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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
Brick 18: outstanding international brick achitecture
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Materials and Lighting
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic(...)
Repair: Sustainable design futures
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A collection of timely new scholarship, ''Repair: Sustainable design futures'' investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. ''Repair'' will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Design Theory
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
Photography monographs
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and(...)
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry.
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
CCA Publications
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Photography monographs
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
Commercial interiors, Building types
February 2004, Chichester
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Commercial interiors, Building types
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the(...)
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the Middle East and Australia. Each built example is interrogated through an essay and a series of beautiful supporting illustrations and drawings. Where appropriate architectural analysis is cross-scale, extending from consideration of the artefact’s encounter with museum space at the most intimate scale, through detailed architectural readings, to the wider perspective of urban/landscape response. Similarly, the book is not confined in its thematic or architectural ‘typological’ scope, including museums and art galleries, as well as remodellings, extensions and new build examples. "New museum design" provides a critical snapshot of contemporary international museum architecture, in order to: better understand reasons for the state of current practice; reveal and explore on-going themes and approaches in the field; and to point towards seminal future design directions. This book is essential reading for any student or professional interested in museum design.
Museums and Universal Exhibitions
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This publication offers a selection of contributions that originally appeared in the journal "archithese," accompanied by critical essays by contemporary authors. Themes range from historicism, realism, urbanism, and user-oriented approaches, to interest in informal and spontaneous building. Arranged in five chapters, the articles illustrate an examination of the evolving(...)
Archithese reader: Critical position sin search of postmodernity 1971-1976
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This publication offers a selection of contributions that originally appeared in the journal "archithese," accompanied by critical essays by contemporary authors. Themes range from historicism, realism, urbanism, and user-oriented approaches, to interest in informal and spontaneous building. Arranged in five chapters, the articles illustrate an examination of the evolving postmodernism and, due to their multifaceted nature, point far beyond a pure concept of style. The contributors include Irina Davidovici, Samia Henni, Torsten Lange, and others, representing positions that are exemplary of the pluralist approach and thematic openness characteristic of the journal in its founding phase.
Architectural Theory
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch.(...)
Romantic Paris: histories of a cultural landscape, 1800 - 1850
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch. Marrinan plots the zigzag trajectory of the monuments, spaces, and habits of a city that both looks back to the past and forward in time with all the optimism, self-doubts, and creative energy of a culture poised at the threshold of modernity.
Architectural Theory