7806 Results
Title:
The battle for Gotham
The battle for Gotham
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In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's master builder Robert Moses with turning Gotham around, despite his brutal, undemocratic and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New(...)
$35.50
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Summary:
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's master builder Robert Moses with turning Gotham around, despite his brutal, undemocratic and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New(...)
Title:
The battle for Gotham
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$35.50
(available to order)
Summary:
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's master builder Robert Moses with turning Gotham around, despite his brutal, undemocratic and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Moses's urban philosophy. As American cities face a devastating economic crisis, Jacobs's philosophy is again vital for the redevelopment of metropolitan life.
The battle for Gotham
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Price:
$35.50
(available to order)
Summary:
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's master builder Robert Moses with turning Gotham around, despite his brutal, undemocratic and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Moses's urban philosophy. As American cities face a devastating economic crisis, Jacobs's philosophy is again vital for the redevelopment of metropolitan life.
Subject:
Urban Theory
Urban Theory
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$45.00
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
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Summary:
In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
Title:
National performance: representing Quebec from Expo 67 to Céline Dion
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
National performance: representing Quebec from Expo 67 to Céline Dion
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$45.00
(available to order)
Summary:
In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
Subject:
Architecture du Québec
Architecture du Québec
Title:
Eating the universe
Eating the universe
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$72.00
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In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials,(...)
$72.00
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Summary:
In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials,(...)
Title:
Eating the universe
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$72.00
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Summary:
In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials, starting in the 1970s and continuing through to the present day. Over the past decade in particular, artists have evinced a growing interest in food and eating, concomitant with an increasing overall consciousness about the political, ecological, cultural and economic dimensions of what we put in our mouths. With 170 color images, Eating the Universe presents a range of contemporary artwork that explores linkages between food and the formation of identity, societal affluence, globalization and awareness of one's own body.
Eating the universe
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$72.00
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Summary:
In 1968, artist Daniel Spoerri founded Restaurant Spoerri in Düsseldorf; two years later he opened the Eat Art Gallery, where artists such as Joseph Beuys, Roy Lichtenstein and Dieter Roth exhibited objects made of foodstuffs. Taking the activities of Eat Art as its starting point, Eating the Universe gathers together artworks that have been made using edible materials, starting in the 1970s and continuing through to the present day. Over the past decade in particular, artists have evinced a growing interest in food and eating, concomitant with an increasing overall consciousness about the political, ecological, cultural and economic dimensions of what we put in our mouths. With 170 color images, Eating the Universe presents a range of contemporary artwork that explores linkages between food and the formation of identity, societal affluence, globalization and awareness of one's own body.
Subject:
Art Theory
Art Theory
Title:
Haim Steinbach : travel
Haim Steinbach : travel
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works(...)
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works(...)
Title:
Haim Steinbach : travel
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$40.00
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Summary:
Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works that trace a trajectory in the artist's practice that stretches from the 1970s to today. In 1976, Steinbach produced a series of works based on grid-like geometric patterns created with strips of linoleum flooring. The Linopanel works evoke a pivotal moment in Steinbach's career, when he abandoned his investigation into minimalist painting and began to work with found objects. Jenny Jaskey's text explores Steinbach's interest in collecting and the methodologies of display forms.
Haim Steinbach : travel
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$40.00
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Summary:
Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works that trace a trajectory in the artist's practice that stretches from the 1970s to today. In 1976, Steinbach produced a series of works based on grid-like geometric patterns created with strips of linoleum flooring. The Linopanel works evoke a pivotal moment in Steinbach's career, when he abandoned his investigation into minimalist painting and began to work with found objects. Jenny Jaskey's text explores Steinbach's interest in collecting and the methodologies of display forms.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$60.00
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
$60.00
(available to order)
Summary:
A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
Title:
Guido Guidi: Lunario 1968-1999
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$60.00
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
Guido Guidi: Lunario 1968-1999
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$60.00
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Summary:
A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
Subject:
Photography monographs
Photography monographs
Form:
archives
archives
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Description:
883 items, 3 linear meters of textual records., Arranged by series and files.
Description:
883 items, 3 linear meters of textual records., Arranged by series and files.
Subject:
- Ouellet, Jean, 1922-2004.,
- Youth Pavilion (Expo 67, Montréal, Québec),
- Méridien (Montréal, Québec),
- Complexe Desjardins (Montréal, Québec),
- Université du Québec à Montréal.,
- Université de Montréal.,
- Architecture Québec (Province),
- Architecture Competitions Québec (Province) 20th century.,
- Housing Québec (Province) Montréal 20th century.,
- Architecture, Modern 20th century.,
- Architecture, Modern.,
- Architecture Concours Québec (Province) 20e siècle.,
- Architecture 20e siècle.,
- Architecture,
- Architecture Competitions,
- Housing,
- Québec,
- Québec Montréal,
- Architecture (object genre) Canada Québec (Province) Québec 1960-1970.,
- Architecture (object genre) Canada Québec (Province) Montréal 1960-2000.,
- Canadian architects.,
- Canadian urban planners.,
- Unbuilt projects Canada Québec (Province) Montréal.,
- Judicial buildings Canada Québec (Province) Montréal.,
- Dwellings Canada Québec (Province) Montréal.,
- Fair buildings Canada Québec (Province) Montréal 1960-1970.,
- World's fairs buildings (structures) Canada Québec (Province) Montréal 1960-1970.,
- Fonds (collections),
- Architectural drawings (visual works),
- Negatives (photographs),
- Reproductions.,
- Black-and-white photographs.,
- Slides (photographs),
- Project files.,
- Photographs.,
- Documents.
(See more)
Title:
Fonds Jean Ouellet, 1964-2002.
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Description:
883 items, 3 linear meters of textual records., Arranged by series and files.
Fonds Jean Ouellet, 1964-2002.
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Description:
883 items, 3 linear meters of textual records., Arranged by series and files.
Form:
archives
archives
Subject:
- Ouellet, Jean, 1922-2004.,
- Youth Pavilion (Expo 67, Montréal, Québec),
- Méridien (Montréal, Québec),
- Complexe Desjardins (Montréal, Québec),
- Université du Québec à Montréal.,
- Université de Montréal.,
- Architecture Québec (Province),
- Architecture Competitions Québec (Province) 20th century.,
- Housing Québec (Province) Montréal 20th century.,
- Architecture, Modern 20th century.,
- Architecture, Modern.,
- Architecture Concours Québec (Province) 20e siècle.,
- Architecture 20e siècle.,
- Architecture,
- Architecture Competitions,
- Housing,
- Québec,
- Québec Montréal,
- Architecture (object genre) Canada Québec (Province) Québec 1960-1970.,
- Architecture (object genre) Canada Québec (Province) Montréal 1960-2000.,
- Canadian architects.,
- Canadian urban planners.,
- Unbuilt projects Canada Québec (Province) Montréal.,
- Judicial buildings Canada Québec (Province) Montréal.,
- Dwellings Canada Québec (Province) Montréal.,
- Fair buildings Canada Québec (Province) Montréal 1960-1970.,
- World's fairs buildings (structures) Canada Québec (Province) Montréal 1960-1970.,
- Fonds (collections),
- Architectural drawings (visual works),
- Negatives (photographs),
- Reproductions.,
- Black-and-white photographs.,
- Slides (photographs),
- Project files.,
- Photographs.,
- Documents.
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Form:
books
books
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Description:
75 pages : illustrations ; 23 cm
- Library main 218903 | NA44.L433.23 L46 1957 | c. 2 | Available
- Library main 218902 | NA44.L433.23 L46 1957 | c. 1 | Available
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Description:
75 pages : illustrations ; 23 cm
Author:
Subject:
- Le Corbusier, 1887-1965.,
- French Architects.,
- French Painters (artists),
- Architecture (object genre) India Chandīgarh 1950-1970.,
- Churches France Ronchamp 1910-1920.,
- Architecture (object genre) France 1910-1940.,
- Urban planning France 1920-1940.,
- Paintings 1910-1960.,
- Essays.,
- Exhibition catalogs.
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Publication:
Zurich : Girsberger, ©1957.
Zurich : Girsberger, ©1957.
Title:
Le Corbusier : architettura, pittura, scultura / [catalogo a cura di Fritz Fricker].
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Description:
75 pages : illustrations ; 23 cm
Le Corbusier : architettura, pittura, scultura / [catalogo a cura di Fritz Fricker].
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Holdings:
- Library main 218903 | NA44.L433.23 L46 1957 | c. 2 | Available
- Library main 218902 | NA44.L433.23 L46 1957 | c. 1 | Available
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Description:
75 pages : illustrations ; 23 cm
Form:
books
books
Publication:
Zurich : Girsberger, ©1957.
Zurich : Girsberger, ©1957.
Subject:
- Le Corbusier, 1887-1965.,
- French Architects.,
- French Painters (artists),
- Architecture (object genre) India Chandīgarh 1950-1970.,
- Churches France Ronchamp 1910-1920.,
- Architecture (object genre) France 1910-1940.,
- Urban planning France 1920-1940.,
- Paintings 1910-1960.,
- Essays.,
- Exhibition catalogs.
(See more)
Form:
books
books
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Description:
vii, 102 pages illustrations (some color), portraits (some color) 25 cm
Description:
vii, 102 pages illustrations (some color), portraits (some color) 25 cm
Title:
The artist was a young man; the life story of Peter Rindisbacher, by Alvin M. Josephy, Jr.
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Description:
vii, 102 pages illustrations (some color), portraits (some color) 25 cm
The artist was a young man; the life story of Peter Rindisbacher, by Alvin M. Josephy, Jr.
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Description:
vii, 102 pages illustrations (some color), portraits (some color) 25 cm
Form:
books
books
Publication:
Fort Worth [Tex.], Amon Carter Museum [©1970]
Fort Worth [Tex.], Amon Carter Museum [©1970]
Form:
books
books
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Description:
xi, 172 pages : illustrations en couleur, cartes en couleur ; 23 cm
Description:
xi, 172 pages : illustrations en couleur, cartes en couleur ; 23 cm
Author:
Subject:
- Architecture Québec (Province) Québec 20th century Guidebooks.,
- Architecture Québec (Province) Québec 20e siècle Guides.,
- Buildings.,
- Architecture.,
- Architecture québécoise.,
- Architecture publique.,
- Architecture domestique.,
- Québec (Québec) Buildings, structures, etc. Guidebooks.,
- Québec (Québec) Constructions Guides,
- Québec Québec.,
- Québec (Québec),
- Guidebook,
- Guidebooks.,
- travel guidebooks.,
- Guide (Descripteur de forme),
- Guides touristiques.
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Publication:
Québec : Culture et communications, Québec, 2002.
Québec : Culture et communications, Québec, 2002.
Title:
Architecture contemporaine à Québec : 112 repères urbains / École d'architecture de l'Université Laval sous la direction de Martin Dubois.
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xi, 172 pages : illustrations en couleur, cartes en couleur ; 23 cm
Architecture contemporaine à Québec : 112 repères urbains / École d'architecture de l'Université Laval sous la direction de Martin Dubois.
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Description:
xi, 172 pages : illustrations en couleur, cartes en couleur ; 23 cm
Form:
books
books
Publication:
Québec : Culture et communications, Québec, 2002.
Québec : Culture et communications, Québec, 2002.
Subject:
- Architecture Québec (Province) Québec 20th century Guidebooks.,
- Architecture Québec (Province) Québec 20e siècle Guides.,
- Buildings.,
- Architecture.,
- Architecture québécoise.,
- Architecture publique.,
- Architecture domestique.,
- Québec (Québec) Buildings, structures, etc. Guidebooks.,
- Québec (Québec) Constructions Guides,
- Québec Québec.,
- Québec (Québec),
- Guidebook,
- Guidebooks.,
- travel guidebooks.,
- Guide (Descripteur de forme),
- Guides touristiques.
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Form:
books
books
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Description:
95 pages : illustrations
Description:
95 pages : illustrations
Author:
Subject:
Publication:
Quebec : Charrier & Dugal, 1959]
Quebec : Charrier & Dugal, 1959]
Title:
The arts in French Canada / exhibition organized under the direction of the Secretariat of the Province of Quebec by the Provincial Museum, and held in Vancouver Art Gallery from July 12th to August 23rd [1959 Explanatory texts, catalogue and page setting by Gérard Morisset ; photographies by the Inventory of art works.
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Description:
95 pages : illustrations
The arts in French Canada / exhibition organized under the direction of the Secretariat of the Province of Quebec by the Provincial Museum, and held in Vancouver Art Gallery from July 12th to August 23rd [1959 Explanatory texts, catalogue and page setting by Gérard Morisset ; photographies by the Inventory of art works.
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Description:
95 pages : illustrations
Form:
books
books
Publication:
Quebec : Charrier & Dugal, 1959]
Quebec : Charrier & Dugal, 1959]