Project
AP032.S2.SS3.D14
Description:
This project series documents the Oakland Alameda County Coliseum Sports Complex, circa 1993. The project records consist of drawings, photographs, and textual records. The textual records, which date from 1968 – 1993, include correspondence and publicity materials.
[1993]
Oakland Alameda County Coliseum Sports Complex
Actions:
AP032.S2.SS3.D14
Description:
This project series documents the Oakland Alameda County Coliseum Sports Complex, circa 1993. The project records consist of drawings, photographs, and textual records. The textual records, which date from 1968 – 1993, include correspondence and publicity materials.
File 14
[1993]
ARCH282075
1988-07-11
1988-07-11
Project
AP207.S1.1970.PR01
Description:
This project series documents Pettena's performance "Cancellazione di uno stato". This performance, understood as a visual poem, is described in written instructions. The performance begins with two jets flying over an American state, each one takes off from opposite corners of a state and meet in the center, forming an 'X' over the state. The flights are meant to occur at the specific moment when the performance can be captured by a weather satellite. The images captured by the satellite would then be broadcasted on the weather forecast on national stations. Pettena used a similar idea for a proposal entitled "Imprisonment" for the Graz "Trigon '71" competition. The project series contains the typescript instructions for the performance and a project description in English and in Italian.
1970-2015
Cancellazione di uno stato [Cancellation of the State] (1970)
Actions:
AP207.S1.1970.PR01
Description:
This project series documents Pettena's performance "Cancellazione di uno stato". This performance, understood as a visual poem, is described in written instructions. The performance begins with two jets flying over an American state, each one takes off from opposite corners of a state and meet in the center, forming an 'X' over the state. The flights are meant to occur at the specific moment when the performance can be captured by a weather satellite. The images captured by the satellite would then be broadcasted on the weather forecast on national stations. Pettena used a similar idea for a proposal entitled "Imprisonment" for the Graz "Trigon '71" competition. The project series contains the typescript instructions for the performance and a project description in English and in Italian.
Project
1970-2015
archives
Level of archival description:
Fonds
Peter Eisenman fonds
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
1925-2008, predominant 1951-2008
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
archives
Level of archival description:
Fonds
1925-2008, predominant 1951-2008
Project
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
circa 1971-2015
Some Call Him Pig (1971)
Actions:
AP207.S1.1971.PR07
Description:
The project series documents "Some Call him Pig," a photograph taken by Petenna of billboard produced by the Minneapolis police department to promote the merits of police officers and respond to the slang term "pigs" used to refer to policemen. The billboard shows a policeman holding an unconscious child in his arms and practicing mouth-to-mouth resuscitation. "Pettena underlined its 'contradiction in terms' and unintentional irony, incomprehensible to the Americans of the mid-west." [1] The project series contains a photograph of the billboard and project description in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-some-call-him-pig-1971-1/ (last accessed 11 November 2019)
Project
circa 1971-2015
Project
Ice House II (1972)
AP207.S1.1972.PR01
Description:
The project series documents "Ice House II" a project which consisted of freezing a small house in suburban Minneapolis, by pouring water into a wooden mold surrounding the house and letting the water freeze to create a block of ice. "If the addition of material then leads, paradoxically, to the disappearence of the 'architectural' object, this subtraction only highlights the serial repetitiveness of the dwellings in American suburbia." [1] It is unclear if this project was ever performed. The project series contains photographs of the frozen house, photographic reproductions of aerial views and plans of the neighbourhood for the selection of the house, sketches and a perspective drawing. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 152.
circa 1972-2015
Ice House II (1972)
Actions:
AP207.S1.1972.PR01
Description:
The project series documents "Ice House II" a project which consisted of freezing a small house in suburban Minneapolis, by pouring water into a wooden mold surrounding the house and letting the water freeze to create a block of ice. "If the addition of material then leads, paradoxically, to the disappearence of the 'architectural' object, this subtraction only highlights the serial repetitiveness of the dwellings in American suburbia." [1] It is unclear if this project was ever performed. The project series contains photographs of the frozen house, photographic reproductions of aerial views and plans of the neighbourhood for the selection of the house, sketches and a perspective drawing. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 152.
Project
circa 1972-2015
Sub-series
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
circa 1952 -2016
Books, articles, reviews, lectures, and juries
Actions:
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
Subseries
circa 1952 -2016
photographs
DR2012:0012:081:004
Description:
Ring binder containing notes, photographs, printouts, and transparencies related to the exhibition catalogue for "Between observation and intervention: the painted photographs of Melvin Charney", with specific references to the following series: - Parables series; - In flight series; - The American city; - Cities on the run. Some annotations in graphite present. Spine labelled: AMERICAS SOCIETY 2008-09 EXHIBITION MONOGRAPH
circa 2008
Binder of notes and photographs related to the catalogue for exhibition "Between observation and intervention: the painted photographs of Melvin Charney"
Actions:
DR2012:0012:081:004
Description:
Ring binder containing notes, photographs, printouts, and transparencies related to the exhibition catalogue for "Between observation and intervention: the painted photographs of Melvin Charney", with specific references to the following series: - Parables series; - In flight series; - The American city; - Cities on the run. Some annotations in graphite present. Spine labelled: AMERICAS SOCIETY 2008-09 EXHIBITION MONOGRAPH
photographs
circa 2008
photographs
Quantity:
67 slide(s)
photographs
Quantity:
67 slide(s)
2000?
Sub-series
Awards and honours
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
1950-2018
Awards and honours
Actions:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Sub-series
1950-2018