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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence,(...)
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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence,(...)
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Alan Dunn: The cartoonist as architecttural critic
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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence, unpublished cartoons, preliminary sketches, watercolors, and rare photographs, Alan Dunn demonstrates the critical potential of caricature and cartoons for architectural history. Through Neri’s deft analysis, the book also reveals the complex intersections of architecture with media, publishing, commerce, society, art, and politics.
Alan Dunn: The cartoonist as architecttural critic
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Drawing on his pioneering expertise in the relationship between graphic satire and architecture, Gabriele Neri retraces Alan Dunn’s path from painter to renowned cartoonist, offering an unconventional perspective on architectural and urban transformations—and on their perception within society. Featuring 200 carefully selected images, including Dunn’s correspondence, unpublished cartoons, preliminary sketches, watercolors, and rare photographs, Alan Dunn demonstrates the critical potential of caricature and cartoons for architectural history. Through Neri’s deft analysis, the book also reveals the complex intersections of architecture with media, publishing, commerce, society, art, and politics.
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books
books
Publication:
May 2026
May 2026
Subject:
Architectural Theory
Architectural Theory
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books
books
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$73.00
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Giancarlo De Carlo’s academic and professional career combined two seemingly opposed terms in a single vocation: architecture and anarchy. But this was a vocation that avoided the utopian fantasies of the 1960s and 1970s and instead strove for rigor. In the essays collected in this book, De Carlo shows how the idea of participatory architecture can open the way to a(...)
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Giancarlo De Carlo’s academic and professional career combined two seemingly opposed terms in a single vocation: architecture and anarchy. But this was a vocation that avoided the utopian fantasies of the 1960s and 1970s and instead strove for rigor. In the essays collected in this book, De Carlo shows how the idea of participatory architecture can open the way to a(...)
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The architecture of participation
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Giancarlo De Carlo’s academic and professional career combined two seemingly opposed terms in a single vocation: architecture and anarchy. But this was a vocation that avoided the utopian fantasies of the 1960s and 1970s and instead strove for rigor. In the essays collected in this book, De Carlo shows how the idea of participatory architecture can open the way to a realistic, fully realizable utopia—in theory, but also in practice: in his urban planning of the city center of Rimini and in his architectural plan for the village of Matteotti in Terni.
The architecture of participation
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Giancarlo De Carlo’s academic and professional career combined two seemingly opposed terms in a single vocation: architecture and anarchy. But this was a vocation that avoided the utopian fantasies of the 1960s and 1970s and instead strove for rigor. In the essays collected in this book, De Carlo shows how the idea of participatory architecture can open the way to a realistic, fully realizable utopia—in theory, but also in practice: in his urban planning of the city center of Rimini and in his architectural plan for the village of Matteotti in Terni.
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books
books
Publication:
May 2026
May 2026
Subject:
Architectural Theory
Architectural Theory
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books
books
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$39.95
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est(...)
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est(...)
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Désarmer le béton: Re-habiter la terre
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est un fait, le béton est une arme de destruction massive du vivant. Malgré ces constats alarmants, pointés depuis une décennie, il continue de couler à flots. La question devient urgente: comment faire tomber le béton ? Alors que fleurissent des mobilisations contre les projets polluants et imposés, cet ouvrage - ponctué de récits de luttes - décortique la filière, expose le rôle actif des bétonneurs français et pointe les liaisons dangereuses tissées entre industriels et pouvoir d'État.
Désarmer le béton: Re-habiter la terre
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Chaque seconde, 150 tonnes de béton sont coulées dans le monde. Pas de béton sans ciment, dont la production émet près de trois fois plus de CO2 que le transport aérien. Pas de béton sans sable, deuxième ressource naturelle à être pillée, après l'eau. Pas de bétonisation sans artificialisation des sols, fatale pour la biodiversité et qui dévore les terres agricoles. C'est un fait, le béton est une arme de destruction massive du vivant. Malgré ces constats alarmants, pointés depuis une décennie, il continue de couler à flots. La question devient urgente: comment faire tomber le béton ? Alors que fleurissent des mobilisations contre les projets polluants et imposés, cet ouvrage - ponctué de récits de luttes - décortique la filière, expose le rôle actif des bétonneurs français et pointe les liaisons dangereuses tissées entre industriels et pouvoir d'État.
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books
books
Publication:
October 2025
October 2025
Subject:
Architectural Theory
Architectural Theory
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books
books
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully(...)
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Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
Breathing space: The architecture of pneumatic beings
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"Breathing Space" is a compelling and wide-ranging analysis of pneumatic phenomena in modern culture. Architect and historian Tim Altenhof brilliantly explores the physiology of breathing and its reciprocal relationship to bodies and buildings, both of which share a common atmosphere. Because breathing is controlled by the autonomic nervous system and cannot be willfully overridden, it takes place unconsciously and involuntarily—most of the time. However, beginning in the mid-nineteenth century, attitudes toward breathing changed significantly. Breathing became a widely investigated cultural and physiological phenomenon and was the basis for techniques and bodily practices that heightened pulmonary awareness. New understandings of air pollution and disease stimulated a widespread preoccupation with ventilation, impacting architecture in countless ways. Altenhof’s close readings of built structures show how the science of breathing was incorporated into architecture, whether in the design of factories, residences, or medical facilities. The lungs form a major part of the respiratory system and like no other organ tie the living body directly to its surroundings. Yet the role of lungs also poses a topological problem: engaging in atmospheric transfer, they dissolve the division between inside and outside, and despite being an internal organ, they sustain a permanent and living connection to the external world. This ambiguity and permeability constitute the spatial dimension of breathing.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$26.95
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Summary:
Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage(...)
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage(...)
Title:
Thirty-two words for field: Lost words of the Irish Landscape
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.? In ''Thirty-Two Words for Field'', Manchán explores how Gaelic, a three-thousand-year-old lexicon, has imbued the natural world with meaning and magic, evoking a time-honored way of life, from its thirty-two separate words for a field to terms like bróis (whiskey for a horseman at a wedding), iarmhaireacht (the loneliness you feel when you are the only person awake at dawn), and bladhmann (steam rising from a fermented haystack or idle boasting).? Manchán urges readers to consider the sublime beauty and profound oddness of this ancient tongue that has been spoken in close connection to the land for thousands of years. Told through stories collected from his own life and travels, ''Thirty-Two Words for Field'' is an enthralling celebration of Irish words and a testament to the indelible relationship between landscape, culture, and language.
Thirty-two words for field: Lost words of the Irish Landscape
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Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.? In ''Thirty-Two Words for Field'', Manchán explores how Gaelic, a three-thousand-year-old lexicon, has imbued the natural world with meaning and magic, evoking a time-honored way of life, from its thirty-two separate words for a field to terms like bróis (whiskey for a horseman at a wedding), iarmhaireacht (the loneliness you feel when you are the only person awake at dawn), and bladhmann (steam rising from a fermented haystack or idle boasting).? Manchán urges readers to consider the sublime beauty and profound oddness of this ancient tongue that has been spoken in close connection to the land for thousands of years. Told through stories collected from his own life and travels, ''Thirty-Two Words for Field'' is an enthralling celebration of Irish words and a testament to the indelible relationship between landscape, culture, and language.
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books
books
Publication:
March 2026
March 2026
Subject:
Landscape Theory
Landscape Theory
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books
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective(...)
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective(...)
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Landscapes: John Berger on art
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective embraces artistic movements and individual artists – from the Renaissance to the present – while never neglecting the social and political context of their creation.
Landscapes: John Berger on art
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''Landscapes'' showcases the development and practice of John Berger’s unique way of seeing. Here he surveys the aesthetic landscapes that have informed, challenged and nourished his understanding of the world. Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective embraces artistic movements and individual artists – from the Renaissance to the present – while never neglecting the social and political context of their creation.
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books
books
Publication:
April 2026
April 2026
Subject:
Art Theory
Art Theory
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books
books
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$52.50
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as(...)
Title:
Iconophages: A history of ingesting images
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Iconophages: A history of ingesting images
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Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. "Iconophages" aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
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books
books
Publication:
January 2026
January 2026
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Obrist-isms
Obrist-isms
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms''(...)
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms''(...)
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Obrist-isms
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms'' gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher Édouard Glissant to his interest in artists’ unrealized projects.
Obrist-isms
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As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, Hans Ulrich Obrist has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, ''Obrist-isms'' gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher Édouard Glissant to his interest in artists’ unrealized projects.
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books
books
Publication:
October 2025
October 2025
Subject:
Art Theory
Art Theory
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books
books
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$42.95
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Rotterdam-based Spanish artist and scholar David Maroto (born 1976) explores the novel as an art medium. The first volume features interviews with Benjamin Seror, Cally Spooner, Mai-Thu Perret, Goldin+Senneby, Francis McKee, Vivian Ziherl, Natasha Soobramanien, Clive Phillpot and others
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Rotterdam-based Spanish artist and scholar David Maroto (born 1976) explores the novel as an art medium. The first volume features interviews with Benjamin Seror, Cally Spooner, Mai-Thu Perret, Goldin+Senneby, Francis McKee, Vivian Ziherl, Natasha Soobramanien, Clive Phillpot and others
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The artist's novel, part 1: A new medium
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Rotterdam-based Spanish artist and scholar David Maroto (born 1976) explores the novel as an art medium. The first volume features interviews with Benjamin Seror, Cally Spooner, Mai-Thu Perret, Goldin+Senneby, Francis McKee, Vivian Ziherl, Natasha Soobramanien, Clive Phillpot and others
The artist's novel, part 1: A new medium
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Rotterdam-based Spanish artist and scholar David Maroto (born 1976) explores the novel as an art medium. The first volume features interviews with Benjamin Seror, Cally Spooner, Mai-Thu Perret, Goldin+Senneby, Francis McKee, Vivian Ziherl, Natasha Soobramanien, Clive Phillpot and others
Form:
books
books
Publication:
August 2020
August 2020
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Occasions d'extase: lettres
Occasions d'extase: lettres
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Poète, écrivain, décorateur et pionnier du socialisme en Grande-Bretagne, William Morris (1834-1896) eut une vie riche et à multiples facettes. Il est l'auteur, outre ses nombreux romans, poèmes et conférences, d'une abondante correspondance révélant un personnage complexe et attachant, tout à la fois enthousiaste, révolté, mais aussi parfois dépressif, et en toutes(...)
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Poète, écrivain, décorateur et pionnier du socialisme en Grande-Bretagne, William Morris (1834-1896) eut une vie riche et à multiples facettes. Il est l'auteur, outre ses nombreux romans, poèmes et conférences, d'une abondante correspondance révélant un personnage complexe et attachant, tout à la fois enthousiaste, révolté, mais aussi parfois dépressif, et en toutes(...)
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Occasions d'extase: lettres
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Poète, écrivain, décorateur et pionnier du socialisme en Grande-Bretagne, William Morris (1834-1896) eut une vie riche et à multiples facettes. Il est l'auteur, outre ses nombreux romans, poèmes et conférences, d'une abondante correspondance révélant un personnage complexe et attachant, tout à la fois enthousiaste, révolté, mais aussi parfois dépressif, et en toutes circonstances généreux envers ses proches et les causes qu'il défendait. Ce choix de lettres retrace les différentes étapes de sa vie et de sa carrière, de sa jeunesse romantique en passant par ses nombreuses passions pour les arts, la poésie, l'architecture, la nature et les voyages, jusqu'à son engagement politique sans concessions dans les dernières années de sa vie.
Occasions d'extase: lettres
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Poète, écrivain, décorateur et pionnier du socialisme en Grande-Bretagne, William Morris (1834-1896) eut une vie riche et à multiples facettes. Il est l'auteur, outre ses nombreux romans, poèmes et conférences, d'une abondante correspondance révélant un personnage complexe et attachant, tout à la fois enthousiaste, révolté, mais aussi parfois dépressif, et en toutes circonstances généreux envers ses proches et les causes qu'il défendait. Ce choix de lettres retrace les différentes étapes de sa vie et de sa carrière, de sa jeunesse romantique en passant par ses nombreuses passions pour les arts, la poésie, l'architecture, la nature et les voyages, jusqu'à son engagement politique sans concessions dans les dernières années de sa vie.
Form:
books
books
Publication:
June 2026
June 2026
Subject:
Design Theory
Design Theory
