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books
books
Title:
Museum builders II
Museum builders II
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"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
$122.99
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Summary:
"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
February 2004, Chichester
February 2004, Chichester
Title:
Museum builders II
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$122.99
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Summary:
"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Museum builders II
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$122.99
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Summary:
"Museum Builders II" explores 27 contemporary museum commissions, which both demonstrate and generate aspects of identity, be they national, ethnic, regional, civic, or personal. The dialogue of "identity and difference" finds many and varied architectural expressions in the contemporary museum buildings highlighted, which are drawn from across the globe. The projects vary dramatically in scale, context, thematics and intent, but all raise questions of architectural representation. Many museum architects have turned to the natural landscape for inspiration, often for aesthetic or pragmatic reasons, but at times to invest their buildings with a specific identity. Similarly, rich archaeological and architectural caches have been plundered by designers in a quest to give identity to their built form. Several featured museum projects address the meeting of cultures, which were defining moments in history, and these encounters have left a tenacious legacy on the architecture and exhibitions of those museums. Most resonant here is the United States Holocaust Memorial Museum: a deeply poignant physical monument to one of the most horrifying and inhumane encounters in human history, and a most extreme example of the museum’s lasting role in the construction and depiction of identities.
Form:
books
books
Publication:
February 2004, Chichester
February 2004, Chichester
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
Title:
Cities in transition
Cities in transition
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$51.95
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical(...)
$51.95
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Summary:
***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical(...)
Title:
Cities in transition
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$51.95
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical positions on spatial and social questions is discussed on an international level. The theme of globalization is queried concerning the relation of urban and port developments in Tokyo's Bay Area and in Rotterdam. Cities have historically allowed the coming about of national economies, politics and societies we can think of as centralized. In several contributions this aspect is examined from the viewpoint of the flâneur, a creature of the metropolis, Parisian above all. As for their present day economic function, cities provide agglomeration economies, with a massive concentration of information on the latest developments. The book argues for a new reflexivity related to both economic and cultural understanding of our world. Cities in Transition is the third volume in the "Stylos critical landscape" series, issued by the Faculty of architecture of Delft university of technology.
Cities in transition
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$51.95
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Summary:
***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical positions on spatial and social questions is discussed on an international level. The theme of globalization is queried concerning the relation of urban and port developments in Tokyo's Bay Area and in Rotterdam. Cities have historically allowed the coming about of national economies, politics and societies we can think of as centralized. In several contributions this aspect is examined from the viewpoint of the flâneur, a creature of the metropolis, Parisian above all. As for their present day economic function, cities provide agglomeration economies, with a massive concentration of information on the latest developments. The book argues for a new reflexivity related to both economic and cultural understanding of our world. Cities in Transition is the third volume in the "Stylos critical landscape" series, issued by the Faculty of architecture of Delft university of technology.
Form:
books
books
Publication:
March 2001, Rotterdam
March 2001, Rotterdam
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$59.95
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Summary:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a (...)
$59.95
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Summary:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a (...)
Title:
Fragments of utopia: collage reflections of heroic modernism
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$59.95
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The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a prose commentary by Wild and supporting smaller images. Introducing the book, David Wild explains that the impulse for this work lies in the aftermath of a fire in his house: his scorched books lent themselves to collage. He goes on to sketch the cultural-political climate in Britain over the last 40 years: the backdrop to his work as an architect and (less directly) to this book. In the opening section on the Netherlands, the leading theme is an architecture of social equity and continuity. Rooted in old cultural traditions, and in the particular ‘football-pitch’ landscape of the country, modern architecture could realise some of its dreams in everyday buildings. Postage stamps play an active part in many of the book’s collages, and especially in this section: the design of stamps flourished in the Netherlands, through the enlightened patronage of the Dutch post office — with several architects designing stamps too. Politics and history come to prominence in the Russian section, as a motivating force in the work of the early 1920s, and then as a heavy burden — with the onset of totalitarian control and repression. At the centre of the discussion here is the architecture of constructivism: formally brilliant, but with a clear social programme. Flight and the exploration of space are recurring topics in this section, as another and particularly Russian dimension of utopian striving The work of Le Corbusier, in Europe, North and South America, Russia and India, is treated in the third section. Le Corbusier is presented as a brilliant artist, a master architect of the greatest skill and the greatest ambition — and without scruple in pursuing commissions. The images and text follow him into the years after the Second World War, culminating in the work in India. Here there is a vision of another kind of politics, of co-operation and non-violence.
Fragments of utopia: collage reflections of heroic modernism
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Price:
$59.95
(available to order)
Summary:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a prose commentary by Wild and supporting smaller images. Introducing the book, David Wild explains that the impulse for this work lies in the aftermath of a fire in his house: his scorched books lent themselves to collage. He goes on to sketch the cultural-political climate in Britain over the last 40 years: the backdrop to his work as an architect and (less directly) to this book. In the opening section on the Netherlands, the leading theme is an architecture of social equity and continuity. Rooted in old cultural traditions, and in the particular ‘football-pitch’ landscape of the country, modern architecture could realise some of its dreams in everyday buildings. Postage stamps play an active part in many of the book’s collages, and especially in this section: the design of stamps flourished in the Netherlands, through the enlightened patronage of the Dutch post office — with several architects designing stamps too. Politics and history come to prominence in the Russian section, as a motivating force in the work of the early 1920s, and then as a heavy burden — with the onset of totalitarian control and repression. At the centre of the discussion here is the architecture of constructivism: formally brilliant, but with a clear social programme. Flight and the exploration of space are recurring topics in this section, as another and particularly Russian dimension of utopian striving The work of Le Corbusier, in Europe, North and South America, Russia and India, is treated in the third section. Le Corbusier is presented as a brilliant artist, a master architect of the greatest skill and the greatest ambition — and without scruple in pursuing commissions. The images and text follow him into the years after the Second World War, culminating in the work in India. Here there is a vision of another kind of politics, of co-operation and non-violence.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Title:
Robert Polidori's metropolis
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
$84.50
(available to order)
Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2004, New York
November 2004, New York
Title:
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Robert Polidori's metropolis
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Price:
$84.50
(available to order)
Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
1972: Nakagin Capsule Tower
1972: Nakagin Capsule Tower
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$66.50
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Summary:
In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual(...)
$66.50
(available to order)
Summary:
In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual(...)
Title:
1972: Nakagin Capsule Tower
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$66.50
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual growth and renewal of architecture. As the first capsule apartment in history constructed for everyday use, the Nakagin Capsule Tower is considered the most ambitious attempt in implementing the principles of Metabolism. Kurokawa attached the building with 140 removable capsules to promote modifications to the structure over time, theoretically improving its capacity to adjust to the rapidly changing conditions of the post-industrial society. When the building first opened in March of 1972, it was advertised in the media to signal “the dawn of the capsule age.” At the time, Kurokawa had additional capsule projects planned in the coming years and predicted the mass production of these living unit. Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.
1972: Nakagin Capsule Tower
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Price:
$66.50
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Summary:
In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual growth and renewal of architecture. As the first capsule apartment in history constructed for everyday use, the Nakagin Capsule Tower is considered the most ambitious attempt in implementing the principles of Metabolism. Kurokawa attached the building with 140 removable capsules to promote modifications to the structure over time, theoretically improving its capacity to adjust to the rapidly changing conditions of the post-industrial society. When the building first opened in March of 1972, it was advertised in the media to signal “the dawn of the capsule age.” At the time, Kurokawa had additional capsule projects planned in the coming years and predicted the mass production of these living unit. Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$109.95
(available to order)
Summary:
2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast(...)
$109.95
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Summary:
2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast(...)
Title:
René Burri, Brasilia: photographs 1960-1993
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$109.95
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2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESCO World Heritage site in 1987. The author of this publication visited Brasilia's vast building sites for the first time in 1958. He returned many times over the years, documenting with his camera growth and further development of this built Utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia's street scenes and people and aerial views of the city's first slums. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital. This book presents a large selection from hundreds of colour and black-and-white photographs, the majority of them published in this book for the first time.
René Burri, Brasilia: photographs 1960-1993
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$109.95
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Summary:
2010 marked the 50th anniversary of Brazil's capital Brasilia. Architects Lucio Costa and Oscar Niemeyer designed what has become one of the most studied urban planning project. Niemeyer's Cathedral, his building for the National Congress and the city's 707-ft television tower are icons of modern architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESCO World Heritage site in 1987. The author of this publication visited Brasilia's vast building sites for the first time in 1958. He returned many times over the years, documenting with his camera growth and further development of this built Utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia's street scenes and people and aerial views of the city's first slums. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital. This book presents a large selection from hundreds of colour and black-and-white photographs, the majority of them published in this book for the first time.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
Price:
$30.00
(available to order)
Summary:
Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and(...)
$30.00
(available to order)
Summary:
Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and(...)
Title:
Subjective atlas of Palestine
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$30.00
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and more human vantage point. The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.
Subjective atlas of Palestine
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Price:
$30.00
(available to order)
Summary:
Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and more human vantage point. The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.
Form:
books
books
Publication:
October 2007, Rotterdam
October 2007, Rotterdam
Subject:
History until 1900, Asia
History until 1900, Asia
Form:
journals and magazines
journals and magazines
Title:
OASE #84: Models Maquettes
OASE #84: Models Maquettes
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$39.00
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Summary:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
$39.00
(available to order)
Summary:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
Title:
OASE #84: Models Maquettes
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$39.00
(available to order)
Summary:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
OASE #84: Models Maquettes
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$39.00
(available to order)
Summary:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
Form:
journals and magazines
journals and magazines
Publication:
August 2011
August 2011
Form:
journals and magazines
journals and magazines
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$40.00
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Summary:
New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This(...)
$40.00
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Summary:
New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This(...)
Title:
New Geographies 11: Extraterrestrial
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$40.00
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New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This issue questions the means through which space is forged as a condition extra to our own terra. Complicit within this imagination resides a deep political and economic logic that serves to territorialize outer space as an exception to, and extension of, Earth. These critical processes are revealed as not extra at all, but rather distinctly of terra. Through a series of written, photographic, and representational investigations, this edition of New Geographies builds on earlier studies of outer space from science, technology and society, as well as from the design disciplines, history, and critical geography. It reinforces the need for humanity’s changing relationship with outer space to be recorded, critiqued, and theorized from a breadth of academic traditions and projected within design discourse. This issue brings together experts contributing to the social, political, and cultural imaginary implicit in extraterrestrial. Three primary thematic territorial devices structure these explorations: a technologically constructed space between, a material culture constructed and discharged, and a space politically and economically reflective, all revealed through historical and contemporary society.
New Geographies 11: Extraterrestrial
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(available to order)
Summary:
New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This issue questions the means through which space is forged as a condition extra to our own terra. Complicit within this imagination resides a deep political and economic logic that serves to territorialize outer space as an exception to, and extension of, Earth. These critical processes are revealed as not extra at all, but rather distinctly of terra. Through a series of written, photographic, and representational investigations, this edition of New Geographies builds on earlier studies of outer space from science, technology and society, as well as from the design disciplines, history, and critical geography. It reinforces the need for humanity’s changing relationship with outer space to be recorded, critiqued, and theorized from a breadth of academic traditions and projected within design discourse. This issue brings together experts contributing to the social, political, and cultural imaginary implicit in extraterrestrial. Three primary thematic territorial devices structure these explorations: a technologically constructed space between, a material culture constructed and discharged, and a space politically and economically reflective, all revealed through historical and contemporary society.
Form:
journals and magazines
journals and magazines
Publication:
June 2020
June 2020
Subject:
Magazines
Magazines
Form:
books
books
Price:
$120.00
(available to order)
Summary:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
$120.00
(available to order)
Summary:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Subject:
Architectural Drawing
Architectural Drawing
Publication:
October 1999, New York
October 1999, New York
Title:
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Price:
$120.00
(available to order)
Summary:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Infinite perspectives : two thousand years of three-dimensional mapmaking
Actions:
Price:
$120.00
(available to order)
Summary:
Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
Form:
books
books
Publication:
October 1999, New York
October 1999, New York
Subject:
Architectural Drawing
Architectural Drawing
