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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see(...)
Cities rethought: A new urban disposition
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see and know cities in order to rethink how we act and intervene within them. To this end, it offers the contours of a new urban disposition. Its normative, analytical, and operational elements offer an opportunity for scholars, practitioners, and citizens alike to approach the complexity of cities anew. Written collectively for a wide audience, the text draws from cities across the global north and south, speaks across diverse genres of ideas, and reflects on the lived experience of the authors as both researchers and practitioners. It is an essential text for anyone committed to knowing their own cities as well as finding ways to meaningfully intervene in them.
Urban Theory
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Landscrapers : building with the land
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
Architecture since 1900, Europe
Grave Matters
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'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical(...)
Grave Matters
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'Cemeteries', writes Mark C. Taylor, 'are where I go to commune with "my" ghosts. The journey to the cemetery is always solitary even when I am with people who are closest to me. In the graveyard, the we is dispersed and the I stripped bare.' In "Grave Matters", Taylor's ghosts become our own. His thoughtful, poignant essay interweaves personal narrative, historical analysis, cultural commentary and philosophical reflection. Dietrich Christian Lammerts's photographs show us the graves of the artists, architects, writers, philosophers and musicians who shaped Western culture; at once beautiful and disturbing, they suggest an alternative history of modernism and its precursors. Grave Matters raises difficult questions: What place do the modern greats have in the postmodern age? Who decided where and how they would be buried? Who wrote their epitaphs? What do their deaths, and their graves, tell us about their lives and suggest about our own? The words and images of Grave Matters inscribe the future that we all face, and to ponder this memento mori is to meet life anew.
Food
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs.(...)
Home away from home : the world of camper vans and motorhomes
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs. Stories of road trips, adventures and epic voyages provide an exciting backdrop to the extraordinary history and present status of freewheeling transportation. "Home away from home" explains the cultural and social history of the camper van and RV by looking at a range of phenomena from surf and hippy culture to family holidays and travel in retirement years. A range of iconic vehicles from the VW Bus and the Airstream to the Winnebago will be looked at in detail, within the context of their technical developments as well as the design strategies that dictated their appearances. Finally, "Home away from home" explores future possibilities for independent camper van and RV travel, alongside contemporary approaches to 'compact living'.
Miniature Architecture
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Landscrapers : building with the land
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$49.00
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
Green Architecture
The prefabricated home
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Prefabrication cannot be ignored, for it challenges the most traditional values of architecture. Architects may have neglected this area of practical construction, but they have much to learn from pattern-book houses, modular structures, Portakabins and mobile homes. The Prefabricated Home examines how the relationship between architecture and industrialized building(...)
The prefabricated home
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Prefabrication cannot be ignored, for it challenges the most traditional values of architecture. Architects may have neglected this area of practical construction, but they have much to learn from pattern-book houses, modular structures, Portakabins and mobile homes. The Prefabricated Home examines how the relationship between architecture and industrialized building has now become an urgent issue for architects.Colin Davies traces the history of prefabricated buildings from small-scale ‘prefabs’ to the precast concrete mass housing of the 1960s to the present-day revival of interest in ‘volumetric’ modular buildings, and assesses their architectural implications. He looks at what is happening today in factories and on building sites worldwide, and contrasts the aesthetic concerns of architects with the economic ones of industrialized building manufacturers. He argues that the involvement of architects in industrialized building can produce an exciting new type of architecture that is humane, liberating and environmentally friendly. The Prefabricated Home is a revealing and instructive book that will appeal to anyone interested in architecture and concerned with the future of housing.
Prefabricated Architecture
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Produced at a rate of five billion cubic yards per year, concrete is the second most widely consumed substance on earth, after water. It is ubiquitous and easily taken for granted as the stuff of sidewalks and roads, power plants and parking garages. Concrete is also, however, a favored material of cutting- edge architects and engineers, who value not only its versatility(...)
Materials and Lighting
March 2006, New York
Liquid stone : new architecture in concrete
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Produced at a rate of five billion cubic yards per year, concrete is the second most widely consumed substance on earth, after water. It is ubiquitous and easily taken for granted as the stuff of sidewalks and roads, power plants and parking garages. Concrete is also, however, a favored material of cutting- edge architects and engineers, who value not only its versatility and strength but its unlimited potential for imaginative expression. A hybrid substance made from cement, water, sand, and mineral aggregates, concrete–or liquid stone–has no intrinsic form. In the hands of talented designers, its ultimate appearance is dictated by the framework into which it is poured and the color, texture, or pattern applied to its surface. In a series of essays by top architects, engineers, and scholars, " Liquid stone " explores the nature of concrete, its past and future, from technical, artistic, and historical perspectives. Over thirty buildings by leading international architects including Jean Nouvel, Herzog – de Meuron, Zaha Hadid, Steven Holl, Norman Foster, and Santiago Calatrava are presented through detailed descriptions, photographs, and technical drawings.
Materials and Lighting
Oase 63 : countryside
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The development of the countryside has generally been conceived of from an urban perspective: the country as producer of food for the urban population, as development area, or as recreational area. Even the development and protection of nature in the countryside are undertaken in service of city dwellers, so that they can experience scenic beauty as a compensation for the(...)
Magazines
December 2003, Rotterdam
Oase 63 : countryside
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The development of the countryside has generally been conceived of from an urban perspective: the country as producer of food for the urban population, as development area, or as recreational area. Even the development and protection of nature in the countryside are undertaken in service of city dwellers, so that they can experience scenic beauty as a compensation for the pernicious urban life. Oase #63 questions existing approaches which view the countryside as the empty or "negative" part of the contemporary urban condition, and consequently reduce the countryside to what remains after the positive urban shape has been thought or carved out. Here the perspective is reversed: neither the city nor urbanization but rather the countryside and the agrarian industry constitute the starting point of this study. Thus "Oase #63" asks: Is it be possible to consider an alternative future for the countryside based on its intrinsic qualities? To what degree is the countryside capable of absorbing contemporary practices and processes? Does the countryside count at all as a bearer of political economy?
Magazines
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Commissions for buildings and works of art from public authorities or private clients are an important means of promoting art in public areas, and they offer artists the opportunity of realising projects in an architectural space outside that of the museum. For architects these artists often provide a first interpretation of emergent architecture with its spatial(...)
Architecture since 1900, Europe
November 2003, Basel
Hybrid zones : art and architecture in Basel and Zürich
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Commissions for buildings and works of art from public authorities or private clients are an important means of promoting art in public areas, and they offer artists the opportunity of realising projects in an architectural space outside that of the museum. For architects these artists often provide a first interpretation of emergent architecture with its spatial functions, and in this way they generate so-called “hybrid zones” because the architectural function can also be perceived as a work of art in the context of public art. This book presents in text and image some 20 interventions and projects in Basel and Zurich, created from the 1990's to the present day. Cross references to other European cities help to provide an overview of the international debate, and it initiates a controversial discussion on the present and future possibilities for art and building through statements and text contributions. These are provided by architects including Diener & Diener, Herzog & de Meuron, Peter Märkli, Morger & Degelo, artists such as Renée Levi, Jean Pfaff, Rémy Zaugg, art historians and other experts in relevant fields.
Architecture since 1900, Europe
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Risography, named after the Japanese firm Riso, is a stencil printing process based on screen printing techniques that was developed in the transition phase from mechanical to digital printing. Although the printer looks like a copying machine, the colors are transferred onto the paper without the use of heat or chemicals, saving energy and making the process ecologically(...)
Risomania: the new spirit of printing
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Risography, named after the Japanese firm Riso, is a stencil printing process based on screen printing techniques that was developed in the transition phase from mechanical to digital printing. Although the printer looks like a copying machine, the colors are transferred onto the paper without the use of heat or chemicals, saving energy and making the process ecologically friendly. Graphic artists and designers from around the world have now rediscovered the risograph for themselves – along with other machines for similar, almost forgotten techniques such as mimeography – and sparked an unexpected renaissance of analog printing. A comprehensive introduction that addresses past, present and future is followed by an essay about the key pioneers in the contemporary risography scene. In the chapter "Risoworld" notable risography-oriented publishers, printers and design studios from around the world are presented. At the heart of the book are fabulous, hugely diverse examples such as postcards, magazines, posters, flyers and experimental printed products, all inspired by the force of their color, their unique textures and, above all, the pefectly imperfect authenticity of risography.
Graphic Design and Typography