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books
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Title:
Promenade en Enfer
Promenade en Enfer
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont(...)
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont(...)
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Promenade en Enfer
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont disparu tout en conservant leurs secrets. L’une des rares collections encore existantes des livres mis à l’Index, regroupant des centaines de volumes, se retrouve cependant dans la bibliothèque historique du Séminaire de Québec, fondé en 1663. Pierrette Lafond lève le voile sur ces ouvrages jugés immoraux, hérétiques ou dangereux, témoins silencieux de la censure pendant trois siècles et qui racontent un volet occulté de l’histoire morale et culturelle du Québec.
Promenade en Enfer
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Longtemps soumises à la censure ecclésiastique, certaines bibliothèques conservaient les ouvrages mis à l’Index dans un huis clos mythique nommé Enfer. La simple lecture d’une œuvre proscrite par l’Église pouvait entraîner la damnation éternelle de l’âme. La levée de l’Index dans les années 1960 a entraîné le démantèlement des sections logeant les livres interdits qui ont disparu tout en conservant leurs secrets. L’une des rares collections encore existantes des livres mis à l’Index, regroupant des centaines de volumes, se retrouve cependant dans la bibliothèque historique du Séminaire de Québec, fondé en 1663. Pierrette Lafond lève le voile sur ces ouvrages jugés immoraux, hérétiques ou dangereux, témoins silencieux de la censure pendant trois siècles et qui racontent un volet occulté de l’histoire morale et culturelle du Québec.
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books
books
Publication:
April 2019
April 2019
Subject:
Archive, library and the digital
Archive, library and the digital
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books
books
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$41.99
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
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Archive, library and the digital
Archive, library and the digital
Publication:
December 2021
December 2021
Title:
The lab book: situated practices in media studies
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$41.99
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
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books
books
Publication:
December 2021
December 2021
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Title:
World brain
World brain
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$33.95
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
Title:
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
World brain
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Summary:
In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Title:
Control: digitality as cultural logic
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$48.00
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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$48.00
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Summary:
Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
Price:
$79.00
(available to order)
Summary:
Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure(...)
$79.00
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Summary:
Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure(...)
Title:
Sensing the future: Moholy-Nagy, media and the arts.Revised edition
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$79.00
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Summary:
Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment.
Sensing the future: Moholy-Nagy, media and the arts.Revised edition
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$79.00
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Summary:
Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. ''Sensing the Future: Moholy-Nagy, Media and the Arts'' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment.
Form:
books
books
Publication:
November 2023
November 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$36.50
(available in store)
Summary:
''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
$36.50
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
Title:
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
The interiors of social media: Architecture, space and technology
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Summary:
''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
Form:
books
books
Publication:
June 2026
June 2026
Subject:
Social
Social
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books
books
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$37.95
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Summary:
Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated(...)
$37.95
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Summary:
Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated(...)
Title:
Case : Toyo Ito - Sendai Mediatheque
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$37.95
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Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated on the idea that the users of the building occupy a media/ information landscape or “digital ecology. ”Through a series of extraordinary technical advances, floors supported by a system of occupiable hollow tubes and sophisticated information and media networks, the building creates an environment in which people can engage in cultural activities both internally (within the structure) and externally (through digital connections to the world at large). This volume investigates the evolution of the structure through a series of essays by experts on media, architectural technology, and digital culture.
Case : Toyo Ito - Sendai Mediatheque
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$37.95
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Summary:
Toyo Ito is one of the foremost architects working today. His architecture makes innovative use of steel and aluminium and includes such buildings as the White U House and the Eggs of Winds in Tokyo. This volume focuses on his Mediathèque in Sendai. This newly completed structure, which houses a library, art gallery, cinema, lecture theatre, and cybercafé, is predicated on the idea that the users of the building occupy a media/ information landscape or “digital ecology. ”Through a series of extraordinary technical advances, floors supported by a system of occupiable hollow tubes and sophisticated information and media networks, the building creates an environment in which people can engage in cultural activities both internally (within the structure) and externally (through digital connections to the world at large). This volume investigates the evolution of the structure through a series of essays by experts on media, architectural technology, and digital culture.
Form:
books
books
Publication:
October 2001, Munich
October 2001, Munich
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
La Région Decentralized.
La Région Decentralized.
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1 online resource
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[Place of publication not identified] : Rhizome, 2012.
[Place of publication not identified] : Rhizome, 2012.
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books
books
Publication:
[Place of publication not identified] : Rhizome, 2012.
[Place of publication not identified] : Rhizome, 2012.
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books
books
Title:
Krzysztof Wodiczko / edited by Duncan McCorquodale ; contributors, Rosalyn Deutsche [and others].
Krzysztof Wodiczko / edited by Duncan McCorquodale ; contributors, Rosalyn Deutsche [and others].
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367 pages : illustrations (some color) ; 26 cm
Description:
367 pages : illustrations (some color) ; 26 cm
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Publication:
London : Black Dog, ©2011.
London : Black Dog, ©2011.
Title:
Krzysztof Wodiczko / edited by Duncan McCorquodale ; contributors, Rosalyn Deutsche [and others].
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Description:
367 pages : illustrations (some color) ; 26 cm
Krzysztof Wodiczko / edited by Duncan McCorquodale ; contributors, Rosalyn Deutsche [and others].
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367 pages : illustrations (some color) ; 26 cm
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books
books
Publication:
London : Black Dog, ©2011.
London : Black Dog, ©2011.
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books
books
Title:
New York / Jeff Chien-Hsing Liao ; [foreword by Justin Davidson ; afterword by Sean Corcoran].
New York / Jeff Chien-Hsing Liao ; [foreword by Justin Davidson ; afterword by Sean Corcoran].
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159 pages : chiefly color illustrations ; 35 x 43 cm
Description:
159 pages : chiefly color illustrations ; 35 x 43 cm
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New York, N.Y. : Aperture, [2014], New York, N.Y. : ARTBOOK/D.A.P, ©2014
New York, N.Y. : Aperture, [2014], New York, N.Y. : ARTBOOK/D.A.P, ©2014
Title:
New York / Jeff Chien-Hsing Liao ; [foreword by Justin Davidson ; afterword by Sean Corcoran].
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Description:
159 pages : chiefly color illustrations ; 35 x 43 cm
New York / Jeff Chien-Hsing Liao ; [foreword by Justin Davidson ; afterword by Sean Corcoran].
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Description:
159 pages : chiefly color illustrations ; 35 x 43 cm
Form:
books
books
Publication:
New York, N.Y. : Aperture, [2014], New York, N.Y. : ARTBOOK/D.A.P, ©2014
New York, N.Y. : Aperture, [2014], New York, N.Y. : ARTBOOK/D.A.P, ©2014
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