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books
books
Title:
Adolf Loos: The Looshaus
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
$54.95
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Summary:
When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
Title:
Adolf Loos: The Looshaus
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$54.95
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Summary:
When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Adolf Loos: The Looshaus
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$54.95
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Summary:
When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Archetypes: David K. Ross
Archetypes: David K. Ross
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$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
Subject:
Canadian art
Canadian art
Publication:
August 2021
August 2021
Title:
Archetypes: David K. Ross
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$64.95
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Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Archetypes: David K. Ross
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Price:
$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
The Bungalow
The Bungalow
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$70.00
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Summary:
This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
$70.00
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Summary:
This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
Title:
The Bungalow
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$70.00
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
The Bungalow
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Price:
$70.00
(available in store)
Summary:
This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$91.00
(available to order)
Summary:
The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and(...)
$91.00
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Summary:
The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and(...)
Title:
Old is new: architectural works by New Material Laboratory
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$91.00
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Summary:
The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and the Middle Ages by using it in the context of a distinctly contemporary design sensibility and thus creating a physical connection between the past and the present. This beautiful hardcover volume delves into the art and architecture as well as the archaeological philosophy of the Laboratory. Each project is characterized by the materials used in its construction and is illustrated with rich full-color photography. Sugimoto and Sakakida are the principal authors of the accompanying text, extrapolating on their design ethos and its roots in Japanese aesthetic tradition; supplemental reading provides further historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the Laboratory’s research.
Old is new: architectural works by New Material Laboratory
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$91.00
(available to order)
Summary:
The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: ''the oldest things are the newest.'' In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop ''new'' materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and the Middle Ages by using it in the context of a distinctly contemporary design sensibility and thus creating a physical connection between the past and the present. This beautiful hardcover volume delves into the art and architecture as well as the archaeological philosophy of the Laboratory. Each project is characterized by the materials used in its construction and is illustrated with rich full-color photography. Sugimoto and Sakakida are the principal authors of the accompanying text, extrapolating on their design ethos and its roots in Japanese aesthetic tradition; supplemental reading provides further historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the Laboratory’s research.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
I numeri / numbers
I numeri / numbers
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$32.95
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Summary:
Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white(...)
$32.95
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Summary:
Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white(...)
Title:
I numeri / numbers
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$32.95
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Summary:
Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white background. A journey from abstract to concrete that gradually reveals through the pages. Lastly, two pages of "abstract additions": number 10 is obtained with every possible combination of numbers by the use of colours. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most “european” among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
I numeri / numbers
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Price:
$32.95
(available to order)
Summary:
Just like "Colors", "Numbers" was originally published in 1945 too. Once again, its graphic refinement makes this book an art project in itself, much more than a mere children’s book. I count from zero to ten with the fingers and with abstract compositions made of coloured shapes scattered on a black background and black & white squares tidily ranged on a white background. A journey from abstract to concrete that gradually reveals through the pages. Lastly, two pages of "abstract additions": number 10 is obtained with every possible combination of numbers by the use of colours. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most “european” among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
Form:
books
books
Publication:
January 1997, Mantova
January 1997, Mantova
Subject:
Children's Books
Children's Books
Form:
books
books
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$65.00
(available in store)
Summary:
In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
Title:
Forest mind: On the interconnection of all life
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Forest mind: On the interconnection of all life
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Price:
$65.00
(available in store)
Summary:
In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$67.00
(available to order)
Summary:
Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that(...)
$67.00
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Summary:
Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that(...)
Title:
Creating the new American town house
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$67.00
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Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that carry this familiar symbol of architectural innovation and refinement into the twenty-first century. "Creating the new American town house" features cutting-edge town houses that each draw from architectural tradition while achieving originality by both breaking from and adhering to the limitations of the town house form. Within the typical five-story frame and two parallel walls presented here are livable design solutions to the constraints of this classic housing type. Ranging from sites in New York, San Francisco, Seattle, Los Angeles, and Washington, DC, each of the buildings featured in "Creating the new American town house" is designed by such celebrated architects as Steven Ehrlich, Hugh Newell Jacobson, Stanley Saitowitz, and 1100 Architect. Each project is illustrated with full-color photography that showcases the interior design as well as plans and drawings. Alexander Gorlin’s text continues the discourse begun in his "The new American town house", surveying the adaptation of this beloved urban dwelling to the demands of a new century.
Creating the new American town house
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$67.00
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Summary:
Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that carry this familiar symbol of architectural innovation and refinement into the twenty-first century. "Creating the new American town house" features cutting-edge town houses that each draw from architectural tradition while achieving originality by both breaking from and adhering to the limitations of the town house form. Within the typical five-story frame and two parallel walls presented here are livable design solutions to the constraints of this classic housing type. Ranging from sites in New York, San Francisco, Seattle, Los Angeles, and Washington, DC, each of the buildings featured in "Creating the new American town house" is designed by such celebrated architects as Steven Ehrlich, Hugh Newell Jacobson, Stanley Saitowitz, and 1100 Architect. Each project is illustrated with full-color photography that showcases the interior design as well as plans and drawings. Alexander Gorlin’s text continues the discourse begun in his "The new American town house", surveying the adaptation of this beloved urban dwelling to the demands of a new century.
Form:
books
books
Publication:
August 2005, New York
August 2005, New York
Subject:
Residential Architecture
Residential Architecture
Form:
books
books
Price:
$59.95
(available to order)
Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
$59.95
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Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
Title:
Suspensions of perception : attention, spectacle, and modern culture
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"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
Suspensions of perception : attention, spectacle, and modern culture
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$59.95
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Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
Form:
books
books
Publication:
October 1999, Cambridge
October 1999, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$49.95
(available to order)
Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
$49.95
(available to order)
Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to(...)
Title:
Suspensions of perception: attention, spectacle, and modern culture
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$49.95
(available to order)
Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
Suspensions of perception: attention, spectacle, and modern culture
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Price:
$49.95
(available to order)
Summary:
"Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
Form:
books
books
Publication:
August 2001, Cambridge
August 2001, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$49.95
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Summary:
Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two(...)
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Summary:
Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two(...)
Title:
Deindustrializing Montreal: entangled histories of race, residence, and class
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Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. ''Deindustrializing Montreal'' challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn’t play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Deindustrializing Montreal: entangled histories of race, residence, and class
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Summary:
Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. ''Deindustrializing Montreal'' challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn’t play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Form:
books
books
Publication:
May 2022
May 2022
Subject:
Architecture de Montréal
Architecture de Montréal
