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books
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In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and(...)
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In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and(...)
Title:
Ruderal city: ecologies of migration, race, and urban nature in Berlin
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In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and sidewalk cracks—to theorize Berlin as a “ruderal city.” Stoetzer explores sites in and around Berlin that have figured in German national imaginaries—gardens, forests, parks, and rubble fields—to show how racial, class, and gender inequalities shape contestations over today’s uses and knowledges of urban nature. Drawing on fieldwork with gardeners, botanists, migrant workers, refugees, public officials, and nature enthusiasts while charting human and more-than-human worlds, Stoetzer offers a wide-ranging ethnographic portrait of Berlin’s postwar ecologies that reveals emergent futures in the margins of European cities. Brimming with stories that break down divides between environmental perspectives and the study of migration and racial politics, Berlin’s ruderal worlds help us rethink the space of nature and culture and the categories through which we make sense of urban life in inhospitable times.
Ruderal city: ecologies of migration, race, and urban nature in Berlin
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$37.95
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Summary:
In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and sidewalk cracks—to theorize Berlin as a “ruderal city.” Stoetzer explores sites in and around Berlin that have figured in German national imaginaries—gardens, forests, parks, and rubble fields—to show how racial, class, and gender inequalities shape contestations over today’s uses and knowledges of urban nature. Drawing on fieldwork with gardeners, botanists, migrant workers, refugees, public officials, and nature enthusiasts while charting human and more-than-human worlds, Stoetzer offers a wide-ranging ethnographic portrait of Berlin’s postwar ecologies that reveals emergent futures in the margins of European cities. Brimming with stories that break down divides between environmental perspectives and the study of migration and racial politics, Berlin’s ruderal worlds help us rethink the space of nature and culture and the categories through which we make sense of urban life in inhospitable times.
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books
books
Publication:
December 2022
December 2022
Subject:
Urban Theory
Urban Theory
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books
books
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$20.00
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Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place(...)
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Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place(...)
Subject:
Group Exhibitions
Group Exhibitions
Publication:
September 2009
September 2009
Title:
Klara Hobza The new millennium paper airplane book
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$20.00
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Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place in 1967 at the same venue--which, in a note of minor irony, was built to display rockets for the 1964 World's Fair. The competition was open to the public, and participants were invited to fly their planes in a number of judging categories including distance flown, duration aloft, beauty, spectacular failure and children's designs. For this book, Hobza has also included some additional paper airplane contributions from fellow enthusiasts met along the way. Each page within the book is designed to be torn out and folded into a paper airplane. A complete list of step-by-step folding instructions is also included, so you can remake your favorites. Klara Hobza was born in Plzen, Czech Republic, and currently lives and works in New York City.
Klara Hobza The new millennium paper airplane book
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$20.00
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Summary:
Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place in 1967 at the same venue--which, in a note of minor irony, was built to display rockets for the 1964 World's Fair. The competition was open to the public, and participants were invited to fly their planes in a number of judging categories including distance flown, duration aloft, beauty, spectacular failure and children's designs. For this book, Hobza has also included some additional paper airplane contributions from fellow enthusiasts met along the way. Each page within the book is designed to be torn out and folded into a paper airplane. A complete list of step-by-step folding instructions is also included, so you can remake your favorites. Klara Hobza was born in Plzen, Czech Republic, and currently lives and works in New York City.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Group Exhibitions
Group Exhibitions
Form:
books
books
Price:
$15.00
(available to order)
Summary:
A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
$15.00
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
Title:
Omon Ra
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$15.00
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Omon Ra
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$15.00
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Summary:
A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Form:
books
books
Publication:
February 1998
February 1998
Subject:
Architecture and the imaginary
Architecture and the imaginary
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books
books
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$35.00
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
$35.00
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Summary:
Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
Title:
When London was capital of America
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$35.00
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
When London was capital of America
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$35.00
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Summary:
Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
Form:
books
books
Publication:
June 2010
June 2010
Subject:
History until 1900, Great Britain
History until 1900, Great Britain
Form:
books
books
Title:
The passionate triangle
The passionate triangle
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$49.95
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Summary:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
$49.95
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Summary:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
Title:
The passionate triangle
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$49.95
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
The passionate triangle
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$49.95
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Summary:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$29.95
(available to order)
Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more(...)
$29.95
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Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more(...)
Title:
Speaking for a long time : public space & social memory in Vancouver
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$29.95
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In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more vulnerable groups, and each figured in debates about many kinds of violence. "Speaking for a Long Time" offers unique insights into the creation of memorials and the multiple, often contested meanings that can be attached to them in local communities. Part 1, "Act," explores the monuments' origin stories and highlights the distinctive perspectives of their founders. Part 2, "Frame," places these narratives in the context of modern debates and theories on public space and social memory. Part 3, "Forge," returns to the Downtown Eastside to show how the resilience and agency of grassroots activists can give the socially marginalized a visible presence in our urban landscapes. This vivid account of the creation of memory-scapes in a marginalized community asks us to reconsider what constitutes public art that will "speak for a long time."
Speaking for a long time : public space & social memory in Vancouver
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$29.95
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Summary:
In the late 1990s, three monuments -- Crab Park "Boulder," "Marker of Change," and Standing "with Courage, Strength and Pride" -- were built in Vancouver's Downtown Eastside. Located within a few city blocks of one another, the monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society's more vulnerable groups, and each figured in debates about many kinds of violence. "Speaking for a Long Time" offers unique insights into the creation of memorials and the multiple, often contested meanings that can be attached to them in local communities. Part 1, "Act," explores the monuments' origin stories and highlights the distinctive perspectives of their founders. Part 2, "Frame," places these narratives in the context of modern debates and theories on public space and social memory. Part 3, "Forge," returns to the Downtown Eastside to show how the resilience and agency of grassroots activists can give the socially marginalized a visible presence in our urban landscapes. This vivid account of the creation of memory-scapes in a marginalized community asks us to reconsider what constitutes public art that will "speak for a long time."
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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$32.95
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Summary:
Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in(...)
$32.95
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Summary:
Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in(...)
Publication:
July 2011
July 2011
Title:
Placing memory and remembering place in Canada
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$32.95
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Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in memory studies by shifting the focus to local places that sit at the intersection of memory making and identity formation - the main street, the city square, the village museum, internment camps, industrial wastelands, and the rural landscape. Offering a perspective on the politics of place and memory across differing chronologies and geographies, the first part of the book traces how local expressions of memory such as celebrations, museums, statues, postcards, and plaques have contributed to a sense of place and belonging in twentieth-century Canada. The second part in turn explores how ordinary Canadians have embedded their memories of place in oral stories, photographs, and the landscape itself. With its focus on the materiality of image, text, and artefact, these essays argue for an understanding of place as imagined, made, claimed, fought for, and defended - always in a state of becoming.
Placing memory and remembering place in Canada
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$32.95
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Summary:
Over the past two decades, many books and articles have explored the larger meaning of public acts of remembrance. Although these studies have brought the links between public memory, imperialism, and nation building into focus, they overlook local expressions of memory that lie at the heart of our everyday experiences and identities. This publication maps a terrain in memory studies by shifting the focus to local places that sit at the intersection of memory making and identity formation - the main street, the city square, the village museum, internment camps, industrial wastelands, and the rural landscape. Offering a perspective on the politics of place and memory across differing chronologies and geographies, the first part of the book traces how local expressions of memory such as celebrations, museums, statues, postcards, and plaques have contributed to a sense of place and belonging in twentieth-century Canada. The second part in turn explores how ordinary Canadians have embedded their memories of place in oral stories, photographs, and the landscape itself. With its focus on the materiality of image, text, and artefact, these essays argue for an understanding of place as imagined, made, claimed, fought for, and defended - always in a state of becoming.
Form:
books
books
Publication:
July 2011
July 2011
Form:
books
books
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$65.95
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Summary:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
$65.95
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Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
Title:
Literature and architecture in early Modern England
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$65.95
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Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Literature and architecture in early Modern England
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$65.95
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Summary:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$72.00
(available to order)
Summary:
In every segment of retail, countless products compete for our attention. Whether fashion, cosmetics, furnishings, accessories, or gourmet food, the range of goods is overwhelming. Designers and manufacturers are faced with the daunting challenge of setting their products apart to reach their target audiences. The best ones captivate us by telling fascinating(...)
$72.00
(available to order)
Summary:
In every segment of retail, countless products compete for our attention. Whether fashion, cosmetics, furnishings, accessories, or gourmet food, the range of goods is overwhelming. Designers and manufacturers are faced with the daunting challenge of setting their products apart to reach their target audiences. The best ones captivate us by telling fascinating(...)
Subject:
Industrial Design
Industrial Design
Publication:
September 2015
September 2015
Title:
The still life: in product presentation and editorial design
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$72.00
(available to order)
Summary:
In every segment of retail, countless products compete for our attention. Whether fashion, cosmetics, furnishings, accessories, or gourmet food, the range of goods is overwhelming. Designers and manufacturers are faced with the daunting challenge of setting their products apart to reach their target audiences. The best ones captivate us by telling fascinating stories or creating compelling retail spaces and experiences. The Still Life compiles striking editorial photography, innovative shop window displays, and intelligent visual merchandising that succeed in doing exactly that. The featured work is created by imaginative stylists and photographers who arrange products, objects, and materials in unusual ways. Distinctive worlds of images result that are reminiscent of Baroque and Renaissance still life paintings in which arrangements of flowers, fruit, musical instruments, and other objects were used as powerful allegories for various aspects of life and death. Today's creatives are developing new visual storytelling techniques for engaging customers. The Still Life showcases their entire spectrum. The book illustrates how a combination of quality handcraft and inspired flair are being used to put familiar products, such as gardening tools, cutlery, purses, writing implements, or jewelry, into surprising new contexts, ranging from minimalistic understatement to opulent glamour.
The still life: in product presentation and editorial design
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Price:
$72.00
(available to order)
Summary:
In every segment of retail, countless products compete for our attention. Whether fashion, cosmetics, furnishings, accessories, or gourmet food, the range of goods is overwhelming. Designers and manufacturers are faced with the daunting challenge of setting their products apart to reach their target audiences. The best ones captivate us by telling fascinating stories or creating compelling retail spaces and experiences. The Still Life compiles striking editorial photography, innovative shop window displays, and intelligent visual merchandising that succeed in doing exactly that. The featured work is created by imaginative stylists and photographers who arrange products, objects, and materials in unusual ways. Distinctive worlds of images result that are reminiscent of Baroque and Renaissance still life paintings in which arrangements of flowers, fruit, musical instruments, and other objects were used as powerful allegories for various aspects of life and death. Today's creatives are developing new visual storytelling techniques for engaging customers. The Still Life showcases their entire spectrum. The book illustrates how a combination of quality handcraft and inspired flair are being used to put familiar products, such as gardening tools, cutlery, purses, writing implements, or jewelry, into surprising new contexts, ranging from minimalistic understatement to opulent glamour.
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Industrial Design
Industrial Design
Form:
books
books
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Description:
ix, 164 pages : illustrations ; 27 cm
Description:
ix, 164 pages : illustrations ; 27 cm
Author:
Subject:
Publication:
Boston : Northeastern University Press, ©2004.
Boston : Northeastern University Press, ©2004.
Title:
Designing MIT : Bosworth's New Tech / Mark Jarzombek.
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Description:
ix, 164 pages : illustrations ; 27 cm
Designing MIT : Bosworth's New Tech / Mark Jarzombek.
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Holdings:
Description:
ix, 164 pages : illustrations ; 27 cm
Form:
books
books
Publication:
Boston : Northeastern University Press, ©2004.
Boston : Northeastern University Press, ©2004.
Author:
Subject:
