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Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in(...)
Architecture Monographs
September 2017
Relations: Platform for Architecture + Research / PAR, Los Angeles
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Catalogue of the exhibition presenting the work of American architects Platform for Architecture + Research / PAR, founded by Jennifer Marmon in Los Angeles in 2003. Questioning the role and limits of architecture today, Marmon, together with her collective team, are part of a new generation of architects exploring universal topics as a means to expand their discipline in new ways. With its idea of a network of ‘relations’, the exhibition reflects the essential architectural elements that influence the office’s award winning work that aims to establish a dialogue with people as well as the urban fabric. The exhibition presents buildings, competition entries and urban studies that range in scale from small houses to museum concepts e.g. the Wilshire Tower in Los Angeles/US, the Taichung Cultural Center in Taichung/Taiwan, the Guggenheim Museum in Helsinki/Finland and the Lima Art Museum in Lima/Peru.
Architecture Monographs
Martín Chambi: Photography
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging(...)
Martín Chambi: Photography
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging Indigenous discourse that was starting to gain force in South America. While he was not the first to photograph Machu Picchu, Chambi was among the first Peruvian chroniclers of the Inca citadel. Drawing on Machu Picchu’s geometric forms, Chambi’s work entered a new phase in which shape, space and texture build toward more complex compositions and starker contrasts, making him an emblem of contemporary documentary photography in Peru and Latin America. This clothbound volume compiles 170 of Chambi’s black-and-white images.
Photography monographs
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196 pages : illustrations ; 24 cm
Austin : University of Texas Press, 2025.
Decolonial environmentalisms : climate justice and speculative futures in Latinx cultural production / David J. Vázquez.
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196 pages : illustrations ; 24 cm
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Austin : University of Texas Press, 2025.
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Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something(...)
Photography monographs
November 2004, Götingen, Germany
Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. "Storylines" accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets, and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island, and Chicago, appear along with several artist's books.
books
November 2004, Götingen, Germany
Photography monographs
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of(...)
Robert Frank: Black, white and things
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of Frank's travels to cities including Paris, New York, Valencia and St. Louis. First reprinted for an exhibition at the National Gallery in Washington, D.C., in 1994, this edition has now been designed in a smaller format by Frank. The three categories “black,” “white” and “things,” are shaped more by mood than subject matter: vastly different images—Frank's first wife reclining with their newborn baby, peasants squatting against a flaking wall in Peru and a business man strolling past a snow-filled tree in London—are all gathered in the “white” section, for example.
Photography monographs
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a(...)
Movements & moments
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In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indegenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.
Illustration
books
The city at its limits
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In 1996, against the backdrop of Alberto Fujimori’s increasingly corrupt national politics, an older woman in Lima, Peru—part of a group of women street sweepers protesting the privatization of the city’s cleaning services—stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this(...)
The city at its limits
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In 1996, against the backdrop of Alberto Fujimori’s increasingly corrupt national politics, an older woman in Lima, Peru—part of a group of women street sweepers protesting the privatization of the city’s cleaning services—stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted. The City at Its Limits employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city’s conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist José María Arguedas’s writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives—personal, sociological, historical, and theoretical—The City at Its Limits is a pioneering work on the cutting edge of ethnography.
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January 2009
Urban Theory
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
Museology
January 2007, Durham, London
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
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January 2007, Durham, London
Museology
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Photographer Mariana Cook (born 1955) is best known for her intimate character studies of persons both in and out of the public eye, as published in her much-acclaimed collections "Fathers and Daughters, Mothers and Sons, Generations of Women, Couples, Faces of Science and Mathematicians." Cook departs from her portrait work with "Stone Walls: Personal Boundaries", a(...)
Stone walls: personal boundaries
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Photographer Mariana Cook (born 1955) is best known for her intimate character studies of persons both in and out of the public eye, as published in her much-acclaimed collections "Fathers and Daughters, Mothers and Sons, Generations of Women, Couples, Faces of Science and Mathematicians." Cook departs from her portrait work with "Stone Walls: Personal Boundaries", a project that was conceived one day at her home on Martha's Vineyard, when 56 cows strayed through a crumbling section of the stone wall she shares with her neighbor. From this moment, Cook embarked on an eight-year journey, travelling from New England to the American South, Britain, Ireland, the Mediterranean and Peru in pursuit of dry stone walls. Far from being a conventional travelogue, these black-and-white photographs portray the wall in landscape, the wall as abstract form, and the return of rocks to nature. Cook is fascinated with the juxtaposition of stones as an instance of geometric composition, as well as with the resonance between walls of different cultures. With a tribute from Wendell Berry and essays providing a context for the walls of each region, the resulting collection captures a fundamental aspect of the relationship human beings forge with the land they inhabit.
Photography monographs
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In 2003, Frank Gohlke and Joel Sternfeld were commissioned to photograph one of the densest concentrations of ethnic diversity in the world, the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough’s boundaries, Gohlke and Sternfeld had not only captured the complicated dynamic that sustains Queens and(...)
Frank Gohlke & Joel Sternfeld: landscape of longing
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In 2003, Frank Gohlke and Joel Sternfeld were commissioned to photograph one of the densest concentrations of ethnic diversity in the world, the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough’s boundaries, Gohlke and Sternfeld had not only captured the complicated dynamic that sustains Queens and its myriad communities; they had also evolved a unique theory of landscape photography in which landscape is a visible manifestation of the invisible emotions of its inhabitants. The collection inherits the strength of each photographer’s eye. Gohlke’s Queens consists of streets, houses, fences, gardens, parklands, shorelines, and waste spaces, the territory where human arrangement contends endlessly with the forces that undo it: unruly vegetation, weather, rot, decay, and the “creative destruction” of a voracious commercial culture. Sternfeld focuses on the indigenous shops, restaurants, mosques and temples that make a walk in Queens feel like a walk in Thailand, India or Peru—or all of them at once. Often tucked into homes or converted factories, these places signify a home country, or perhaps a home country that exists more in the mind than in actuality. In conjunction with an essay by the acclaimed writer Suketu Mehta, this book is a powerful instrument for understanding a landscape that seems to defy interpretation. Gohlke and Sternfeld successfully make the dizzying patchwork of Queens accessible and visible.
Photography monographs