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The 56th Zagreb Salon of Architecture and Urbanism, as articulated by selectors Lea Pelivan and Toma Plejic, presents a forward-looking exploration of architecture, showcasing a spectrum of projects ranging from the unrealized and speculative to the tangible and grounded. Described as a "repository of the future," the Salon navigates through various scales and concepts,(...)
Ping: Repository of the Future. Croatian Architect's Association
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The 56th Zagreb Salon of Architecture and Urbanism, as articulated by selectors Lea Pelivan and Toma Plejic, presents a forward-looking exploration of architecture, showcasing a spectrum of projects ranging from the unrealized and speculative to the tangible and grounded. Described as a "repository of the future," the Salon navigates through various scales and concepts, from Luciano Laurana’s Ideal City to contemporary visions, embodying the diversity and potential of architectural thought and practice. This edition of the Salon, titled "Ping: The Repository of the Future," responds to the aftermath of Zagreb's earthquake and the global state of uncertainty, positioning architecture as a dialogue for envisioning a better future.
Biennial
Metamorfosi 05: Bruno Zevi
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Bruno Zevi played a crucial role in the understanding and propagation of contemporary architecture. On the centenary of his birth - in an ideal partnership with the initiatives the “Bruno Zevi Foundation” is promoting both in Italy and abroad - “Metamorfosi, Q.d.A.” devotes this issue to some aspects of his cultural and educational battle. Its goal is to build a bridge(...)
Metamorfosi 05: Bruno Zevi
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Bruno Zevi played a crucial role in the understanding and propagation of contemporary architecture. On the centenary of his birth - in an ideal partnership with the initiatives the “Bruno Zevi Foundation” is promoting both in Italy and abroad - “Metamorfosi, Q.d.A.” devotes this issue to some aspects of his cultural and educational battle. Its goal is to build a bridge between what the next generations learnt from him, all while following different paths, and what still remains alive and useful of his insights for a different way of practicing architecture inspired by social issues and in the pursuit of an evolving link between architecture, city and landscape.
Magazines
Urban China in transition
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China(...)
August 2008, Malden, Oxford, Victoria
Urban China in transition
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Using an innovative approach, this book interprets the unprecedented transformation of contemporary China's major cities. It highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations. Each chapter includes input from both an expert on urban life in China and an 'outside' expert from the fields of sociology, geography, economics, planning, political science, history, demography, architecture, or anthropology. John R. Logan is the founder of the Urban China Research Network, supported by the Andrew W. Mellon Foundation and a member of the editorial boards of Journal of Urban Affairs and City and Community. He was chosen Distinguished Professor of Sociology at the University at Albany, SUNY, as well as Director of the Lewis Mumford Center for Comparative Urban and Regional Research. In April 2003 he was selected by American Demographics magazine as one of five social demographers whose work has most influenced his field in the last 25 years.
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This book aims to illustratehow rich and articulated are the ideas that, over the centuries, have generated the contemporary concept of Eco-Village and Eco-Living. The author, an expert on environmental issues and history of architecture, through an extensive research lasting more than ten years, intends to decribe the philosophical, cultural, historical and theoretical(...)
Environment and environmental theory
June 2021
Being light on the earth: Eco-village policy and practice for a sustainable world
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This book aims to illustratehow rich and articulated are the ideas that, over the centuries, have generated the contemporary concept of Eco-Village and Eco-Living. The author, an expert on environmental issues and history of architecture, through an extensive research lasting more than ten years, intends to decribe the philosophical, cultural, historical and theoretical aspects of this complex topic. The book is split in thwo volumes. The first one describes the historical and conceptual aspects of the contemporary Eco-Villages, supported by an extensive bibliography and acurate examples. The second is focusing more on the technical aspects, illustrating the most important Eco-Villages in the world.
Environment and environmental theory
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an(...)
Reyner Banham: A set of actual tracks
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an intimate confession he penned at the hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s text, drawing out reflections on what the critic’s work means today.
Architectural Theory
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
January 2006, New York / London
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
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In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in(...)
Contemporary Art Monographs
January 1900, London
Making art work : the Mike Smith Studio
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In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realize their work - Rachel Whiteread's monument in Trafalgar Square is a testament to his work. The painter Patsy Craig has unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. She has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art. It is an assembly of the very templates of the thinking, design and creation of art in Britain today.
Contemporary Art Monographs
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's(...)
Atelier Van Lieshout
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When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
Contemporary Art Monographs
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
Contemporary Art Monographs
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself,(...)
Céline Condorelli: support structures
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Support structures is a manual for what bears, sustains, and props, for those things that encourage, care for, and assist; for that which advocates, articulates; for what stands behind, frames, and maintains: it is a manual for those things that give support. While the work of supporting might traditionally appear as subsequent, unessential, and lacking value in itself, this manual is an attempt to restore attention to one of the neglected, yet crucial modes through which we apprehend and shape the world. Support structures is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of support structures alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts , which form the theoretical backbone of the publication. The collection of contributions offers different possibilities for engaging in this unchartered territory, from propositions to projects, existing systems to ones invented for specific creative processes. Support structures offers support through potential methodologies, inspirations and activations for practice, and addresses important questions for art and architecture practices on forms of display, organization, articulation, appropriation, autonomy, and temporariness, and the manifestations of blindness towards them.
Contemporary Art Monographs