Medieval architecture
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Medieval architecture comprises more than the traditional image of Gothic cathedrals and the castles of chivaltry. A great variety of buildings - synagogues, halls, and barns - testifies to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective. It shifts(...)
History until 1900, Middle Ages
June 2002, Oxford / New York
Medieval architecture
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$31.95
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Summary:
Medieval architecture comprises more than the traditional image of Gothic cathedrals and the castles of chivaltry. A great variety of buildings - synagogues, halls, and barns - testifies to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective. It shifts the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. It treats the subject thematically, seeking what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. It considers how and why, after four centuries of shaping the landscape and urban patterns of Europe, medieval styles were supereded by classicism.
History until 1900, Middle Ages
books
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1, 262 pages : illustrations, plans ; 29 cm
London : Country Life, 1924.
Gardens for small country houses / by Gertrude Jekyll & Sir Lawrence Weaver.
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1, 262 pages : illustrations, plans ; 29 cm
books
London : Country Life, 1924.
books
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224 pages : illustrations (some color) ; 27 cm
New Haven : Yale University Press, 2020, ©2020
Nature inside : plants and flowers in the modern interior / Penny Sparke.
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224 pages : illustrations (some color) ; 27 cm
books
New Haven : Yale University Press, 2020, ©2020
books
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92 p. : chiefly ill. (chiefly col.), plans ; 11 x 16 cm.
Madrid : Fundación Arquitectura COAM, 2008.
Concurso de ideas prototipos de cerramientos estables de terrazas de veladores en Madrid.
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92 p. : chiefly ill. (chiefly col.), plans ; 11 x 16 cm.
books
Madrid : Fundación Arquitectura COAM, 2008.
books
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156 pages : illustrations (some color) ; 28 cm
London, UK : Black Dog Pub., ©2008.
Celia Scott / [texts by Celia Scott and Alan Colquhoun ; edited by Nadine Käthe Monem].
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156 pages : illustrations (some color) ; 28 cm
books
London, UK : Black Dog Pub., ©2008.
books
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225 pages, 8 unnumbered pages of plates : illustrations, map ; 23 cm
Boston : Houghton Mifflin, 1996.
Accidental city : the transformation of Toronto / Robert Fulford.
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225 pages, 8 unnumbered pages of plates : illustrations, map ; 23 cm
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Boston : Houghton Mifflin, 1996.
books
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120 pages : chiefly color illustrations ; 27 x 37 cm
New York : Five Ties Publishing, 2012.
Dreamscapes : the photographic art of Jenny Okun / introduction by Karen Sinsheimer.
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120 pages : chiefly color illustrations ; 27 x 37 cm
books
New York : Five Ties Publishing, 2012.
books
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xvi, 259 pages, 64 color plates : illustrations ; 25 cm
Farnham, Surrey, England ; Burlington, VT : Ashgate, [2013]
Patricia Johanson and the re-invention of public environmental art, 1958-2010 / Xin Wu, College of William & Mary, USA.
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xvi, 259 pages, 64 color plates : illustrations ; 25 cm
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Farnham, Surrey, England ; Burlington, VT : Ashgate, [2013]
books
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137 pages : illustrations ; 27 x 30 cm
Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
Arbeit = Work / Chris Killip.
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137 pages : illustrations ; 27 x 30 cm
books
Essen : Museum Folkwang ; Göttingen : Edition Folkwang/Steidl, [2012]., ©2012.
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still(...)
Architecture and dystopia
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As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom’s Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas.. In the light of these examples, how to define a unified 'dystopian' method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework — characterized by brazen displays of technology and structures of overwhelming scale — merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of 'negative thought'? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category.
Architectural Theory