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This volume is a theory of contemporary architecture, spanning the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, the book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference(...)
Inscriptions: Architecture before speech
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This volume is a theory of contemporary architecture, spanning the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, the book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images, there is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call "Inscription", manages to both offer fundamentally intelligible form to architecture’s audiences, while at the same time advancing the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention.
Architectural Theory
The miniaturists
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In this book, Barbara Browning explores her attraction to tininess and the stories of those who share it. Interweaving autobiography with research on unexpected topics and letting her voracious curiosity guide her, Browning offers a series of charming short essays that plumb what it means to ponder the minuscule. She is as entranced by early twentieth-century entomologist(...)
The miniaturists
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In this book, Barbara Browning explores her attraction to tininess and the stories of those who share it. Interweaving autobiography with research on unexpected topics and letting her voracious curiosity guide her, Browning offers a series of charming short essays that plumb what it means to ponder the minuscule. She is as entranced by early twentieth-century entomologist William Morton Wheeler, who imagined corresponding with termites, as she is by Frances Glessner Lee, the “mother of forensic science,” who built intricate dollhouses to solve crimes. Whether examining Honey, I Shrunk the Kids, the Schoenhut toy piano dynasty, portrait miniatures, diminutive handwriting, or Jonathan Swift’s and Lewis Carroll’s preoccupation with tiny people, Browning shows how a preoccupation with all things tiny can belie an attempt to grasp vast---even cosmic---realities.
Art Theory
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In this book, Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to(...)
No machos or pop stars: When the Leeds art experiment went punk
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In this book, Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance.
Art Theory
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In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and(...)
Ruderal city: ecologies of migration, race, and urban nature in Berlin
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In ''Ruderal city'' Bettina Stoetzer traces relationships among people, plants, and animals in contemporary Berlin as they make their lives in the ruins of European nationalism and capitalism. She develops the notion of the ruderal—originally an ecological designation for the unruly life that inhabits inhospitable environments such as rubble, roadsides, train tracks, and sidewalk cracks—to theorize Berlin as a “ruderal city.” Stoetzer explores sites in and around Berlin that have figured in German national imaginaries—gardens, forests, parks, and rubble fields—to show how racial, class, and gender inequalities shape contestations over today’s uses and knowledges of urban nature. Drawing on fieldwork with gardeners, botanists, migrant workers, refugees, public officials, and nature enthusiasts while charting human and more-than-human worlds, Stoetzer offers a wide-ranging ethnographic portrait of Berlin’s postwar ecologies that reveals emergent futures in the margins of European cities. Brimming with stories that break down divides between environmental perspectives and the study of migration and racial politics, Berlin’s ruderal worlds help us rethink the space of nature and culture and the categories through which we make sense of urban life in inhospitable times.
Urban Theory
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Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works "The Mathematics of the Ideal Villa and Other Essays" (1976) and "Collage City" (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, "carefully careless, " both witty and erudite. This(...)
Architectural Theory
December 2022
I almost forgot: Unpublished Colin Rowe
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Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works "The Mathematics of the Ideal Villa and Other Essays" (1976) and "Collage City" (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, "carefully careless, " both witty and erudite. This publication gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally scathing, they fill in personal details and clarify key concepts in Rowe's work. The author’s voice and opinions are strong in his discussions of architecture, current events, and his own life and work. The writings are illustrated by images of Rowe's drawings, letters, and postcards; photographs and drawings of Rowe's only built work; and illustrations chosen by Rowe for lectures.
Architectural Theory
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''The cute'' tracks the astonishing impact of a single aesthetic category on post-war and contemporary art, and on the vast range of cultural practices and discourses on which artists draw. From robots and cat videos to ice cream socials, ''The cute'' explores the ramifications of an aesthetic 'of' or 'about' minorness—or what is perceived to be diminutive, subordinate,(...)
The cute: Documents of contemporary art
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''The cute'' tracks the astonishing impact of a single aesthetic category on post-war and contemporary art, and on the vast range of cultural practices and discourses on which artists draw. From robots and cat videos to ice cream socials, ''The cute'' explores the ramifications of an aesthetic 'of' or 'about' minorness—or what is perceived to be diminutive, subordinate, and above all, unthreatening—on the shifting forms and contents of art today. This anthology is the first of its kind to show how contemporary artists have worked on and transformed the cute, in ways that not only complexify its meaning, but also reshape their own artistic practices.
Art Theory
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Architectural Theory
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In this book, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy while giving readers a deeper understanding of Italy's architectural habitat and(...)
Some reasons for traveling to Italy
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In this book, architect Peter Wilson offers a Grand Tour of Grand Tours, providing an idiosyncratic guidebook to architectural (and other) wonders of Italy, illustrated by his own watercolors and sketches. Wilson chronicles the reasons that people throughout history have traveled to Italy while giving readers a deeper understanding of Italy's architectural habitat and cultural mythology. In Wilson's narratives and anecdotes, place names function as talismans; the events may not tally with recorded history, or with the exact topographies of actual places. Wilson offers historical reworkings, appropriations, and an architect's scrutiny of certain Italian tropes.
Architectural Theory
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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The(...)
Ecological by design: A history from Scandinavia
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Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In this volume, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The emergence of ecological design in Scandinavia at the height of the popular environmental movement, Fallan suggests, illuminates a little-known reciprocity between environmentalism and design: not only did design play a role in the rise of modern environmentalism, but ecological thinking influenced the transformation in design culture in Scandinavia and beyond that began as the modernist faith in progress and prosperity waned.
Design Theory
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In this book, art historian Christine Ross examines contemporary art's response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. Viewers in Europe and North America must come to see migration in terms of coexistence: the interdependence of beings.(...)
Art for coexistence: Unlearning the way we see migration
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In this book, art historian Christine Ross examines contemporary art's response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. Viewers in Europe and North America must come to see migration in terms of coexistence: the interdependence of beings. The artworks explored by Ross reveal, contest, rethink, delink, and relink more reciprocally the interdependencies shaping migration today—connecting citizens-on-the-move from some of the poorest countries and acknowledged citizens of some of the wealthiest countries and democracies worldwide. Ross argues that art invents a set of interconnected calls for more mutual forms of coexistence: to historicize, to become responsible, to empathize, and to story-tell.
Art Theory