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Saint-Laurent boulevard, a major thoroughfare crossing the heart of Montreal from north to south, has witnessed more than three centuries of history. It has experienced spectacular transformations and reversals, incarnating in turn every facet of Montreal's character, from rural to urban and from the early days of industrialization to the latest in multimedia. A gateway(...)
Saint-Laurent : Montreal's Main
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Saint-Laurent boulevard, a major thoroughfare crossing the heart of Montreal from north to south, has witnessed more than three centuries of history. It has experienced spectacular transformations and reversals, incarnating in turn every facet of Montreal's character, from rural to urban and from the early days of industrialization to the latest in multimedia. A gateway for immigrants and a window on the world, a haven for marginal Montrealers of every stripe, the "Main" has long served as the melting pot for peoples and cultures in Quebec. Through the vast and far-reaching metamorphoses that have shaped the "Main" since its very beginning, we see Montreal and Quebec as a whole emerge into the modern age. For the busy sidewalks and chaotic intersections of the "Main" gave birth to many of the social movements that have marked our world, from women's liberation to unionization and the fight for human dignity. The "Main" has also attracted an impressive pool of artistic talent and been an testing ground for new forms of expression, including film, Yiddish theater, French song, and Quebec burlesque.
books
May 2002, Sillery
Architecture de Montréal
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The first major illustrated monograph in many years on the history of gardens, landscape design, and architecture, focusing on both the Western and Eastern traditions and their influences. This book surveys every period in garden design and landscape architecture, from classical antiquity and the medieval cloisters to the latest trends in modern design. From the Roman(...)
The elegant garden: architecture and landscape of the world's finest gardens
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The first major illustrated monograph in many years on the history of gardens, landscape design, and architecture, focusing on both the Western and Eastern traditions and their influences. This book surveys every period in garden design and landscape architecture, from classical antiquity and the medieval cloisters to the latest trends in modern design. From the Roman gardens at Hadrian’s villa to the modern work of landscape architects, historical and contemporary gardens are showcased with special attention to the relationship between gardens and houses. The informative text reveals the evolutions, transformations, influences, and trends that characterize these landscapes, putting into context their aesthetic appeal. Gardens are unique, reflecting the landscape, flora, and climate of their environments as well as the heritage, history, architectural styles, and influences of society. From the fountain gardens of Persia to the prairie-style gardens currently popular, from the Zen gardens of Buddhist temples to the Impressionist gardens in Giverny, the huge variety of gardens is a testament to our age-old desire to tame and refashion nature.
Gardens
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
Skidmore, Owings & Merrill : SOM since 1936
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Architecture Monographs
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The works in The Drawing Book, by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The(...)
The drawing book a survey of drawing : The primary means of expression
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The works in The Drawing Book, by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout, and art historian Charles Darwent. The Drawing Book takes us on a journey through five themes -- measurement, nature, the city, dreams, and the body. Each is richly illustrated with a diverse range of images, from the old masters, through great Modernist pieces by Rodin, Picasso, Matisse, and on to the contemporary artists who are reviving drawing today. The Drawing Book provides a new and unique approach to an age old medium.
Contemporary Art Monographs
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The Far Eastern International Digital Design Award (The Feidad Award) was conferred for the first time in 2000, its aim being to encourage and honour innovative design created with the aid of digital media. In 2006, the jury which comprised Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other distinguished architects,(...)
Distinguishing Digital Architecture : 6th Far Eastern International Digital Architectural Design Award
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The Far Eastern International Digital Design Award (The Feidad Award) was conferred for the first time in 2000, its aim being to encourage and honour innovative design created with the aid of digital media. In 2006, the jury which comprised Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other distinguished architects, awarded the prize for the sixth time. This book presents the 52 best projects by architects, students and designers worldwide. It explores digital concepts such as computing, information, electronic media, hyper-, virtual-, and cyberspace in order to help define and discuss future space and architecture in the digital age. Fully documented in text and colour illustrations, these award-winning projects provide an excellent overview of the very latest international developments in digital design and an invaluable source-book for all who make use of new media in their work. As special treat "stars” like Tadao Ando, Zaha Hadid, Toyo Ito, Fernando Menis, Asymptote, Diller+Scofidio, OCEAN-north, MVRDV and UN Studio were invited to submit projects for this edition.
Digital Architecture
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Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was(...)
Pedro E. Guerrero : a photographer's journey
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Pedro Guerrero spent his entire career, more than 60 years, photographing houses of some of the most illustrious American architects and artists of the twentieth century. Emerging from a modest background, his first professional job at the age of twenty-two in 1939 was photographing Taliesin West, the Arizona home of Frank Lloyd Wright. For the next 20 years, Guerrero was the chief visual interpreter of Wright's home. Guerrero was soon photographing houses belonging to such legendary artists and architects as Alexander Calder, Louise Nevelson, Marcel Breuer, John Huston, Philip Johnson, Julia Child, Edward Stone, and Alexi Brodovitch. Spanning nearly a century, "Pedro E. Guerrero : a photographer's journey" is a fascinating memoir illustrated with over 190 of the author's own photographs. Guerrero steps out from behind the camera and, for the first time, tells his own story along with the stories of the contradictory and complex lives of the extraordinary people he has known, including candid anecdotes about the personal quirks of some of America's legendary magazine editors, architects, and artists.
books
March 2007, New York
Photography monographs
Les pierres sauvages
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Ce roman se présente comme le journal du maître d'œuvre qui, au XIIe siècle, édifia en Provence l'abbaye du Thoronet, exemple d'architecture cistercienne. Jour après jour, nous voyons ce moine constructeur aux prises avec la faiblesse des hommes et l'inertie des choses, harcelé par les éléments contraires, et, plus encore, par ses propres contradictions. La vie d'un(...)
Les pierres sauvages
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Ce roman se présente comme le journal du maître d'œuvre qui, au XIIe siècle, édifia en Provence l'abbaye du Thoronet, exemple d'architecture cistercienne. Jour après jour, nous voyons ce moine constructeur aux prises avec la faiblesse des hommes et l'inertie des choses, harcelé par les éléments contraires, et, plus encore, par ses propres contradictions. La vie d'un chantier médiéval, les problèmes techniques, financiers ou doctrinaux que posait sa bonne marche, les solutions d'une étonnante modernité qui leur furent données apparaissent ici bien peu conformes à ce Moyen-Age de convention dont l'image encombre souvent nos mémoires. Cependant, cette chronique de la naissance d'un chef-d'œuvre, appuyée à la fois sur des recherches historiques originales et sur une longue expérience du métier de bâtisseur, est aussi une réflexion sur les rapports du beau et du nécessaire, de l'ordre humain et de l'ordre naturel. Et elle est encore une méditation lyrique sur l'Ordre en lequel tous les ordres ont leur place, et sur cet art qui rassemble tous les autres : l'architecture. Mais elle est, d'abord, un acte de foi.
History until 1900
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries(...)
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way.
Museology
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay(...)
Museums and Universal Exhibitions
January 2026
A Design for Continuity and Change: The Frick Collection
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay Frick, is one of New York City’s most beloved art institutions. Designed by Thomas Hastings of the New York firm of Carrère and Hastings, the original Fifth Avenue mansion was completed in 1914 and served the Frick family until 1931. With John Russell Pope’s expansion of the mansion in 1935, which included the addition of a library (today’s esteemed Frick Art Research Library), the residence was converted into a public museum. The goal of the renovation was to honor the architectural legacy and unique contemplative atmosphere of the Frick while adding new space and critical infrastructure updates. Visitors will enjoy the enhanced functionality of the institution, and its improved climate controls will ensure the preservation of the collection and the house for generations to come.
Museums and Universal Exhibitions
Le 9e : La cathédrale Art déco du Eaton de Montréal / Montreal Eaton's Art Deco Dining Cathedral
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Until its public reopening on May 17, 2024, high above Montreal's bustling Sainte-Catherine Street, hidden behind locked doors and decades of dust, lay a forgotten gem of Art Deco design: Le 9e, created in 1931 by renowned French architect Jacques Carlu. From its dazzling debut to its closing in 1999, Le 9e embodied the glamour of Eaton's golden age. Now, through(...)
Le 9e : La cathédrale Art déco du Eaton de Montréal / Montreal Eaton's Art Deco Dining Cathedral
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Until its public reopening on May 17, 2024, high above Montreal's bustling Sainte-Catherine Street, hidden behind locked doors and decades of dust, lay a forgotten gem of Art Deco design: Le 9e, created in 1931 by renowned French architect Jacques Carlu. From its dazzling debut to its closing in 1999, Le 9e embodied the glamour of Eaton's golden age. Now, through meticulous research and newly uncovered archives, Sandra Cohen-Rose reveals the story behind this extraordinary space and the remarkable restoration that has brought it back to life. // Jusqu’à sa réouverture au public le 17 mai 2024, bien au-dessus de l'animation de la rue Sainte-Catherine à Montréal, derrière des portes closes et des décennies de poussière, se cachait un joyau oublié de l'Art déco : Le 9e, conçu en 1931 par le célèbre architecte français Jacques Carlu. De son ouverture éclatante à sa fermeture en 1999, Le 9e incarne le faste de l'âge d'or d'Eaton. Grâce à une recherche approfondie et à des archives inédites, Sandra Cohen-Rose retrace l'histoire de ce lieu exceptionnel et de sa remarquable restauration.
Architecture de Montréal