24984 Results
Level of archival description:
Project
Project
Reference number:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
People:
Date:
1988-1989
1988-1989
Title:
The Broadcast Centre Development, Toronto (1989)
Actions:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
The Broadcast Centre Development, Toronto (1989)
Actions:
AP056.S1.1989.PR05
Description:
This project series documents the design of the Broadcast Centre Development on Front Street in Toronto in 1989. The office identified the project number as 8910. This project, commissioned by Graywood Developments Ltd., consisted of a mixed-use development located on the property directly east of the new CBC headquarters. This project was also referred to as the CBC/Graywood Development in the documentation and was an entry for a site development competition. The project proposed a mixed low-rise and high-rise tower that would contain a hotel and condominiums. The hotel would comprise the first six floors, creating a base for the tower, which would hold residential properties above the eighth floor recreation centre. A triple-height club lounge was proposed at the 43rd floor, visually separating the lower tower from the penthouses above it. These penthouses would be set back from the levels below with a long, pointed tower extending above them to complete the top of the building. This project was never built. The project is recorded through drawings, presentation paintings, a model and photographs of the model dating from 1988-1989. The drawings consist of site surveys, sketches, elevations, sections, plans, perspectives, axonometric drawings and presentation drawings
Level of archival description:
Project
Project
Date:
1988-1989
1988-1989
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
People:
Date:
1987-1988
1987-1988
Title:
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Level of archival description:
Project
Project
Date:
1987-1988
1987-1988
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
People:
Date:
1974-1981
1974-1981
Title:
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1974-1981
1974-1981
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.2003.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape design proposal for the Calgary Law Courts, located on the city block between 6th and the 7th Avenue, in Calgary, Alberta. This project was part of a design competition in 2004. Oberlander concept for the landscape consisted in depicting Albert's natural landscape of the Rockies, the foothills, and the prairie. The Rockies were to be recreated with excavation material from the site and would include a water feature spilling in a elongated water basins in the foothills, transforming into the prairie represented by tall grasses. Large lawn and bosque of Aspen trees would represente the City and provides shade and seating areas. The planting plan included the use of low maintenance and indigenous plants. The project also included a green roof on top of the Council Chamber and was planned to allow the reuse of storm water. The project was not realized. The project series contains perspective drawings and site plans showing planters concept, and a complete set of building plans used as reference. The project is also documented throught correspondence, including correspondence with architects, consultants and clients, competition information, competition proposal, including landscape concept proposal by Oberlander, financial documents and photographs of the site.
AP075.S1.2003.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape design proposal for the Calgary Law Courts, located on the city block between 6th and the 7th Avenue, in Calgary, Alberta. This project was part of a design competition in 2004. Oberlander concept for the landscape consisted in depicting Albert's natural landscape of the Rockies, the foothills, and the prairie. The Rockies were to be recreated with excavation material from the site and would include a water feature spilling in a elongated water basins in the foothills, transforming into the prairie represented by tall grasses. Large lawn and bosque of Aspen trees would represente the City and provides shade and seating areas. The planting plan included the use of low maintenance and indigenous plants. The project also included a green roof on top of the Council Chamber and was planned to allow the reuse of storm water. The project was not realized. The project series contains perspective drawings and site plans showing planters concept, and a complete set of building plans used as reference. The project is also documented throught correspondence, including correspondence with architects, consultants and clients, competition information, competition proposal, including landscape concept proposal by Oberlander, financial documents and photographs of the site.
People:
Date:
2003-2004
2003-2004
Title:
Calgary Law Courts, Calgary, Alberta (2003-2004)
Actions:
AP075.S1.2003.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape design proposal for the Calgary Law Courts, located on the city block between 6th and the 7th Avenue, in Calgary, Alberta. This project was part of a design competition in 2004. Oberlander concept for the landscape consisted in depicting Albert's natural landscape of the Rockies, the foothills, and the prairie. The Rockies were to be recreated with excavation material from the site and would include a water feature spilling in a elongated water basins in the foothills, transforming into the prairie represented by tall grasses. Large lawn and bosque of Aspen trees would represente the City and provides shade and seating areas. The planting plan included the use of low maintenance and indigenous plants. The project also included a green roof on top of the Council Chamber and was planned to allow the reuse of storm water. The project was not realized. The project series contains perspective drawings and site plans showing planters concept, and a complete set of building plans used as reference. The project is also documented throught correspondence, including correspondence with architects, consultants and clients, competition information, competition proposal, including landscape concept proposal by Oberlander, financial documents and photographs of the site.
Calgary Law Courts, Calgary, Alberta (2003-2004)
Actions:
AP075.S1.2003.PR06
Description:
Project series documents Cornelia Hahn Oberlander's landscape design proposal for the Calgary Law Courts, located on the city block between 6th and the 7th Avenue, in Calgary, Alberta. This project was part of a design competition in 2004. Oberlander concept for the landscape consisted in depicting Albert's natural landscape of the Rockies, the foothills, and the prairie. The Rockies were to be recreated with excavation material from the site and would include a water feature spilling in a elongated water basins in the foothills, transforming into the prairie represented by tall grasses. Large lawn and bosque of Aspen trees would represente the City and provides shade and seating areas. The planting plan included the use of low maintenance and indigenous plants. The project also included a green roof on top of the Council Chamber and was planned to allow the reuse of storm water. The project was not realized. The project series contains perspective drawings and site plans showing planters concept, and a complete set of building plans used as reference. The project is also documented throught correspondence, including correspondence with architects, consultants and clients, competition information, competition proposal, including landscape concept proposal by Oberlander, financial documents and photographs of the site.
Level of archival description:
Project
Project
Date:
2003-2004
2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
People:
Date:
1978-1986
1978-1986
Title:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Level of archival description:
Project
Project
Date:
1978-1986
1978-1986
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
People:
Date:
1992-1993
1992-1993
Title:
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Level of archival description:
Project
Project
Date:
1992-1993
1992-1993
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
People:
Date:
1977-1992
1977-1992
Title:
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
State Gallery Addition and New Chamber Theatre Competition and Construction, Stuttgart, Germany
Actions:
AP140.S2.SS1.D52
Description:
File documents a successful competition entry and an executed project for an addition to the State Gallery and for a new Chamber Theatre and music school in Stuttgart, Germany. Project was begun by the firm of James Stirling and Partner and completed by successor firm James Stirling Michael Wilford and Associates. Material in this file was produced between 1977 and 1992. File contains records submitted for and pertaining to the competition held in 1977 as well as material subsequently produced for the execution of the project. It includes several conceptual and design development drawings, presentation drawings including drawings submitted for the competition and drawings produced for publication purposes, as well as a large number of working drawings. File also contains photographic materials showing competition and study models, the building site and the completed building, including several by photographers Richard Bryant, John Donat Photography, Marlies Hentrup, Alastair Hunter, Waltraud Krase, Wilhelm Mierendorf, Axel Stoffers and Peter Walser. Textual records relate mainly to the competition, and to the design and construction of the project, to publications and building ceremonies, and include competition programmes and reports, correspondence, financial records, reprographic copies of working drawings, minutes as well as draft and final versions of essays and speeches by James Stirling and others.
Level of archival description:
File 52
File 52
Date:
1977-1992
1977-1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
People:
Date:
1999-2005
1999-2005
Title:
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Level of archival description:
Project
Project
Date:
1999-2005
1999-2005
People:
Level of archival description:
Project
Project
Title:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
Reference number:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
People:
Date:
1974-1976
1974-1976
Title:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Level of archival description:
Project
Project
Date:
1974-1976
1974-1976
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
People:
Date:
1991-2001
1991-2001
Title:
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Level of archival description:
Project
Project
Date:
1991-2001
1991-2001
People:
