20050 Results
Form:
events
events
Actions:
Description:
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Location:
Study Room, CCA
Study Room, CCA
Date:
3 July 2025, 6pm to 7:30pm
3 July 2025, 6pm to 7:30pm
Title:
Common Threads: The Craft of a Woman’s Archive
Actions:
Description:
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Common Threads: The Craft of a Woman’s Archive
Actions:
Description:
Writing women into the history of architecture requires rethinking both archival practices and historiographical approaches. In this seminar Olga Touloumi will depart from her experience collecting and cataloguing the works of architect and crocheter Christine Benglia-Bevington (1936–2020) to discuss feminist praxis in the archive. Using weaving as a historical method,(...)
Form:
events
events
Date:
3 July 2025
6pm to 7:30pm
3 July 2025
6pm to 7:30pm
Location:
Study Room, CCA
Study Room, CCA
Form:
articles
articles
Issue:
A history of references
A history of references
Title:
Séchoir à photographie
Séchoir à photographie
Actions:
Reference number:
ARCH250488
Description:
copieur / copying machine
ARCH250488
Description:
copieur / copying machine
People:
Form:
textual records
Quantity:
2 textual record(s)
textual records
Quantity:
2 textual record(s)
Actions:
Reference number:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
People:
Date:
ca. 1942
ca. 1942
Title:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" et "List of Pictures in Canadian Exhibition"
Actions:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
"Canadian Exhibition - Andover, Mass. - Contents of Cases" et "List of Pictures in Canadian Exhibition"
Actions:
ARCH184126
Description:
"Canadian Exhibition - Andover, Mass. - Contents of Cases" (2 leaves) et "List of Pictures in Canadian Exhibition" (3 leaves)
Form:
textual records
Quantity:
2 textual record(s)
textual records
Quantity:
2 textual record(s)
Date:
ca. 1942
ca. 1942
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
People:
Date:
1999-2000
1999-2000
Title:
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Level of archival description:
Subseries
Subseries
Date:
1999-2000
1999-2000
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
People:
Date:
1964, 1971
1964, 1971
Title:
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Level of archival description:
Series
Series
Date:
1964, 1971
1964, 1971
People:
Form:
research
research
Title:
Visiting Scholars 2004
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Visiting Scholars 2004
Actions:
Description:
Jean-Pierre Chupin, École darchitecture, Université de Montréal, Canada Topic: Théories du projet et paradoxes de la pensée analogique au tournant des années 70 Samuel D. Abert, Department of Art History, Hebrew University of Jerusalem, Israel Topic: And was Jerusalem builded here… Maarten Delbeke, Universiteit Gent, Ghent, Belgium Topic: The Sacred History of(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Hejduk fonds
John Hejduk fonds
Reference number:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
People:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Title:
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
People:
Form:
exhibitions
exhibitions
Location:
Main galleries Keyword(s):
Jean-Louis Cohen, Amerikanizm, Russian architecture, Soviet Union, United States, USSR
Main galleries Keyword(s):
Jean-Louis Cohen, Amerikanizm, Russian architecture, Soviet Union, United States, USSR
Date:
13 November 2019 to 26 July 2020
13 November 2019 to 26 July 2020
Form:
exhibitions
exhibitions
Date:
13 November 2019 to
26 July 2020
13 November 2019 to
26 July 2020
Location:
Main galleries Keyword(s):
Jean-Louis Cohen, Amerikanizm, Russian architecture, Soviet Union, United States, USSR
Main galleries Keyword(s):
Jean-Louis Cohen, Amerikanizm, Russian architecture, Soviet Union, United States, USSR
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Brian Boigon fonds
Brian Boigon fonds
Reference number:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
People:
Date:
1981 - 2015
1981 - 2015
Title:
Brian Boigon fonds
Actions:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Brian Boigon fonds
Actions:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1981 - 2015
1981 - 2015
People:
