossart et Arnaud Maurières répondent depuis plus de vingt ans. Mais on ne vit pas dehors de la même façon en ville ou à la campagne, sur la Côte d'Azur ou dans le Massif central. On peut vivre dehors en famille ou partager son jardin avec d'autres, avoir envie d'un potager, d'une roseraie, d'une piscine ou d'un verger. En dix-sept réalisations exemplaires, nos paysagistes livrent enfin leurs secrets de jardiniers.
Form:
books
books
Publication:
April 2008
April 2008
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
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$120.00
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Summary:
Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine(...)
$120.00
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Summary:
Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine(...)
Title:
Ruins: reflexions about violence, chaos and transience
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$120.00
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Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.
Ruins: reflexions about violence, chaos and transience
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$120.00
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Summary:
Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
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Summary:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2007, Charlottesville, London
April 2007, Charlottesville, London
Title:
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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Summary:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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Summary:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.
Form:
books
books
Publication:
April 2007, Charlottesville, London
April 2007, Charlottesville, London
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
audio
audio
Title:
Nick Evans: Solar Eyes.
Nick Evans: Solar Eyes.
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1 online resource
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[Place of publication not identified] : Tramway, 2013.
[Place of publication not identified] : Tramway, 2013.
Form:
audio
audio
Publication:
[Place of publication not identified] : Tramway, 2013.
[Place of publication not identified] : Tramway, 2013.
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journals and magazines
journals and magazines
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$29.95
(available to order)
Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
Subject:
Magazines
Magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Title:
Perspecta 34 : temporary architecture
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Perspecta 34 : temporary architecture
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$29.95
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Summary:
"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Form:
journals and magazines
journals and magazines
Publication:
June 2003, New Haven
June 2003, New Haven
Subject:
Magazines
Magazines
