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Un-volumetric architecture expresses a new condition acquired in dealing with and designing open and public space from the nineties to today. This volume is therefore intended to offer a theoretical reflection conducted through 100 construction projects worldwide that have faced the difficult challenge of delineating and building a new identity for that transient and(...)
Contemporary public space : un-volumetric architecture
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Un-volumetric architecture expresses a new condition acquired in dealing with and designing open and public space from the nineties to today. This volume is therefore intended to offer a theoretical reflection conducted through 100 construction projects worldwide that have faced the difficult challenge of delineating and building a new identity for that transient and continually metamorphosing category that is the contemporary open space. The considerable creative freedom, the low budget, the sophisticated relationship with the landscape and geography, the dialogue with new metropolitan realities, the possibility of offering temporary solutions, all make these projects among the richest, freest and most stimulating collections currently available, through the work of major protagonists and many emerging authors on the international scene. The volume is divided into 10 sections: Surfaces, Vertical, Enclosures, Design, Shelters, Environment, Earthworks, Figures, Technique and Events, which attempt to accompany the reader around a complex world of solutions and projects ranging from the traditional public space to the landscape, from the rock concert to the provisional space for cultural and artistic events, from the design of infrastructures to the most sophisticated garden. Each section is introduced by a small essay, written by such important authors on the contemporary scene as Denise Scott Brown, James Wines, Pippo Ciorra, Wes Jones, Enrico Morteo, Alberto Ferlenga, Ilhyun Kim, Kengo Kuma, Arie Graafland, Juan Purcell and Bernardo Secchi, who attempt to tackle the theme of the contemporary open space, offering stimuli for theoretical reflection.
Urban Theory
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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
Gardens
March 2005, San Rafael, California
Peter Walker and Partners : defining the craft
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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
books
March 2005, San Rafael, California
Gardens
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Kamel Louafi has achieved international recognition for the gardens at the EXPO 2000 World's Fair in Hanover. Besides numerous projects in Berlin, Kamel Louafi has designed open spaces in the Orient, Abu Dhabi, Katar, and Saudi Arabia, as well as Rotterdam/the Netherlands.
November 2009
Urban landscapes, paysages urbains, urban landschaften
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Kamel Louafi has achieved international recognition for the gardens at the EXPO 2000 World's Fair in Hanover. Besides numerous projects in Berlin, Kamel Louafi has designed open spaces in the Orient, Abu Dhabi, Katar, and Saudi Arabia, as well as Rotterdam/the Netherlands.
$64.95
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Donald Judd was one of the most important exponents of American Minimal Art. Among the lesser-known aspects of his work are the numerous built architectural projects in which he explores the relationship between architecture art, furniture, and landscape. One particular location was of great significance to Judd’s architectural work: Fort D.R. Russell, a former US(...)
Donald Judd: Architecture in Marfa, Texas. 2nd edition
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Donald Judd was one of the most important exponents of American Minimal Art. Among the lesser-known aspects of his work are the numerous built architectural projects in which he explores the relationship between architecture art, furniture, and landscape. One particular location was of great significance to Judd’s architectural work: Fort D.R. Russell, a former US military base in the Chihuahuan desert on the southern edge of the pioneer town of Marfa, Texas. Judd acquired the fort and other structures in Marfa which he systematically converted into one of the largest ensemble collections of contemporary art in the world.
Contemporary Art Monographs
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the(...)
Magazines, Back Issues
October 2005, London
The new mix : culturally dynamic architecture
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the almost universal expectation that the metroculture, be it in London or Beijing, will provide broadened cultural experiences in food, performance, dress and sound. The new ethnically diverse city is a place of zesty daily encounters/collisions/cohabitation between cultures, a place of mixed signals, contradictions, delightful confusions. Franco-Japanese cuisine, elite schoolchildren wearing doo-rags, jazz performed on gamelans—no matter what one’s mother culture - we’re all getting addicted to varied rhythms, different emotional emphases, ‘other’ ideas of beauty. This change is visible in schools of architecture, at least in the range of students, typically from many ethnicities, none of them constituting a majority. No wonder, then, that there is increased interest in ways that architecture can incorporate a larger compass of riches. A rising group of practitioners is meeting the challenge of this broadening cultural landscape in pursuing strategies of quick switching, layering, reframing. These new architectural expressions of multiple cultures represent an enrichment that ultimately might help create a more robust modernism, helping to rescue it from a ‘potato blight’ of too much sameness.
Magazines, Back Issues
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Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful(...)
Shim Sutcliffe: the architecture of Point William
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Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful introduction with selected images and his own sketches framing a way of seeing Point William for the reader. Michael Webb''s provocative interview with Brigitte Shim and Howard Sutcliffe describes their evolving vision for Point William and their two-decade journey towards its realization. Acclaimed photographers Ed Burtynsky, James Dow and Scott Norsworthy contribute through their powerful images capturing the spirit of Point William thorough the seasons and over time.
Canadian Architects
CPULs: continuous productive urban landscapes, designing urban agriculture for sustainable cities
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This book on urban design extends and develops the widely accepted 'compact city' solution. It provides a design proposal for a new kind of sustainable urban landscape: Urban Agriculture. By growing food within an urban rather than exclusively rural environment, urban agriculture would reduce the need for industrialized production, packaging and transportation of(...)
Green Architecture
January 2005, Amsterdam, Boston, London
CPULs: continuous productive urban landscapes, designing urban agriculture for sustainable cities
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This book on urban design extends and develops the widely accepted 'compact city' solution. It provides a design proposal for a new kind of sustainable urban landscape: Urban Agriculture. By growing food within an urban rather than exclusively rural environment, urban agriculture would reduce the need for industrialized production, packaging and transportation of foodstuffs to the city dwelling consumers. The revolutionary and innovative concepts put forth in this book have potential to shape the future of our cities quality of life within them. Urban design is shown in practice through international case studies and the arguments presented are supported by quantified economic, environmental and social justifications.
Green Architecture
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape(...)
Museums and Universal Exhibitions
August 2003, Rotterdam
Mobility : a room with a view. International Architecture Biennale Rotterdam.
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape to (car) mobility. This unique book shows the results of this international research in its various forms: statistics, photography, text, visual collage and design proposals. These together give a tangible and insightful look at the mobile cultures found in a wide range of cities and countries, from Mexico City, Hong Kong and Guangzhou, to Djakarta, Budapest, the Ruhr Valley, Beirut, Los Angeles, Tokyo, Peking and Holland. The aim of the publication is twofold. On the one hand, to understand infrastructures and motorway culture by studying their different cultural and geographical contexts. On the other, to draw up an agenda for the future, one that establishes the role to be played by various design disciplines. This research and publication endeavor is the fruit of a collaboration between the universities of Wuppertal, Aachen, Berlin, California, Monterrey (Mexico), Tokyo, Hong Kong, Peking, Beirut, Budapest, Bandung and Delft.
Museums and Universal Exhibitions
books
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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3 volumes : illustrations (some color), portraits ; 32 cm
New York : Museum of Modern Art, 2015-2017.
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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3 volumes : illustrations (some color), portraits ; 32 cm
books
New York : Museum of Modern Art, 2015-2017.
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd(...)
A field measure survey of American architecture
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Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ‘one-way road trip’ across the United States, weaving north and south across the Mason-Dixon line while tacking west. In ''A field measure survey of American architecture,'' Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled. Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. ''A field measure survey of American architecture'' sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.
Photography monographs