Katso Koota/ Look at K
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Olavi Laiho (1907-1944) was a writer, political organiser, and communist agitator, who was first imprisoned in 1932—a time when "communist laws" were in effect in Finland—for producing political material and running an illegal printing press in his home. He opposed Finland's WW2 era fighting alongside Nazi Germany against the Soviet Union, edited illegal journals, but(...)
Katso Koota/ Look at K
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Olavi Laiho (1907-1944) was a writer, political organiser, and communist agitator, who was first imprisoned in 1932—a time when "communist laws" were in effect in Finland—for producing political material and running an illegal printing press in his home. He opposed Finland's WW2 era fighting alongside Nazi Germany against the Soviet Union, edited illegal journals, but also planned armed resistance and facilitated correspondence between the party's leadership in Helsinki and the Soviet embassy in Stockholm. Just a couple of weeks before his execution, Laiho wrote a remarkable essay "Katso Koota" [Look at K], using only words starting with the letter K. "Katso Koota" is an early example of Finnish modern alliterative writing, a lipogram, a literary technique in which every word must start with the same letter. Laiho's "Katso Koota" predates the French Oulipo ("workshop of potential literature") of the 1960s. Considering that he produced his "constrained writing" under conditions of extreme political and cultural confinement, it can be considered a true form of avant-garde subversion.
Critical Theory
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Surveying some 50 years of groundbreaking art related to digital technology and the screen, "I’ll be your mirror" examines how technologies such as home computers, smartphones and TV have affected art and life over the past five decades. It traces a trajectory stretching back to the late 1960s, a watershed moment in the rise of the screen in the home. Today, accelerated(...)
I'll be your mirror: Art and the digital screen
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Surveying some 50 years of groundbreaking art related to digital technology and the screen, "I’ll be your mirror" examines how technologies such as home computers, smartphones and TV have affected art and life over the past five decades. It traces a trajectory stretching back to the late 1960s, a watershed moment in the rise of the screen in the home. Today, accelerated by the pandemic, our daily life is mediated through screens for work, entertainment and sociality.
Art Theory
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
Art Theory
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La fabrique et la gestion des villes sont aujourd’hui confrontées, comme de nombreuses autres activités, au remplacement de décisions humaines par des décisions algorithmiques. La substitution n’est pas seulement technique et professionnelle : elle est aussi politique. Elle ne touche pas que les métiers et les emplois : elle affecte la capacité des responsables locaux et(...)
Villes face aux géants de la tech
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La fabrique et la gestion des villes sont aujourd’hui confrontées, comme de nombreuses autres activités, au remplacement de décisions humaines par des décisions algorithmiques. La substitution n’est pas seulement technique et professionnelle : elle est aussi politique. Elle ne touche pas que les métiers et les emplois : elle affecte la capacité des responsables locaux et des citoyens à penser et à porter des projets de société. Une lutte est donc engagée entre la cité politique, matrice historique des démocraties occidentales, et la ville-service numérisée proposée par les géants de l’économie numérique. Si notre société a pris conscience de l’influence croissante de ces acteurs, elle hésite entre la fascination devant les promesses d’un « salut par la technologie » et la peur d’un monde placé sous surveillance généralisée.
Urban Theory
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This historical survey focuses on female artists who were either working with computer technologies or taking up the subject of computing and cybernetics in their work in the early years of the computer revolution. It documents a lesser-known history of the inception of digital art, countering conventional narratives by focusing entirely on female figures. Comprising more(...)
Radical Software: Women, Art & Computing: 1960-1991
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This historical survey focuses on female artists who were either working with computer technologies or taking up the subject of computing and cybernetics in their work in the early years of the computer revolution. It documents a lesser-known history of the inception of digital art, countering conventional narratives by focusing entirely on female figures. Comprising more than 100 works by 50 artists from 14 countries, it spans a period from the first years of integrated circuit computing in the 1960s to the "microcomputer revolution," which led to the birth of home computing in the 1980s. This extensive publication includes three new essays by Tina Rivers Ryan, Margit Rosen and the exhibition's curator, Michelle Cotton. It also features a richly illustrated timeline covering the period between 1613 and 1991 and includes 27 new interviews with artists and over 200 illustrations.
Art Theory
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"Fundamentals of community design for wellbeing" addresses the need to rethink the philosophy and form of residential environments due to recent social, economic, environmental, and cultural shifts, including depletion of non-renewable resources, elevated levels of greenhouse gas emissions, and climate change. This book highlights innovative planning strategies for(...)
Fundamentals of community design for wellbeing: Fostering sustainability and livability
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"Fundamentals of community design for wellbeing" addresses the need to rethink the philosophy and form of residential environments due to recent social, economic, environmental, and cultural shifts, including depletion of non-renewable resources, elevated levels of greenhouse gas emissions, and climate change. This book highlights innovative planning strategies for livability and wellbeing of communities supported by lessons from notable international case studies, addressing varied issues including accommodating elderly populations, designing walkable communities, and closing the affordability gap. Authored by an architecture professor who is also a practicing architect and urban planner, this book navigates the residential design process from site planning to individual home design, emphasizing principles of sustainability.
Urban Theory
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"Architectures of ageing in place" provides curated critical perspectives, from a practice-based research point of view, of buildings that are purpose built and/or refurbished to accommodate housing and care needs of older people ageing in place in high rise/medium rise integrated communities. This book identifies design innovations, in line with policy innovations, that(...)
Architectures of ageing in place
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"Architectures of ageing in place" provides curated critical perspectives, from a practice-based research point of view, of buildings that are purpose built and/or refurbished to accommodate housing and care needs of older people ageing in place in high rise/medium rise integrated communities. This book identifies design innovations, in line with policy innovations, that have been made across private and public sectors to accommodate wellbeing and quality of life of older people living in integrated communities, which continue to foster intergenerational dialogue and exchange, and advance social citizenship. Case studies from a diverse range of geographies are examined including Portugal, Singapore, India, New Zealand, UK, Sweden, Belgium and the US. Chapters are grounded in evidence-based research including substantial primary data and post-occupancy evaluation, specifically the evaluation of architecture’s ‘social performance’. Projects highlight high-rise / medium-rise as an emerging and successful typology in accommodating residential and care needs of older people.
Architectural Theory
Guerre aux démolisseurs
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Dans un XIXe siècle encore à écrire, un jeune écrivain du nom de Victor Hugo s’insurge?: dans ce texte de 1832 à valeur de manifeste, il dénonce “la démolition successive et incessante de tous les monuments de l’ancienne France”, qui fait rage depuis la révolution de juillet 1830. Témoignant de l’acuité précoce de son auteur, « Guerre aux démolisseurs » nous met face à un(...)
Guerre aux démolisseurs
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Dans un XIXe siècle encore à écrire, un jeune écrivain du nom de Victor Hugo s’insurge?: dans ce texte de 1832 à valeur de manifeste, il dénonce “la démolition successive et incessante de tous les monuments de l’ancienne France”, qui fait rage depuis la révolution de juillet 1830. Témoignant de l’acuité précoce de son auteur, « Guerre aux démolisseurs » nous met face à un homme engagé dans les débats de son temps, et dont le diagnostic sévère laisse le lecteur toujours aussi dubitatif.
Architectural Theory
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Centered on the Al Ahsa region, one of the world's oldest and largest oases, "Maghras: A farm for experimentation" (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural(...)
Landscape Theory
December 2025
Maghras: A farm for experimentation
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Centered on the Al Ahsa region, one of the world's oldest and largest oases, "Maghras: A farm for experimentation" (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge. The publication documents research, fieldwork, and newly commissioned projects by architects, artists, and practitioners who engaged with farmers, craftspeople, and residents of Al Ahsa. Through essays, images, oral histories, and archival material, it reflects on the shifting relationship between land, water, and community in a landscape transformed by modernization and urban expansion.
Landscape Theory
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Over 60 years on from its inception, the celebrated Fun Palace civic project – developed in the 1960s by the radical theatre director Joan Littlewood and the architect Cedric Price – continues to capture the architectural imagination. Despite the building itself never being realized, much of the previous analysis of the Fun Palace has been devoted to Price and his(...)
Architecture, media, archives: The fun palace of Joan Littlewood and Cedric Price as a cultural project
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Over 60 years on from its inception, the celebrated Fun Palace civic project – developed in the 1960s by the radical theatre director Joan Littlewood and the architect Cedric Price – continues to capture the architectural imagination. Despite the building itself never being realized, much of the previous analysis of the Fun Palace has been devoted to Price and his drawings. The critical role that Littlewood played, however, remains largely unrecognized by architectural scholarship, and a whole area of the project's cultural agenda remains overlooked. ''Architecture, Media, Archives'' is the first serious study of the complex relations between Littlewood and Price, reframing the Fun Palace as an extended media project and positioning Littlewood more clearly as co-designer. Drawing on extensive archival material, the book considers how, due to a lack of institutional support, the aims of the Fun Palace – to transform the passive mass-audiences of post-war consumer society into active citizens, through forms of self-directed, pleasure-led and open exchange – were realized through different 'sites of information' throughout the 1960s. From broadsheets, pamphlets and journals to films and press news, the book addresses the conditions of production, circulation, storage and reception of these 'sites' and reveals how they not only recorded the transformation of the project, but also fundamentally enhanced and informed its meaning in specific ways.
Architectural Theory