3719 Results
Level of archival description:
Series
Series
Title:
Printed Materials
Printed Materials
Reference number:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
People:
Date:
1954-1998
1954-1998
Title:
Printed Materials
Actions:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
Printed Materials
Actions:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
Level of archival description:
Series
Series
Date:
1954-1998
1954-1998
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
People:
Form:
articles
articles
Actions:
Issue:
A history of references
A history of references
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Kaiman Lee fonds
Kaiman Lee fonds
Reference number:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
People:
Date:
circa 1965 - 2006
circa 1965 - 2006
Title:
Kaiman Lee fonds
Actions:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Kaiman Lee fonds
Actions:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1965 - 2006
circa 1965 - 2006
People:
Form:
events
events
Actions:
Date:
13 November 2008 to 21 October 2009
13 November 2008 to 21 October 2009
Form:
events
events
Date:
13 November 2008 to
21 October 2009
13 November 2008 to
21 October 2009
Form:
textual records
textual records
Title:
Abrams, Charles
Abrams, Charles
Actions:
Reference number:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
People:
Date:
1938-1958
1938-1958
Title:
Abrams, Charles
Actions:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
Abrams, Charles
Actions:
ARCH104011
Description:
correspondence, manuscripts, text of lectures, reprint of article, clippings.
Form:
textual records
textual records
Date:
1938-1958
1938-1958
People:
Form:
events
events
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
8 May 2025, 6pm
8 May 2025, 6pm
Title:
Groundwork with Noelia Monteiro
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Groundwork with Noelia Monteiro
Actions:
Description:
Join us on 8 May at 6pm for a lecture by Noelia Monteiro on her work at Estudio Flume. The studio, based in São Paulo, develops socio-environmental projects in remote areas of Brazil, aiming to protect traditional communities that preserve the Amazon rainforest. Monteiro’s work poses a key question: in the face of resource scarcity, how can we build with almost nothing?(...)
Form:
events
events
Date:
8 May 2025
6pm
8 May 2025
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Reference number:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
People:
Date:
1973-1977
1973-1977
Title:
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Multivisions, bus didactiques et Laboratoire de synthèse et de Créations Audio-visuelles (LISCA) = Multivisions, didactic bus and Laboratoire de synthèse et de Créations Audio-visuelles (LISCA)
Actions:
AP156.S6.SS7.D3
Description:
Le dossier documente le projet des Multivisions, de bus didactiques et du Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) de Jacqueline Jeanneret pour des conférences et projections sur Chandigarh, Inde. Le matériel dans ce dossier a été produit entre 1973 et 1977. Le dossier contient des diapositives préparée pour les projections des Multivisions, des documents textuels, une vidéo et un enregistrement sonore. File documents the project of the Multivisions, the didactic bus and the Laboratoire de synthèse et de Créations Audio-Visuelles (LISCA) of Jacqueline Jeanneret for lectures and light shows on Chandigarh, India. The material in this file was produced between 1973 and 1977. The file contains slides prepared for the Multivisions projections, textual records and a video and a sound recording.
Level of archival description:
Dossier 3
Dossier 3
Date:
1973-1977
1973-1977
People:
Form:
textual records
textual records
Title:
DDR- Oppositions folder
DDR- Oppositions folder
Actions:
Reference number:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
People:
Date:
circa 1970-1981
circa 1970-1981
Title:
DDR- Oppositions folder
Actions:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
DDR- Oppositions folder
Actions:
ARCH153736
Description:
DDR- Oppositions folder: 5 essays by various authors: Giorgio Grassi, "La arquitectura como oficio y otros escritos," Guilio Carlo Argan, "On the notion of typology of architecture" G.C. Argan ?, "Per una arte trascurabile" - Author unknown., article on Louis I. Kahn - Text of lecture on Rossi, Abraham and Hejduk; includes a budget (printing of Oppositions?) and notes for the acquisition of periodicals. Some documents in Italian
Form:
textual records
textual records
Date:
circa 1970-1981
circa 1970-1981
People:
Level of archival description:
Series
Series
Reference number:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
People:
Date:
1958-2016
1958-2016
Title:
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Level of archival description:
Series
Series
Date:
1958-2016
1958-2016
People:
