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Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics,(...)
Architecture ecologies
January 2024
Unearthing traces: dismantling imperialist entanglements of archives, landscapes, and the built environment
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Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics, critical theory, and archival practice together with the fields of the built environment, landscape, urban studies, architecture, and the arts. Unearthing traces catalyzes critical discussions that not only challenge the objectivity and dismantle the neutrality surrounding current archival practices and archival institutions, but also question what constitutes the archive itself. The book unearths potential histories and minor narratives buried by the imperial production of pasts and silences. The diverse range of contributions in the book offers original research, discussions, positions, and tools and provides a critical resource for scholars, architects, artists, activists, and archivists who want to engage with landscapes and built environments in a critical and postcolonial perspective in relation to archival materials and practices.
Architecture ecologies
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and(...)
Architectural Drawing
October 2023
Drawing in architecture, education and research: Lucerne talks
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and Architecture. ''Drawing in architecture education and research'' offers a closer look at the importance of drawing culture in the curricula of Swiss schools of architecture and in the practice of architecture firms. Conceived as a compendium and reference book for students, teachers, and practitioners alike, this book explores the potential of drawing as a universal tool for communication and understanding among different societies, language groups, and professional communities. It considers drawing in its dual function as an object and a method for theory and practice in architecture and features strategies for a future transdisciplinary language of drawing that enables narrations and representations of new spatial concepts.
Architectural Drawing
in detail : Building skins
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The external facades of a building are more than a protective mantle, or an intelligent skin regulating temperature and light, they also determine its very appearance. By unusual choices of materials and the use of complex technology, facades have become increasingly significant in recent years. External surfaces are being perceived as an integral part of the building and(...)
Materials and Lighting
June 2006, Basel - Boston - Berlin
in detail : Building skins
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The external facades of a building are more than a protective mantle, or an intelligent skin regulating temperature and light, they also determine its very appearance. By unusual choices of materials and the use of complex technology, facades have become increasingly significant in recent years. External surfaces are being perceived as an integral part of the building and are therefore being designed as such. This volume focuses on the wide-ranging aspects of facade design, from the selection and use of materials to the advanced technical possibilities now open to the architect. A wide array of carefully selected international examples show the theory in the practice. All plans, details, and large scale sections of the facades have been researched with the high degree of competence typical of the editorial staff from the review Detail. Expert authors provide the essential information needed to plan and design facades and elucidate on the latest developments in technology and materials.
Materials and Lighting
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed(...)
June 2005, New York
Robert Smithson : Spiral Jetty - true fictions, false realities
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water. The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions - a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
Designerly ways of knowing
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education,(...)
Designerly ways of knowing
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think? Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list “Two Hundred and Fifty Things an Architect Should Know” inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.
Graphic Design and Typography
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of(...)
Museums and Universal Exhibitions
January 1900, London
Bartlett works : architecture, buildings, projects
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of the architect generally and in specific aspects of architectural practice, the construction industry, academia and public discourse. "Bartlett Works" explores the links between education and practice and brings together such disparate work as building design, architectural education, film direction, furniture design, architectural journalism, history and theory, arts and architecture policy formulation, video production and website design. Emphasis is placed on recently completed projects and work-in-progress. This book is a useful guide for anyone interested in pursuing a career in architecture or in the subject generally. Contributors include Foster & Partners, Softroom, Ushida Findlay, Allford Hall Monaghan Morris, David Chipperfield Architects, Block Architecture and filmmaker Patrick Keiller.
Museums and Universal Exhibitions
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Le Corbusier designed two collections of colors for the Salubra wallpaper company, the “Clavier de couleurs” of 1931, with 43 colors, and the 1959 collection, with 20. Not content with the choice of 43 colors drawn from his experience as an architect and painter, he organized the tones on 12 sample cards in such a manner that one could use a slider to isolate or combine(...)
Le Corbusier: polychromie architecturale
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Le Corbusier designed two collections of colors for the Salubra wallpaper company, the “Clavier de couleurs” of 1931, with 43 colors, and the 1959 collection, with 20. Not content with the choice of 43 colors drawn from his experience as an architect and painter, he organized the tones on 12 sample cards in such a manner that one could use a slider to isolate or combine different sets of three to five colors. Each of these cards contained a different chromatic atmosphere, intended, when used, to produce a particular spatial effect. Thus Le Corbusier not only created a useful tool but also a kind of testament of the purist theory of color. In 1959 he created a second collection reflecting the changes in his views, with 20 single colors assembled on a single “clavier.” In the first volume, Arthur Rüegg, a professor at the Eidgenössische Technische Hochschule and a specialist in Le Corbusier, explores the significance of the Salubra collections for the history of modern architecture.
Architecture Monographs
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Acoustics
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was(...)
The flowering of the landscape garden : English pleasure grounds 1720-1800
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While this book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flower beds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows how the unwritten lore of planting design was passed down by generation after generation of gardeners and discusses the interaction of landscape designer, client, nurseryman, land agent, and gardener in modifying and transforming the geometric layouts of previous generations. He traces the development of planting design theory and practice from Batty Langley to Capability Brown and William Chambers, and demonstrates how an English mania for flowering shrubs and conifers from eastern North America helped create the distinctive planting forms of the Georgian pleasure ground. Laird offers readers a wealth of visual and literary materials - from contemporary paintings, engravings, poetry, essays, and letters to more prosaic household accounts and nursery bills - to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
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January 1900, Philadelphia
Gardens
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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January 2001, Los Angeles
Modernism