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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
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Museums and Universal Exhibitions
Museums and Universal Exhibitions
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July 2007, London, Baden
July 2007, London, Baden
Title:
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
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books
books
Publication:
July 2007, London, Baden
July 2007, London, Baden
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$54.95
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record(...)
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record(...)
Publication:
September 2019
September 2019
Title:
Architecture of appropriation: on squatting as spatial practice
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalised spatial practices.
Architecture of appropriation: on squatting as spatial practice
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalised spatial practices.
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books
books
Publication:
September 2019
September 2019
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books
books
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$46.95
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The world is merging into one global system of goods, people and information. This book explores the social, cultural, and economic phenomena of globalization through housing. The Chair of Architecture and Design at the ETH in Zurich examines the last 25 years of housing development. This book is a historical criticism with the built projects as protagonists. Housing(...)
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The world is merging into one global system of goods, people and information. This book explores the social, cultural, and economic phenomena of globalization through housing. The Chair of Architecture and Design at the ETH in Zurich examines the last 25 years of housing development. This book is a historical criticism with the built projects as protagonists. Housing(...)
Publication:
September 2008, Barcelona
September 2008, Barcelona
Title:
Global housing projects : 25 buildings since 1980
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The world is merging into one global system of goods, people and information. This book explores the social, cultural, and economic phenomena of globalization through housing. The Chair of Architecture and Design at the ETH in Zurich examines the last 25 years of housing development. This book is a historical criticism with the built projects as protagonists. Housing typologies have been chosen as contemporary architectural prototypes. The selection of housing projects reflects the most innovative and influential built housing projects to propose new important guidelines in housing. The ETH Zurich is a renowned European architecture institute.
Global housing projects : 25 buildings since 1980
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The world is merging into one global system of goods, people and information. This book explores the social, cultural, and economic phenomena of globalization through housing. The Chair of Architecture and Design at the ETH in Zurich examines the last 25 years of housing development. This book is a historical criticism with the built projects as protagonists. Housing typologies have been chosen as contemporary architectural prototypes. The selection of housing projects reflects the most innovative and influential built housing projects to propose new important guidelines in housing. The ETH Zurich is a renowned European architecture institute.
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books
books
Publication:
September 2008, Barcelona
September 2008, Barcelona
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books
books
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$39.95
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability,(...)
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability,(...)
Title:
Substance over spectacle : contemporary Canadian architecture
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability, sustainability, community, and utility as they relate to the Canadian architectural experience. Included is the work of twenty-five architects from every area of the country, each represented by an installation of their own design and construction. In addition to photographs of the finished projects, "Substance over Spectacle" also features images of models and architectural drawings, together with analytical/critical text demonstrating the architectural ideas embedded in the work. Five essays deal with different aspects of contemporary Canadian architecture, written by some of Canada’s leading thinkers on architecture: George Baird, Sherry McKay, Marco Polo, Georges Adamczyk, and Andrew Gruft. Publication of the book coincides with an exhibition of the same name mounted by the Morris and Helen Belkin Art Gallery at the University of British Columbia, in April 2005, during the international conference of the Society of Architectural Historians, which is taking place at UBC. "Substance over Spectacle", the first national critical overview of Canadian architecture in some eighteen years, offers fresh new perspectives on how our architecture defines us as we approach the first mid-decade of the new century.
Substance over spectacle : contemporary Canadian architecture
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"Substance over Spectacle" presents the best and brightest architectural work in Canada in the last ten years, providing a representative sample of Canadian architectural practice since the early nineties, and demonstrating a specific Canadian sensibility that is unlike any architectural trend elsewhere in the world. The book also explores issues of viability, sustainability, community, and utility as they relate to the Canadian architectural experience. Included is the work of twenty-five architects from every area of the country, each represented by an installation of their own design and construction. In addition to photographs of the finished projects, "Substance over Spectacle" also features images of models and architectural drawings, together with analytical/critical text demonstrating the architectural ideas embedded in the work. Five essays deal with different aspects of contemporary Canadian architecture, written by some of Canada’s leading thinkers on architecture: George Baird, Sherry McKay, Marco Polo, Georges Adamczyk, and Andrew Gruft. Publication of the book coincides with an exhibition of the same name mounted by the Morris and Helen Belkin Art Gallery at the University of British Columbia, in April 2005, during the international conference of the Society of Architectural Historians, which is taking place at UBC. "Substance over Spectacle", the first national critical overview of Canadian architecture in some eighteen years, offers fresh new perspectives on how our architecture defines us as we approach the first mid-decade of the new century.
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books
books
Publication:
May 2005, Vancouver
May 2005, Vancouver
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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The referential book by Álvaro Siza on his own work, in its first English edition. Describing some of his projects, his expectations and struggles, references and decisions, this book is a fundamental contribution to the understanding of Álvaro Siza’s architectural thinking. The text is accompanied by an extensive set of drawings from his notebooks, an obstinate presence(...)
$45.95
(available in store)
Summary:
The referential book by Álvaro Siza on his own work, in its first English edition. Describing some of his projects, his expectations and struggles, references and decisions, this book is a fundamental contribution to the understanding of Álvaro Siza’s architectural thinking. The text is accompanied by an extensive set of drawings from his notebooks, an obstinate presence(...)
Title:
Imagining the evident: Alvaro Siza
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The referential book by Álvaro Siza on his own work, in its first English edition. Describing some of his projects, his expectations and struggles, references and decisions, this book is a fundamental contribution to the understanding of Álvaro Siza’s architectural thinking. The text is accompanied by an extensive set of drawings from his notebooks, an obstinate presence in Siza’s particular way of working, some of which never published before. A personal and fundamental testimony of one of the most celebrated living architects, covering the full range of design – from architecture to city planning, furniture and objects – in a must-read book for all interested in Art and Architecture.
Imagining the evident: Alvaro Siza
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The referential book by Álvaro Siza on his own work, in its first English edition. Describing some of his projects, his expectations and struggles, references and decisions, this book is a fundamental contribution to the understanding of Álvaro Siza’s architectural thinking. The text is accompanied by an extensive set of drawings from his notebooks, an obstinate presence in Siza’s particular way of working, some of which never published before. A personal and fundamental testimony of one of the most celebrated living architects, covering the full range of design – from architecture to city planning, furniture and objects – in a must-read book for all interested in Art and Architecture.
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books
books
Publication:
May 2021
May 2021
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books
books
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$26.95
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new(...)
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new(...)
Publication:
September 2015
September 2015
Title:
Interspace: essays on the digital & the public
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new ways of organising spaces. With regard to the changes that the last substantial structural transformation of the public – web 2.0 – has brought along in architecture, Interspace analyses what has architecture got to do with big data and what is the architects’ role at the time when their expertise is being challenged by digital technologies.
Interspace: essays on the digital & the public
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Interspace investigates the spatial and social consequences of a data-driven society where personalised information flows produce a multitude of personalised readings of the collective sphere and thus, the role of public space is to be questioned. Accompanied by a new understanding about authorship and new techniques of design, this participatory model calls out for new ways of organising spaces. With regard to the changes that the last substantial structural transformation of the public – web 2.0 – has brought along in architecture, Interspace analyses what has architecture got to do with big data and what is the architects’ role at the time when their expertise is being challenged by digital technologies.
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books
books
Publication:
September 2015
September 2015
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archives
archives
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Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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Title:
Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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archives
archives
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books
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Title:
Offrir des fleurs
Offrir des fleurs
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L'ouvrage présente un travail autour de l'exposition Offrir des Fleurs dans le cadre de la Bourse Agora du Curateur (Agora du Design). Ceci n'est pas un catalogue. Cet ouvrage est pensé comme un outil de lecture, une continuité avec l'exposition. Cette base de données est une proposition curatoriale, axée sur une recherche rassemblant des témoignages, des textes, des(...)
$39.95
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L'ouvrage présente un travail autour de l'exposition Offrir des Fleurs dans le cadre de la Bourse Agora du Curateur (Agora du Design). Ceci n'est pas un catalogue. Cet ouvrage est pensé comme un outil de lecture, une continuité avec l'exposition. Cette base de données est une proposition curatoriale, axée sur une recherche rassemblant des témoignages, des textes, des(...)
Publication:
March 2021
March 2021
Title:
Offrir des fleurs
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L'ouvrage présente un travail autour de l'exposition Offrir des Fleurs dans le cadre de la Bourse Agora du Curateur (Agora du Design). Ceci n'est pas un catalogue. Cet ouvrage est pensé comme un outil de lecture, une continuité avec l'exposition. Cette base de données est une proposition curatoriale, axée sur une recherche rassemblant des témoignages, des textes, des entretiens, des photographies et des objets. Et si offrir des fleurs permettait de parler de design autrement ? Cette exploration curatoriale met en avant un format d'exposition capable de recevoir un contenu sensible, celui de témoignages (tmg.) relatant cette action. Du point de vue du donneur ou du receveur, ce contenu est le centre de notre attention. Ces derniers forment le noyau dur de l'exposition et de ce catalogue. À travers cette récolte variée, nous pouvons déchiffrer des systématismes, regroupés. Le panel d'acteurs est le plus large possible : classes sociales, cultures et professions confondues, interrogé entre décembre 2020 et mars 2021. Nous l'avons complété d'une recherche de contenus et d'objets relatant une dimension affective et d'échange représentant la fleur ou sa production (obj. – timbres, cartes et monnaie), ainsi qu'un reportage photographique (img. – photographies) et d'un ensemble de textes et d'entretiens (txt. – entretiens et commandes), auprès de producteurs, transformateurs de la fleur, mais aussi de curateurs et de designers. Un travail de retranscriptions met en corrélation des moments / histoires communes et leurs différences. Cette récolte permet de constituer des sujets (suj.) emboîtés où chacun des éléments de cette base de données prennent sens. Cette réponse curatoriale se veut être non circonscrite, ouverte et surtout non exhaustive.
Offrir des fleurs
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L'ouvrage présente un travail autour de l'exposition Offrir des Fleurs dans le cadre de la Bourse Agora du Curateur (Agora du Design). Ceci n'est pas un catalogue. Cet ouvrage est pensé comme un outil de lecture, une continuité avec l'exposition. Cette base de données est une proposition curatoriale, axée sur une recherche rassemblant des témoignages, des textes, des entretiens, des photographies et des objets. Et si offrir des fleurs permettait de parler de design autrement ? Cette exploration curatoriale met en avant un format d'exposition capable de recevoir un contenu sensible, celui de témoignages (tmg.) relatant cette action. Du point de vue du donneur ou du receveur, ce contenu est le centre de notre attention. Ces derniers forment le noyau dur de l'exposition et de ce catalogue. À travers cette récolte variée, nous pouvons déchiffrer des systématismes, regroupés. Le panel d'acteurs est le plus large possible : classes sociales, cultures et professions confondues, interrogé entre décembre 2020 et mars 2021. Nous l'avons complété d'une recherche de contenus et d'objets relatant une dimension affective et d'échange représentant la fleur ou sa production (obj. – timbres, cartes et monnaie), ainsi qu'un reportage photographique (img. – photographies) et d'un ensemble de textes et d'entretiens (txt. – entretiens et commandes), auprès de producteurs, transformateurs de la fleur, mais aussi de curateurs et de designers. Un travail de retranscriptions met en corrélation des moments / histoires communes et leurs différences. Cette récolte permet de constituer des sujets (suj.) emboîtés où chacun des éléments de cette base de données prennent sens. Cette réponse curatoriale se veut être non circonscrite, ouverte et surtout non exhaustive.
Form:
books
books
Publication:
March 2021
March 2021
Form:
books
books
Title:
Serpentine gallery pavillons
Serpentine gallery pavillons
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$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
$64.95
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Summary:
Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Title:
Serpentine gallery pavillons
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$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Serpentine gallery pavillons
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$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$20.00
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Summary:
A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global(...)
$20.00
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Summary:
A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global(...)
Publication:
February 2015
February 2015
Title:
Community-inspired housing in Canada
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$20.00
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A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global Holcim Awards Bronze winner from 2006, a follow-up project at Rosemont, and plans for the forthcoming Bois Ellen Cooperative Residence.
Community-inspired housing in Canada
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$20.00
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A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global Holcim Awards Bronze winner from 2006, a follow-up project at Rosemont, and plans for the forthcoming Bois Ellen Cooperative Residence.
Form:
books
books
Publication:
February 2015
February 2015
