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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
Publication:
January 2012
January 2012
Title:
Traffic : conceptual art in Canada, 1965-1980
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
Traffic : conceptual art in Canada, 1965-1980
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
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books
books
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January 2012
January 2012
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books
books
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$67.95
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends,(...)
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends,(...)
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En levende tradition / A living tradition
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends, yet a few firms maintain a more grounded and centered approach to their work. Prominent among this group is KPF Architects (Kjelgaard, Pedersen & Fællestegnestuen), whose philosophy and work is a prime example of design rooted in a specific regional narrative while globally pursuing new ideas, new concepts and new materials that elevate their projects to the highest levels of architectural discourse, without sacrificing either usefulness or pleasure for the client. Even their most ordinary functional projects like banks, office buildings, and medical facilities embody a sensitivity that is uplifting. Kenneth Frampton states: One cannot help but be reminded of the tradition of Arne Jacobsen when looking at KPF Arkitekters work and thus of the commonsense functional, but ludic, character of the still vital Danish modern movement as it has consistently evolved over the past sixty years
En levende tradition / A living tradition
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For a small country that generally keeps a low profile on the stage of world events, Denmark has played a disproportionately prominent role in the history of 20th Century architecture and design. Today in the early 21st Century, known for its anything-goes attitude towards design, Denmark also has its share of provocative architects surfing waves of fashionable trends, yet a few firms maintain a more grounded and centered approach to their work. Prominent among this group is KPF Architects (Kjelgaard, Pedersen & Fællestegnestuen), whose philosophy and work is a prime example of design rooted in a specific regional narrative while globally pursuing new ideas, new concepts and new materials that elevate their projects to the highest levels of architectural discourse, without sacrificing either usefulness or pleasure for the client. Even their most ordinary functional projects like banks, office buildings, and medical facilities embody a sensitivity that is uplifting. Kenneth Frampton states: One cannot help but be reminded of the tradition of Arne Jacobsen when looking at KPF Arkitekters work and thus of the commonsense functional, but ludic, character of the still vital Danish modern movement as it has consistently evolved over the past sixty years
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Architecture Monographs
Architecture Monographs
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journals and magazines
journals and magazines
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$49.65
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production(...)
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production(...)
Title:
AD 91:5 Production urbanism: The meta industrial city
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production away from residential zones in the 20th century. However, new innovative manufacturing technologies are allowing a coexistence between factories and dwellings through hybrid typologies that blend production back into the urban fabric. This AD issue discusses the implications of the re-emergence of production as an architectural and urban agenda through hybrid models that engage a new socioeconomic shift. Given the contemporary circumstances of a global pandemic affecting global supply chains, it is necessary to deliver a vision for a new productive urbanism that allows autonomous circular economies to flourish. Our 21st-century cities have an obligation to explore a new industrial revolution of shared economies that optimise the use of the legacy systems, infrastructure and building stock. Yet it is ultimately up to architecture to take arms in delivering new typologies.
AD 91:5 Production urbanism: The meta industrial city
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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production away from residential zones in the 20th century. However, new innovative manufacturing technologies are allowing a coexistence between factories and dwellings through hybrid typologies that blend production back into the urban fabric. This AD issue discusses the implications of the re-emergence of production as an architectural and urban agenda through hybrid models that engage a new socioeconomic shift. Given the contemporary circumstances of a global pandemic affecting global supply chains, it is necessary to deliver a vision for a new productive urbanism that allows autonomous circular economies to flourish. Our 21st-century cities have an obligation to explore a new industrial revolution of shared economies that optimise the use of the legacy systems, infrastructure and building stock. Yet it is ultimately up to architecture to take arms in delivering new typologies.
Form:
journals and magazines
journals and magazines
Publication:
October 2021
October 2021
Subject:
Magazines
Magazines
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books
books
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$28.00
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide(...)
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide(...)
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Habitats: private lives in the big city
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These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis.
Habitats: private lives in the big city
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$28.00
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Summary:
These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduces them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis.
Form:
books
books
Publication:
April 2013
April 2013
Subject:
Urban Theory
Urban Theory
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books
books
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$52.95
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and(...)
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and(...)
Title:
Sasha Maslov: Ukrainian railroad ladies
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraine’s railroad system. While working on the project, Sasha Maslov – known for his social documentary portraits, where the main focus is always the hero in his substantive environment – has traveled all over Ukraine. ''Ukrainian railroad ladies'' is more than 50 photos of women who work on Ukrainian Railways. They seem to be a symbol of certain things in the country that don’t change, standing firm in the present as a defiant nod to the past. Unfazed by the passing of trains and time, they are here to stay.
Sasha Maslov: Ukrainian railroad ladies
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraine’s railroad system. While working on the project, Sasha Maslov – known for his social documentary portraits, where the main focus is always the hero in his substantive environment – has traveled all over Ukraine. ''Ukrainian railroad ladies'' is more than 50 photos of women who work on Ukrainian Railways. They seem to be a symbol of certain things in the country that don’t change, standing firm in the present as a defiant nod to the past. Unfazed by the passing of trains and time, they are here to stay.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Photography monographs
Photography monographs
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books
books
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$48.00
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery(...)
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery(...)
Title:
Post-photography: the artist with a camera
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$48.00
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into five sections – Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism – which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century.
Post-photography: the artist with a camera
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$48.00
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into five sections – Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism – which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Theory of Photography
Theory of Photography
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books
books
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$128.95
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
$128.95
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
Title:
Participation in art and architecture: spaces of interaction and occupation
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$128.95
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does ‘participatory’ art and architecture shape social reality, or is it shaped by it?Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.
Participation in art and architecture: spaces of interaction and occupation
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$128.95
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Summary:
If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does ‘participatory’ art and architecture shape social reality, or is it shaped by it?Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Architectural Theory
Architectural Theory
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books
books
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$72.00
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the(...)
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the(...)
Title:
Hans Georg Esch: Pompeii, the architectural eye
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$72.00
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the photographic work of the team HGEsch in Pompeii shows the excavated sites as part of today’s metropolis of Naples at the foot of the volcano and illustrates the parallels and connections between ancient urban planning and our contemporary cities. For the first time, the exhibition presents more than 80 of these magnificent photographs of what are probably the best-preserved remains of ancient Roman cities worldwide, taken from a 21st century perspective. The once vibrant and lively, then buried and now in ruins urban structure becomes more tangible than ever before.
Hans Georg Esch: Pompeii, the architectural eye
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$72.00
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the photographic work of the team HGEsch in Pompeii shows the excavated sites as part of today’s metropolis of Naples at the foot of the volcano and illustrates the parallels and connections between ancient urban planning and our contemporary cities. For the first time, the exhibition presents more than 80 of these magnificent photographs of what are probably the best-preserved remains of ancient Roman cities worldwide, taken from a 21st century perspective. The once vibrant and lively, then buried and now in ruins urban structure becomes more tangible than ever before.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$36.50
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Summary:
''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
Title:
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
Form:
books
books
Publication:
June 2026
June 2026
Subject:
Social
Social
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books
books
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$58.50
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
Title:
Architecture and its ethical dilemmas
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$58.50
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Architecture and its ethical dilemmas
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$58.50
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Summary:
"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Form:
books
books
Publication:
December 2005, London, New York
December 2005, London, New York
Subject:
Architectural Theory
Architectural Theory
