3669 Results
Form:
textual records
textual records
Title:
Abrams, Charles
Abrams, Charles
Actions:
Reference number:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
People:
Date:
1938-1958
1938-1958
Title:
Abrams, Charles
Actions:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
Abrams, Charles
Actions:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
Form:
textual records
textual records
Date:
1938-1958
1938-1958
People:
Form:
events
events
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
8 May 2025, 6pm
8 May 2025, 6pm
Title:
Groundwork with Noelia Monteiro
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Groundwork with Noelia Monteiro
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Form:
events
events
Date:
8 May 2025
6pm
8 May 2025
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
People:
Date:
1973-1977
1973-1977
Title:
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Level of archival description:
Dossier 3
Dossier 3
Date:
1973-1977
1973-1977
People:
Form:
events
events
Actions:
Date:
13 November 2008 to 21 October 2009
13 November 2008 to 21 October 2009
Form:
events
events
Date:
13 November 2008 to
21 October 2009
13 November 2008 to
21 October 2009
Form:
textual records
textual records
Title:
DDR- Oppositions folder
DDR- Oppositions folder
Actions:
Reference number:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
People:
Date:
circa 1970-1981
circa 1970-1981
Title:
DDR- Oppositions folder
Actions:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
DDR- Oppositions folder
Actions:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
Form:
textual records
textual records
Date:
circa 1970-1981
circa 1970-1981
People:
Level of archival description:
Series
Series
Reference number:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
People:
Date:
1958-2016
1958-2016
Title:
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Level of archival description:
Series
Series
Date:
1958-2016
1958-2016
People:
Form:
events
events
Actions:
Description:
None
None
Date:
8 February 2018
8 February 2018
Form:
events
events
Date:
8 February 2018
8 February 2018
Level of archival description:
Project
Project
Reference number:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
People:
Date:
1968-1986
1968-1986
Title:
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto (1969-1974)
Actions:
AP018.S1.1969.PR01
Description:
This project series documents the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1969-1974. The office identified the project as number 69006. This project consisted of the vast expansion of the AGO that began in 1969, which largely came about due to a multi-million dollar donation from English sculpture Henry Moore. Most prominent in this project was the design and construction of the Henry Moore Sculpture Centre, a new gallery to house the extensive artworks of Henry Moore in the AGO’s collection. This included $15 million’s worth of art that Moore donated at the start of the project. The project was made up of two phases. The first included construction of the Henry Moore Sculpture Centre, the Sam and Ayala Zacks Wing, a link to the pre-existing Grange mansion, and updates to the art gallery’s finishes. The second phase proposed additional updates to existing finishes. By the end of this project, the architects had also added a public lounge, dining room and cafeteria, a members’ lounge, lecture areas (including the Henry Moore Lecture Hall), classrooms, and spaces for the gallery’s special services. The work was further divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. Before this work had been completed, a “Stage II” to the expansion had already been approved by the owners (Stage II is also included in this fonds, see AP018.S1.1972.PR08). In the documentation, this project was originally called the Henry Moore Sculpture Centre, Art Gallery of Ontario, Expansion Phases 1 and 2. However, as multiple stages to the expansion developed later on, this project eventually became known as the Stage I Expansion. While the project contract was originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, textual records, and mounted photographs dating from 1968-1986. There are numerous original drawings showing the design development of the new galleries. Two presentation boards show photographs of the project model. The textual records consist of correspondence with contractors and clients, inspection and other site reports, specifications, contract data, consultancy records, schedules, change orders, financial documentation, conference reports, area calculations, research materials, detail planning records, and project notebooks. Box AP018.S1.1969.PR01.007 contains an index to the textual records, which was created by the office. This project series also contains one box of textual documentation that spans across multiple project series related to the AGO expansion within this fonds (see AP018.S1.1969.PR01.044). This includes press releases, newspaper articles, project proposals and studies, correspondence with Henry Moore, meeting minutes and reports.
Level of archival description:
Project
Project
Date:
1968-1986
1968-1986
People:
Form:
photographs
photographs
Title:
Harvard and its Surroundings
Harvard and its Surroundings
Actions:
Reference number:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
People:
Subject:
architecture
architecture
Date:
1882
1882
Title:
Harvard and its Surroundings
Actions:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
Harvard and its Surroundings
Actions:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
Form:
photographs
photographs
Date:
1882
1882
People:
Subject:
architecture
architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Brian Boigon fonds
Brian Boigon fonds
Reference number:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
People:
Date:
1981 - 2015
1981 - 2015
Title:
Brian Boigon fonds
Actions:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Brian Boigon fonds
Actions:
AP188
Synopsis:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1981 - 2015
1981 - 2015
People:
