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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature(...)
Nos années de solitude, Biennale d'Architecture d'Orléans
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Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature brésilienne (1964-1985) ; Mes réalisations parleront pour moi offre une lecture de l'œuvre algérienne de l'architecte français Fernand Pouillon ; L'étrangère sur terreréunit des artistes et architectes arabes dont l'œuvre participe aux mouvements arabes d'émancipation face aux discours et aux systèmes autoritaires ; De la solitude à la désolation livre une analyse sans concession du Mexique actuel ; l'installation collective L'architecture comme animal mutant est un dispositif d'hybridation où toute créature architecturale se libère de son créateur. Avec AAU Anastas, Rand Abdul Jabbar, Absalon, Yóllotl Alvarado & Tania Ximena, Atelier Manferdini, BairBalliet, Ila Bêka & Louise Lemoine, Daphné Bengoa, André Bloc, Santiago Borja, John Cage, Bertrand Cavalier, Nidhal Chamekh, Paloma Contreras Lomas, Abraham Cruzvillegas, Design Earth, Hernan Diaz Alonso, f-architecture collaborative, Miguel Fernández de Castro, Bernard Gachet, Griffin Enright, Günter Günschel, Zaha Hadid, Susan Hefuna, John Hejduk, Anne Huffschmid & Jan-Holger Hennies, Damjan Jovanovic, Alberto Kalach, Ferda Kolatan, Lacaton & Vassal, Karen Lohrmann & Stefano de Martino, Jumana Manna, Fabian Marcaccio, Chris Marker, Ahmed Mater, Lucy McRae, MTL Collective, Julie Nioche, Objectile, Driss Ouadahi, P-A-T-T-E-R-N-S, Florencia Pita & Co, Ricardo Porro, Fernand Pouillon, Casey Rehm, Ruy Klein, Beniamino Servino, Servo LA-Stockholm, Sigil Collective, Takk, Pascale Marthine Tayou, Testa & Weiser, Laure Tixier & Hervé Rousseau, Usina_Ctah, Tom Wiscombe, Ezra Wube, Liam Young, Ala Younis.
Biennial
Image & imagination
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La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle(...)
September 2005, Montréal
Image & imagination
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La photographie et la réalité sont intimement liées, et pourtant, que l'on se fasse photographier, que l'on produise ou que l'on regarde une image photographique, la photographie demeure un acte d'imagination. À travers neuf textes de fond originaux, des historiens de l'art et des théoriciens de la culture rompent avec la tradition photographique pour explorer le rôle crucial de l'imagination en photographie, depuis les portraits de studio du XIXe siècle jusqu'aux innovations numériques du XXIe siècle. Prenant appui sur les vingt-neuf expositions du Mois de la Photo à Montréal 2005, Image & Imagination présente les travaux de soixante artistes contemporains en provenance du Canada, de l'Australie, des États-Unis, de la France, de l'Angleterre, d'Haïti et du Japon, dont Marc Audette, Iain Baxter, Diane Borsato, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Denis Farley, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana et Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow et Hulleah J. Tsinhnahjinnie. On retrouve, parmi les auteurs, Geoffrey Batchen (City University of New York), Catherine Bédard (Centre culturel canadien, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (Université McGill), Martyn Jolly (Australian National University), Petra Halkes (Université Concordia), Martha Langford (Université Concordia), Kirsty Robertson (Queen's University) et Ian Walker (University of Wales College).
Image & imagination
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Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio(...)
August 2005, Montréal
Image & imagination
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Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio portraiture to twenty-first-century digital innovations. Drawing on the twenty-nine exhibitions of Le Mois de la Photo à Montréal 2005, Image & Imagination features the work of sixty contemporary artists from Canada, Australia, the United States, France, England, Haiti, and Japan, including Marc Audette, Iain Baxter, Diane Borsato, Denis Farley, Alain Bublex, Michel Campeau, Destiny Deacon, Evergon, Adad Hannah, David Hlynsky, Tracey Moffatt, Shana and Robert ParkeHarrison, Lynne Marsh, Polixeni Papapetrou, Martin Parr, Ramona Ramlochand, Carolee Schneemann, Michael Snow, and Hulleah J. Tsinhnahjinnie. Essayists include Geoffrey Batchen (City University of New York), Catherine Bédard (Canadian Cultural Centre, Paris), Fae Brauer (University of New South Wales), Francine Dagenais (McGill University), Martyn Jolly (Australian National University), Petra Halkes (Concordia University), Martha Langford (Concordia University), Kirsty Robertson (Queen's University), and Ian Walker (University of Wales College).
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of(...)
October 2005, New York
Stanley Saitowitz : buildings and projects
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of opportunity; the use of generative systems; the role of architecture as a support for human activity; and the visible trace of building techniques. This monograph, the first on Stanley Saitowitz office, presents fifty projects from more than thirty years of practice. The projects, divided by building type, are accompanied by a personal text in which Saitowitz plainly discusses his influences and interests. Landscape houses, often built on spectacular sites in Marin, Napa, and Sonoma, have evolved to include the noted "bar houses." Urban houses, while compact and dense, incorporate a sense of volume; similarly, multifamily housing provides indeterminate space to allow for personalization. Buildings for schools range from the riverside campus of the Oxbow School in Napa to the structurally innovative Building 23B at UCSF Mission Bay. Among the public landscapes is Mill Race Park in Columbus, Indiana, an assemblage of constructions specific to both place and function. Finally, Saitowitz has developed a series of designs that explore the formation of a Jewish architecture, notably synagogues in San Francisco and La Jolla and the Holocaust Memorial in Boston. Principal photography by Richard Barnes and Tim Griffith.
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De Lucchi (Ferrara 1951) was a protagonist of 'Radical Architecture', and also of the Cavart, Alchimia and Memphis movements. He has designed industrial objects for companies that are household words, such as Artemide, Kartell, Matsuhita, Mauser, Poltrona Frau and Olivetti; and buildings and interiors for clients like Deutsche Bank, Deutsche Bundesbahn, Enel, Poste(...)
September 2005, Milan
Michele De Lucchi : from here to there and beyond
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De Lucchi (Ferrara 1951) was a protagonist of 'Radical Architecture', and also of the Cavart, Alchimia and Memphis movements. He has designed industrial objects for companies that are household words, such as Artemide, Kartell, Matsuhita, Mauser, Poltrona Frau and Olivetti; and buildings and interiors for clients like Deutsche Bank, Deutsche Bundesbahn, Enel, Poste Italiane and Telecom Italia. In 1990 he founded Produzione Privata, an enterprise with an artisanal slant where he creates prototypes for industrial objects in limited editions by constantly drawing on Italy's skilled craft tradition. He also lectures at the IUAV University in Venice. This volume analyzes De Lucchi's works and his ideas on, among other things, the evolution of the workplace and of the objects that make up the varied landscape of advanced societies. The monograph is introduced by an essay that places De Lucchi's multifaceted work in perspective - from his debut as an artist at the beginning of the 1970s to his recent 'service design' - and includes detailed descriptions of a wide range of his major projects, a complete list of all his works, a bibliography and a selection of his writings.
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Milan-based Antonio Citterio is known internationally for his product designs for Vitra and Kartell. This book presents an overview of Citterio's architecture, as well as an analysis of his product designs. Included are well-known pieces like his office chair for Vitra and his concept for the interior of a sports car, which was never realized.
Antonio Citterio : industrial designer
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Milan-based Antonio Citterio is known internationally for his product designs for Vitra and Kartell. This book presents an overview of Citterio's architecture, as well as an analysis of his product designs. Included are well-known pieces like his office chair for Vitra and his concept for the interior of a sports car, which was never realized.
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Born in Yokohama in 1950 Waro Kishi studied architecture in Kyoto. After three years' apprenticeship in Masayuki Kurokawa's office he set up on his own. This monograph with an introductory essay by Masao Furuyama documents his work as an architect from the 1980s until the present. The works in this book, in addition to the many residential houses such as Kim house in(...)
September 2005, Milan
Waro Kishi : works and projects
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Born in Yokohama in 1950 Waro Kishi studied architecture in Kyoto. After three years' apprenticeship in Masayuki Kurokawa's office he set up on his own. This monograph with an introductory essay by Masao Furuyama documents his work as an architect from the 1980s until the present. The works in this book, in addition to the many residential houses such as Kim house in Osaka (1986-87) and the house in the Rakuhoku neighbourhood of Tokyo (1987-89), include the Kyoto Research Institute through which Kishi attempts an interpretation of the traditional Sukiya style using modern materials.
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The resin-scented wood of the Swiss Pavilion by Peter Zumthor at the Hannover Expo, the hypo-oxygenated air of Diller+Scofidio’s Blur Bar, the sculpting air stream of Renzo Piano’s Wind Tunnel in Maranello, the placebo odors of Decosterd & Rahm, and the edible air of Marti Guixé’s Pharma Food are just a few of the most recent instances of an architecture that is seeking(...)
October 2006, Milan
Invisible architecture : experiencing places through the sense of smell
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The resin-scented wood of the Swiss Pavilion by Peter Zumthor at the Hannover Expo, the hypo-oxygenated air of Diller+Scofidio’s Blur Bar, the sculpting air stream of Renzo Piano’s Wind Tunnel in Maranello, the placebo odors of Decosterd & Rahm, and the edible air of Marti Guixé’s Pharma Food are just a few of the most recent instances of an architecture that is seeking to reappropriate the invisible dimension of olfaction in order to imbue the experience of places with greater meaning and totality.
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"Design for life: the architecture of Sim Van der Ryn" surveys the work and principles of Sim Van der Ryn, a world leader in the field of sustainable architecture. Sharing his years of experience as a teacher and using his building designs as examples, the author shows us that buildings are not objects but organisms, and cities are not machines but complex ecosystems.(...)
May 2005, Salt Lake City
Design for life : the architecture of Sim Van der Ryn
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"Design for life: the architecture of Sim Van der Ryn" surveys the work and principles of Sim Van der Ryn, a world leader in the field of sustainable architecture. Sharing his years of experience as a teacher and using his building designs as examples, the author shows us that buildings are not objects but organisms, and cities are not machines but complex ecosystems. "Design for life" illustrates how Van der Ryn came to see the shifting patterns in nature and how these patterns profoundly affect how people live and work in the structures we build. Van der Ryn explores how architecture has created physical and mental barriers that separate people from the natural world, and how to recover the soul of architecture and reconnect with our natural surroundings. Appointed California State Architect by then-Governor Jerry Brown, Van der Ryn introduced the nation's first energy-efficient government building projects. His vision heralded a Golden Age of ecologically sensitive design and resulted in the adoption of strict energy standards and disability access standards for all state buildings and parks. Van der Ryn has helped inspire architects to see the myriad ways they can apply physical and social ecology to architecture and environmental design.
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The architecture firm Bohlin Cywinski Jackson believes that "the sensuality of place, the emotive qualities of materials, and the ability to give pleasure and insight, to comfort and to transport can produce humane and spirited architecture." Whether designing corporate headquarters for Pixar Animation Studios, the Software Engineering Institute for Carnegie Mellon(...)
May 2005, New York
Arcadian architecture : Bohlin Cywinski Jackson - 12 houses
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The architecture firm Bohlin Cywinski Jackson believes that "the sensuality of place, the emotive qualities of materials, and the ability to give pleasure and insight, to comfort and to transport can produce humane and spirited architecture." Whether designing corporate headquarters for Pixar Animation Studios, the Software Engineering Institute for Carnegie Mellon University, the new Apple Stores in New York, Chicago, and Tokyo, or the twelve wooded retreats shown in this book, the firm’s architecture is alive to the subtleties of place, man-made or natural, and to the rich possibilities of materials and the means of construction. The houses in "Arcadian Architecture" are exquisitely crafted of wood and stone and other natural materials, and are all sited within beautiful wooded, mountainous, or lakeside locales, from New York State to Washington State, and from the woods of Connecticut to the mountains of Montana. One of the highlights of this book is that it publishes, for the first time, the extraordinary, huge, extremely private and secluded, residential complex in Washington State that was built for Bill and Melinda Gates. Each house is presented on at least thirty pages, and is depicted by sumptuous new colour photography, richly detailed conceptual sketches, presentation drawings, and construction documents.