7677 Results
Level of archival description:
Project
Project
Reference number:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
People:
Date:
circa 1956-1959
circa 1956-1959
Title:
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
Level of archival description:
Project
Project
Date:
circa 1956-1959
circa 1956-1959
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
People:
Date:
1962-1963
1962-1963
Title:
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Level of archival description:
Project
Project
Date:
1962-1963
1962-1963
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
People:
Date:
1977, 1994-2009
1977, 1994-2009
Title:
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Form:
textual records
textual records
Date:
1977, 1994-2009
1977, 1994-2009
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Ross & Macdonald fonds
Ross & Macdonald fonds
Reference number:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
People:
Date:
1902-1982
1902-1982
Title:
Ross & Macdonald fonds
Actions:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Ross & Macdonald fonds
Actions:
AP013
Synopsis:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1902-1982
1902-1982
People:
Level of archival description:
Project
Project
Title:
Leal, Porto
Leal, Porto
Actions:
Reference number:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
People:
Date:
1975
1975
Title:
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975
1975
People:
Level of archival description:
Project
Project
Title:
Study of human settlements
Study of human settlements
Reference number:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
People:
Date:
1985-1993
1985-1993
Title:
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Level of archival description:
Project
Project
Date:
1985-1993
1985-1993
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
People:
Date:
1959-1999
1959-1999
Title:
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Level of archival description:
Project
Project
Date:
1959-1999
1959-1999
People:
Level of archival description:
Series
Series
Title:
Academic work and interviews
Academic work and interviews
Reference number:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Level of archival description:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Gianni Pettena fonds
Gianni Pettena fonds
Reference number:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
People:
Date:
1960-2019
1960-2019
Title:
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Synopsis:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1960-2019
1960-2019
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
People:
Date:
1986-1992
1986-1992
Title:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Level of archival description:
Project
Project
Date:
1986-1992
1986-1992
People:
