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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
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Summary:
In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over(...)
Title:
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
20 jaar/years 010 : 1983-2003
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In April 2003 010 Publishers of Rotterdam had been active for twenty years. During those two decades they have published five hundred books on architecture and design. This specialization reflects the enthusiasm of 010's founders, Hans Oldewarris and Peter de Winter, trained as an architect and an urban designer respectively at Delft University of Technology. Besides over one hundred monographs by and about Dutch architects, with Rem Koolhaas's "S,M,L,XL" as a provisional peak, 010 have published books on more wide-ranging architecture, interior design, photography, industrial design, graphic design, and the visual arts. These aspects include a keen interest in the theory and history of architecture and design. The lion’s share of this book is taken up with a catalogue spanning the period 1983-2003. Exhaustively annotated and illustrated, it gives not just the technical details of each book such as size, format, and binding style but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
Form:
books
books
Publication:
June 2003, Rotterdam
June 2003, Rotterdam
Subject:
Book Design
Book Design
Form:
books
books
Title:
Lebbeus Woods : System Wien
Lebbeus Woods : System Wien
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The New York based architect Lebbeus Woods – founder of the Research Institute for Experimental Architecture (RIEA) – concerns himself intensively with architectural theory and experimental architecture. His approach is free from the pressures of specific purpose built projects and rather tends to develop visionary projects which integrate research, philosophy, and art.(...)
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The New York based architect Lebbeus Woods – founder of the Research Institute for Experimental Architecture (RIEA) – concerns himself intensively with architectural theory and experimental architecture. His approach is free from the pressures of specific purpose built projects and rather tends to develop visionary projects which integrate research, philosophy, and art.(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
February 2006, Vienna
February 2006, Vienna
Title:
Lebbeus Woods : System Wien
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The New York based architect Lebbeus Woods – founder of the Research Institute for Experimental Architecture (RIEA) – concerns himself intensively with architectural theory and experimental architecture. His approach is free from the pressures of specific purpose built projects and rather tends to develop visionary projects which integrate research, philosophy, and art. The subject of his exhibition entitled “System Wien” which he developed in collaboration with Christoph a. Kumpusch is the urban structure of the city of Vienna which he plans to interfere in with specific architectural interventions. This publication - published for the exhibition of the same name in the MAK Vienna - documents the various works comprising the "System Wien" project. It develops an idea that the making of architectuere can be understood as the organization of energy. The project explores how energy relations in public and private city spaces might be represented tectonically in the form of drawings and installations; how existing energy elations in the city can be changed by the input tectonically in the form of drawings and installations; and hoe the future of the city need not depend for creative energy input on the development of building projects requiring large capital investments and institutional approval, but rather on the redistribution of energy at the human scale of the street and the room.
Lebbeus Woods : System Wien
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The New York based architect Lebbeus Woods – founder of the Research Institute for Experimental Architecture (RIEA) – concerns himself intensively with architectural theory and experimental architecture. His approach is free from the pressures of specific purpose built projects and rather tends to develop visionary projects which integrate research, philosophy, and art. The subject of his exhibition entitled “System Wien” which he developed in collaboration with Christoph a. Kumpusch is the urban structure of the city of Vienna which he plans to interfere in with specific architectural interventions. This publication - published for the exhibition of the same name in the MAK Vienna - documents the various works comprising the "System Wien" project. It develops an idea that the making of architectuere can be understood as the organization of energy. The project explores how energy relations in public and private city spaces might be represented tectonically in the form of drawings and installations; how existing energy elations in the city can be changed by the input tectonically in the form of drawings and installations; and hoe the future of the city need not depend for creative energy input on the development of building projects requiring large capital investments and institutional approval, but rather on the redistribution of energy at the human scale of the street and the room.
Form:
books
books
Publication:
February 2006, Vienna
February 2006, Vienna
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$135.00
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural (...)
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural (...)
Subject:
History until 1900, Classicism
History until 1900, Classicism
Publication:
November 1999, Cambridge
November 1999, Cambridge
Title:
Antiquity and its interpreters
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. This volume reconsiders the complex relationship between the two cultures, in light of recent scholarship in the field a new appreciation and awareness of the act of history writing itself. The case studies analyze specific texts, the archaeological projects that made ‘antiquity’ available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics. Demonstrating that the antique model was itself an artful contruct, "Antiquity and its Interpretors" shows that the originality of Renaissance culture owed as much to ignorance about antiquity as to an understanding of it. It also provides a synthesis of seminal work that recognizes the reciprocal relationship of the Renaissance to Antiquity. Contributors include James Ackerman, David Galbraith, Patricia Fortini Brown, Philip Sohm, Sheila Bonde, Martine Furno II, Marina Belozerskaya, Kenneth D. S. Lapatin, Leonard Barkan, Julia Branna Perlman, Nicola Courtright, Alina A. Payne, Rebekah Smick, Gehard Wolf, Christof Thoenes, Michael Koortbojian, Tod Marder, Phyllis Pray Bober, Richard Betts, Catherine Wilkinson Zerner, Richard Brilliant, Michael Ann Holly, Carl Goldstein.
Antiquity and its interpreters
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"Antiquity and its Interpreters" examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. This volume reconsiders the complex relationship between the two cultures, in light of recent scholarship in the field a new appreciation and awareness of the act of history writing itself. The case studies analyze specific texts, the archaeological projects that made ‘antiquity’ available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics. Demonstrating that the antique model was itself an artful contruct, "Antiquity and its Interpretors" shows that the originality of Renaissance culture owed as much to ignorance about antiquity as to an understanding of it. It also provides a synthesis of seminal work that recognizes the reciprocal relationship of the Renaissance to Antiquity. Contributors include James Ackerman, David Galbraith, Patricia Fortini Brown, Philip Sohm, Sheila Bonde, Martine Furno II, Marina Belozerskaya, Kenneth D. S. Lapatin, Leonard Barkan, Julia Branna Perlman, Nicola Courtright, Alina A. Payne, Rebekah Smick, Gehard Wolf, Christof Thoenes, Michael Koortbojian, Tod Marder, Phyllis Pray Bober, Richard Betts, Catherine Wilkinson Zerner, Richard Brilliant, Michael Ann Holly, Carl Goldstein.
Form:
books
books
Publication:
November 1999, Cambridge
November 1999, Cambridge
Subject:
History until 1900, Classicism
History until 1900, Classicism
Form:
books
books
Price:
$90.00
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Summary:
The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
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Summary:
The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
Title:
Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
Provoke: between protest and performance. Photography in Japan 1960-1975
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$90.00
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Summary:
The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Photography Collections
Photography Collections
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books
books
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$45.00
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito,(...)
$45.00
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Summary:
In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito,(...)
Title:
Imagine buildings floating like clouds: Thoughts and visions of contemporary architecture from 101 key creatives
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including: What makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. ''Imagine buildings floating like clouds'' represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times- from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Imagine buildings floating like clouds: Thoughts and visions of contemporary architecture from 101 key creatives
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$45.00
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Summary:
In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including: What makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. ''Imagine buildings floating like clouds'' represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times- from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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$42.95
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Summary:
Contributions rendant hommage à l'architecte André Corboz et à sa posture originale dans le milieu scientifique. Une posture qui favorise le savoir autodidacte, qui refuse les frontières disciplinaires pour jouir d'une totale liberté de penser et dériver d'un champ à l'autre au gré de ses intérêts et interrogations.
$42.95
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Contributions rendant hommage à l'architecte André Corboz et à sa posture originale dans le milieu scientifique. Une posture qui favorise le savoir autodidacte, qui refuse les frontières disciplinaires pour jouir d'une totale liberté de penser et dériver d'un champ à l'autre au gré de ses intérêts et interrogations.
Title:
Pour une poétique du détour: rencontre autour d'André Corboz
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Contributions rendant hommage à l'architecte André Corboz et à sa posture originale dans le milieu scientifique. Une posture qui favorise le savoir autodidacte, qui refuse les frontières disciplinaires pour jouir d'une totale liberté de penser et dériver d'un champ à l'autre au gré de ses intérêts et interrogations.
Pour une poétique du détour: rencontre autour d'André Corboz
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$42.95
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Contributions rendant hommage à l'architecte André Corboz et à sa posture originale dans le milieu scientifique. Une posture qui favorise le savoir autodidacte, qui refuse les frontières disciplinaires pour jouir d'une totale liberté de penser et dériver d'un champ à l'autre au gré de ses intérêts et interrogations.
Form:
books
books
Publication:
August 2010
August 2010
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books
books
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$36.95
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Summary:
Combining place and fiction in an imaginative interpretation of 10 sites in the city of London, CJ Lim takes well-known institutions, epochs and lifestyles in the British capital and renders them fantastic in a string of architectural short stories. The medium is an intersection of paper assemblages with short stories. The stories have been exhibited at the Royal(...)
$36.95
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Summary:
Combining place and fiction in an imaginative interpretation of 10 sites in the city of London, CJ Lim takes well-known institutions, epochs and lifestyles in the British capital and renders them fantastic in a string of architectural short stories. The medium is an intersection of paper assemblages with short stories. The stories have been exhibited at the Royal(...)
Title:
Short Stories: London in Two-and-a-half Dimensions
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Combining place and fiction in an imaginative interpretation of 10 sites in the city of London, CJ Lim takes well-known institutions, epochs and lifestyles in the British capital and renders them fantastic in a string of architectural short stories. The medium is an intersection of paper assemblages with short stories. The stories have been exhibited at the Royal Academy of Arts and the Victoria and Albert Museum but are collected for the first time in a single volume, laid out as they were designed to be seen as one phantasmogoric city vision. Painstakingly constructed, the stories assemble a sequence of improbable marriages between architecture and story, encompassing a retelling of the Three Little Pigs at Smithfield, a dating agency at Battersea, and a ringed transport system manifesting as a celestial river over the great metropolis. Drawing on a wealth of literary symbolism from Carroll’s Alice in Wonderland to Dickens’s A Tale of Two Cities and imbued with humour and irony, the book builds on London’s rich mix of extravagance and fictive tradition.
Short Stories: London in Two-and-a-half Dimensions
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Summary:
Combining place and fiction in an imaginative interpretation of 10 sites in the city of London, CJ Lim takes well-known institutions, epochs and lifestyles in the British capital and renders them fantastic in a string of architectural short stories. The medium is an intersection of paper assemblages with short stories. The stories have been exhibited at the Royal Academy of Arts and the Victoria and Albert Museum but are collected for the first time in a single volume, laid out as they were designed to be seen as one phantasmogoric city vision. Painstakingly constructed, the stories assemble a sequence of improbable marriages between architecture and story, encompassing a retelling of the Three Little Pigs at Smithfield, a dating agency at Battersea, and a ringed transport system manifesting as a celestial river over the great metropolis. Drawing on a wealth of literary symbolism from Carroll’s Alice in Wonderland to Dickens’s A Tale of Two Cities and imbued with humour and irony, the book builds on London’s rich mix of extravagance and fictive tradition.
Form:
books
books
Publication:
March 2011
March 2011
Form:
books
books
Price:
$39.95
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Summary:
In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
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Summary:
In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those(...)
Title:
Curious visions of modernity: enchantment, magic, and the sacred
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
Curious visions of modernity: enchantment, magic, and the sacred
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$39.95
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In Curious Visions of Modernity , David Martin unpacks a collection of artifacts from the visual and historicalarchives of modernity, finding in each a slippage of scientific rationality--arepressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted byprecisely those things that rationality sought to expunge from the"enlightened" world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces.
Form:
books
books
Publication:
December 2011
December 2011
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books
books
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$53.00
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Summary:
This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel(...)
$53.00
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Summary:
This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel(...)
Title:
The deepest sense: a cultural history of touch
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$53.00
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This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity.
The deepest sense: a cultural history of touch
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$53.00
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Summary:
This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity.
Form:
books
books
Publication:
May 2012
May 2012
Form:
books
books
Title:
The black city
The black city
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$41.95
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"The Black City" is a portrait of New York City written by Hubert Fichte between 1978 and 1980. One of Germany’s most important postwar authors, Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles(...)
$41.95
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Summary:
"The Black City" is a portrait of New York City written by Hubert Fichte between 1978 and 1980. One of Germany’s most important postwar authors, Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles(...)
Title:
The black city
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$41.95
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"The Black City" is a portrait of New York City written by Hubert Fichte between 1978 and 1980. One of Germany’s most important postwar authors, Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles based on race, class, and sexuality.
The black city
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$41.95
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"The Black City" is a portrait of New York City written by Hubert Fichte between 1978 and 1980. One of Germany’s most important postwar authors, Fichte researched the city as the center of the African diaspora, conducting interviews and composing essays about syncretism in culture and the arts, material living conditions in the city, and political and individual struggles based on race, class, and sexuality.
Form:
books
books
Publication:
December 2018
December 2018
