Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
CCA Publications
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Photography monographs
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
Commercial interiors, Building types
February 2004, Chichester
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Commercial interiors, Building types
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the(...)
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the Middle East and Australia. Each built example is interrogated through an essay and a series of beautiful supporting illustrations and drawings. Where appropriate architectural analysis is cross-scale, extending from consideration of the artefact’s encounter with museum space at the most intimate scale, through detailed architectural readings, to the wider perspective of urban/landscape response. Similarly, the book is not confined in its thematic or architectural ‘typological’ scope, including museums and art galleries, as well as remodellings, extensions and new build examples. "New museum design" provides a critical snapshot of contemporary international museum architecture, in order to: better understand reasons for the state of current practice; reveal and explore on-going themes and approaches in the field; and to point towards seminal future design directions. This book is essential reading for any student or professional interested in museum design.
Museums and Universal Exhibitions
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch.(...)
Romantic Paris: histories of a cultural landscape, 1800 - 1850
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch. Marrinan plots the zigzag trajectory of the monuments, spaces, and habits of a city that both looks back to the past and forward in time with all the optimism, self-doubts, and creative energy of a culture poised at the threshold of modernity.
Architectural Theory
Bhabha for architects
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The work of Homi K. Bhabha has permeated into numerous publications which use postcolonial discourse as a means to analyze architectural practices in previously colonized contexts, particularly in Africa, Asia, the Middle-East, South-East Asia and, Latin America. Bhabha's use of the concept of ‘space’ has made his work highly appealing to architects and architectural(...)
Bhabha for architects
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The work of Homi K. Bhabha has permeated into numerous publications which use postcolonial discourse as a means to analyze architectural practices in previously colonized contexts, particularly in Africa, Asia, the Middle-East, South-East Asia and, Latin America. Bhabha's use of the concept of ‘space’ has made his work highly appealing to architects and architectural theorists. This introductory book, specifically for architects, focuses on Bhabha’s seminal book The Location of Culture and reveals how his work contributes to architectural theory and the study of contemporary architectures in general, not only in colonial and postcolonial contexts.
Architectural Theory
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Forty years after Michel Foucault's groundbreaking 1975 study, Discipline and Punish, the available tools of scrutiny, supervision, and discipline are far more capable and insidious than Foucault dreamed, and yet less effective than Bentham hoped. Public squares, container ports, terrorist holding cells, and social networks all bristle with cameras, sensors, and trackers.(...)
The inspection house : an impertinent field guide to modern surveillance
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Forty years after Michel Foucault's groundbreaking 1975 study, Discipline and Punish, the available tools of scrutiny, supervision, and discipline are far more capable and insidious than Foucault dreamed, and yet less effective than Bentham hoped. Public squares, container ports, terrorist holding cells, and social networks all bristle with cameras, sensors, and trackers. But, crucially, they are also rife with resistance and prime opportunities for revolution. The Inspection House is a tour through several of these sites — from Guantánamo Bay to the Occupy Oakland camp and the authors' own mobile devices — providing a stark, vivid portrait of our contemporary surveillance state and its opponents.
Architectural Theory
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster(...)
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption.
Architectural Theory
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and(...)
Memo for Nemo
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''Memo for Nemo'' is an account of the human inhabitation of the undersea, in fact and fiction. It takes as its starting point Jules Verne’s novel Twenty Thousand Leagues Under the Sea, with the Nautilus submarine and its captain Nemo – inventor, explorer, oceanologist, gastronome, musician and terrorist. The undersea is examined as a zone created both by exploration and invention, from the earliest attempts to photograph and descend into the depths with deep-sea devices, through the 1960s experiments and actual inhabitation, such as the US Sealab and Cousteau’s Conshelf, to contemporary surveillance of the rapidly changing oceans.
Architectural Theory
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This publication offers a selection of contributions that originally appeared in the journal "archithese," accompanied by critical essays by contemporary authors. Themes range from historicism, realism, urbanism, and user-oriented approaches, to interest in informal and spontaneous building. Arranged in five chapters, the articles illustrate an examination of the evolving(...)
Archithese reader: Critical position sin search of postmodernity 1971-1976
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This publication offers a selection of contributions that originally appeared in the journal "archithese," accompanied by critical essays by contemporary authors. Themes range from historicism, realism, urbanism, and user-oriented approaches, to interest in informal and spontaneous building. Arranged in five chapters, the articles illustrate an examination of the evolving postmodernism and, due to their multifaceted nature, point far beyond a pure concept of style. The contributors include Irina Davidovici, Samia Henni, Torsten Lange, and others, representing positions that are exemplary of the pluralist approach and thematic openness characteristic of the journal in its founding phase.
Architectural Theory