October 141
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media,(...)
October 141
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
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Hans Bellmer : the doll
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a(...)
Hans Bellmer : the doll
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a totally unexpected rationale for his uncompromising art. His ideas are, in the words of poet Joë Bousquet, a “scandal to reason.” This English edition follows Bellmer’s original, the texts having been translated for the first time by Malcolm Green, who also provides an introduction from the final German version.
Contemporary Art Monographs
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Based in Los Angeles, Tom Wiscombe heads an internationally recognised architecture practice, known for its powerful massing, graphic qualities, and tectonic inventiveness. His team’s approach stems from their theory of the flat ontology of architecture, which imagines architecture – and the world – as a set of discrete, lively entities that exist democratically on a flat(...)
Tom Wiscombe Architecture: Objects, models, worlds
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Based in Los Angeles, Tom Wiscombe heads an internationally recognised architecture practice, known for its powerful massing, graphic qualities, and tectonic inventiveness. His team’s approach stems from their theory of the flat ontology of architecture, which imagines architecture – and the world – as a set of discrete, lively entities that exist democratically on a flat plane. In this imposing monograph, the practice challenges the discipline of architecture to reimagine its place in contemporary culture. A body of work produced over the last decade is presented as part of a constellation of objects, ideas, precedents, and references and articulated with humour and clarity.
Architecture Monographs
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"Decolonising the built environment: process, product, and pedagogy" provides an important and much-needed comprehensive overview of how decolonisation is shaping the built environment in theory, in practice, and as a process/project today. The contributors provide an inclusive and trans-national conversation between a diverse set of academics, design practitioners and(...)
Architecture ecologies
February 2025
Decolonising the built environment: Process, product, and pedagogy
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"Decolonising the built environment: process, product, and pedagogy" provides an important and much-needed comprehensive overview of how decolonisation is shaping the built environment in theory, in practice, and as a process/project today. The contributors provide an inclusive and trans-national conversation between a diverse set of academics, design practitioners and thinkers, and activists. This book is structured around three thematic and practical categories: Part 1 studies decolonisation conceptually; Part 2 studies decolonisation as a process; and Part 3 studies the products of decolonisation as materialised in the form of buildings, urban design, planning, policy, and social practices.
Architecture ecologies
The Venetian facade
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This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism. It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is(...)
The Venetian facade
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This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism. It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.
History until 1900, Italy
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This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is(...)
MUSAC Museo de Arte Contemporàneo de Castilla y Leon: El edifico The Building
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This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is structured in three parts: building concept and theory; the plans of the building and images of its evolution during the two years the building work took; and lastly an extended look at the space as seen through the eyes of four contemporary artists.
Museums and Universal Exhibitions
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The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF).(...)
A concrete alliance: Communism and modern architecture in postwar France
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The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF). Drawing political theory and architectural history into conversation, Vanessa Grossman probes the shifting but enduring alliance between modern architecture and the PCF in the aftermath of the political crisis of 1958, prompted by the Algerian War of Independence and Charles de Gaulle’s rise to power.
Modernism
a+u 554 : Hermann Czech
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Hermann Czech gained recognition in Europe in the 1970s with projects based on a strategy of continuation and convention instead of contrast. His work includes homes, hotels, schools, and urban planning, as well as small-scale interventions and exhibition design. In rejecting facile connections between theory and practice, he developed a multidimensional, critical and(...)
a+u 554 : Hermann Czech
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Hermann Czech gained recognition in Europe in the 1970s with projects based on a strategy of continuation and convention instead of contrast. His work includes homes, hotels, schools, and urban planning, as well as small-scale interventions and exhibition design. In rejecting facile connections between theory and practice, he developed a multidimensional, critical and early postmodern position amid a climate of reformation and avant-gardism. Guest-edited by Christian Kühn of Technische Universität Wien, this issue explores the many facets of Czech’s architectural thought and practice through works ranging from furniture design to urban-scale infrastructure.
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Rooftop garden design
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Green roofs - the ultimate in sustainable building practices - continue to generate enormous interest and enthusiasm among architects, landscape designers, and urban planners. This richly illustrated book provides a comprehensive guide to contemporary trends in rooftop garden design, and provides definitive theory and design industry knowledge. The designers of the(...)
Rooftop garden design
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Green roofs - the ultimate in sustainable building practices - continue to generate enormous interest and enthusiasm among architects, landscape designers, and urban planners. This richly illustrated book provides a comprehensive guide to contemporary trends in rooftop garden design, and provides definitive theory and design industry knowledge. The designers of the project case studies are leaders in their fields, and are drawn from across Australia, Chile, China, Europe, Japan, Mexico, Philippines, Scandinavia, Thailand, United Kingdom, United States, and Vietnam. The designers provide details on the benefits of their rooftop gardens, offering readers profound inspiration and informative reviews of the work, design considerations, operation and maintenance.
Gardens
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TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as(...)
Texte zur kunst 71: artists' artists, september 2008
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TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as on art history, theory and cultural politics. Since 2006 the comprehensive main section section, each time devoted to a different topic, and selected reviews are published in both German and English. With every issue internationally renowned artists support the magazine with exclusive artists’ editions.
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