The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
Contemporary Art Monographs
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her(...)
October files 17 : Isa Genzken
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993.
Contemporary Art Monographs
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous(...)
History since 1900, Reference Books
September 2012
Review N. 2 : Typology, Hong Kong, Rome, New York, Buenos Aires
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"Typology", volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Rome, New York, Hong Kong and Buenos Aires that have been analysed by the chair of Emanuel Christ and Christoph Gantenbein at the Swiss Federal Institute of Technology Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th-century building production provides a basis for urban project creation. In this new book, the buildings are documented with floor plans, axonometric projections, recent photographs and key information. The theoretical essay by Emanuel Christ and Christoph Gantenbein and four texts by other authors explain the interactions between the contexts, especially the governing urban rule sets and the buildings, and show the potential for the design of a contemporary urban architecture.
History since 1900, Reference Books
Grey room 48
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Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough and Felicity D. Scott, Editors Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns.
Grey room 48
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Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough and Felicity D. Scott, Editors Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns.
Magazines
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Museums and Universal Exhibitions
April 2011
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Museums and Universal Exhibitions
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly,(...)
Re-scaling the environment: New landscapes of design, 1960-1980. East-West central, Vol. 2
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From 1960–1980, both eastern and western Europe experienced a construction boom of new dimensions. Cybernetics, the science of planning, and sociology, as well as the new possibilities offered by technology and production, paved the way to large-scale processes and systems in architecture and urban design, which favored technocratic and utopian concepts. Increasingly, architects and planners saw themselves as designers of comprehensive infrastructure and mega-structures in a technology-focused world. The authors assesses these developments on the back of a knowledge transfer between East and West. It confirms a change in attitude that can still be felt today – recession, social changes, and environmental problems led to criticism of the then contemporary concepts of modernity.
Architectural Theory
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Postmodernism has been a buzzword in contemporary society for the last decade. But how can it be defined? In this "Very Short Introduction" Christopher Butler challenges and explores the key ideas of postmodernists, and their engagement with theory, literature, the visual arts, film, architecture, and music. He treats artists, intellectuals, critics, and social scientists(...)
Postmodernism: a very short introduction
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Postmodernism has been a buzzword in contemporary society for the last decade. But how can it be defined? In this "Very Short Introduction" Christopher Butler challenges and explores the key ideas of postmodernists, and their engagement with theory, literature, the visual arts, film, architecture, and music. He treats artists, intellectuals, critics, and social scientists 'as if they were all members of a loosely constituted and quarrelsome political party' - a party which includes such members as Cindy Sherman, Salman Rushdie, Jacques Derrida, Walter Abish, and Richard Rorty - creating a vastly entertaining framework in which to unravel the mysteries of the 'postmodern condition', from the politicizing of museum culture to the cult of the politically correct.
Architectural Theory
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Dialogues in public art
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By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art (...)
Dialogues in public art
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By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art--from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl's introductory essay provides a concise overview of changing attitudes toward the city as the site of public art. Interviewees: Vito Acconci, John Ahearn, David Avalos, Denise Scott Brown, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, Krzysztof Wodiczko.
books
May 2000, Cambridge
Contemporary Art Monographs
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive,(...)
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive, informational networks offering a prison-house of illusionary transcendence. He pictures global terrorism (perpetrated by and against technological states) filling up the surreal void of an abandoned real. In a multidisciplinary excavation of contemporary physics, architecture, esthetic theory, and sociology, Virilio traces the dystopic unity of the contemporary Western predicament with lightning prescience and clarity.
Critical Theory
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The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of(...)
Disordered attention: How we look at art and performance today
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The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling? Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology.
Art Theory