$63.00
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Summary:
This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a(...)
Gerhard Richter - Zufall, das Kölner Domfenster und 4900 farben the cologne cathedral window, and 4900 colours
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$63.00
(available in store)
Summary:
This volume documents Gerhard Richter's 65-foot-tall, abstract, stained-glass window for Germany's historic Cologne Cathedral, the original of which was destroyed by bombs in World War II, and thereafter replaced with clear glass. Composed of more than 11,000 four-inch squares, or "pixels," in 72 colors, the window is based on Richter's 1974 painting, "4096 Colors," a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray. Photographs of the work are accompanied by three essays which integrate this important work into the context of Richter's oeuvre, and shed light on the principle of randomness on which it is based. Gerhard Richter was born in Dresden and escaped to West Germany in 1961. He has lived and worked in Cologne, where he was made an honorary citizen last year, since the early 1980s.
Contemporary Art Monographs
$75.00
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Summary:
Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and(...)
July 2015
Supermarket of the dead: burnt offerings in China an dthe cultu of globalised consumption
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$75.00
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Summary:
Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and spirits. These paper models have recently undergone a kind of transformation, in which imi-tations of traditional objects have been superseded by replicas of consumer goods found in western shopping habits. An alter-native world made of paper, encompassing all today’s globalised brand consumption fetishes, Gucci bags, Prada shoes, mobile phones, Apple computers and even Heineken beer cans and life-size cars, is committed to the flames as a tribute to the ancestors. This three part catalog offers a glimpse of the exhibition and includes a volume of essays to accompany the works.