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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire(...)
L'architecture exposée: la cité de l'architecture et du patrimoine
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire accepter l'idée d'un musée de moulages, comprenant aussi photographies et maquettes d'architecture, installé dans le palais du Trocadéro. Exposer l'architecture est aujourd'hui la vocation de la Cité de l'architecture et du patrimoine, qui hérite de cette conscience patrimoniale et la projette dans l'avenir, en associant la conservation à la création, insistant sur l'idée d'un patrimoine vivant et d'une architecture contemporaine respectueuse du contexte où elle s'inscrit. Simon Texier, historien de l'architecture, raconte ici l'aventure fondatrice de la Cité - toute jeune institution culturelle qui réunit trois institutions préexistantes : le musée des Monuments français, l'École de Chaillot et l'Institut français d'architecture. Son ambition est immense : construire et faire partager par le plus grand nombre une culture architecturale et urbaine.
Museums and Universal Exhibitions
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers(...)
Landscape Architecture, Monographs
March 2010
Reading the American landscape : an index of books and images
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers and commentators on the American landscape were invited by The Netherlands Foundation for Visual Arts, Design and Architecture to undertake a journey through the United States, to study and record its history and development. Their study revolved around three themes or types of location : the city park as a social space in densely developed cities; landscapes on the periphery of expanding cities; and the development of large-scale rural areas as exercises in conservation. The writers for this project were each given a bibliography, from which they selected a single title as a starting point for their essays, on subjects ranging from parks and gardens to more general speculations on the unique features of the American landscape.
Landscape Architecture, Monographs
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest(...)
Environment and environmental theory
December 2023
The ends of research: Indigenous and settler science after the War in the Woods
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Özden-Schilling examines these researchers' lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them not only to survive institutional restructuring but to hold on to the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims. By focusing on researchers' experiences and personal attachments, Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.
Environment and environmental theory
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''Tree by tree'' is a warning and a toolkit for the future of forest recovery. Scott J. Meiners investigates the critical biological threats endangering tree species native to the forests of eastern North America, providing a needed focus on this plight. Meiners suggests that if we are to save our forests, the first step is to recognize the threats in front of(...)
Tree by tree: Saving North America's eastern forests
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''Tree by tree'' is a warning and a toolkit for the future of forest recovery. Scott J. Meiners investigates the critical biological threats endangering tree species native to the forests of eastern North America, providing a needed focus on this plight. Meiners suggests that if we are to save our forests, the first step is to recognize the threats in front of us. Meiners focuses on five familiar trees—the American elm, the American chestnut, the eastern hemlock, the white ash, and the sugar maple—and shares why they matter economically, ecologically, and culturally. From outbreaks of Dutch elm disease to infestations of emerald ash borers, Meiners highlights the challenges that have led or will lead to the disappearance of these trees from forests. In doing so, he shows us how diversity loss often disrupts intricately balanced ecosystems and how vital it is that we pay more attention to massive changes in forest composition. With practical steps for the conservation of native tree species, ''Tree by tree'' offers the inspiration and insights we need to begin saving our forests.
Landscape Theory
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The first world atlas ever compiled on vernacular architecture, this comprehensive work illustrates the variety and ingenuity of the world’s vernacular building traditions from a multi-disciplinary, cross-cultural and comparative approach, using over sixty world and regional maps. Mapping such diverse aspects as materials and resources, technologies, structural(...)
Green Architecture
March 2007, Abingdon, New York
Atlas of vernacular architecture of the world
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The first world atlas ever compiled on vernacular architecture, this comprehensive work illustrates the variety and ingenuity of the world’s vernacular building traditions from a multi-disciplinary, cross-cultural and comparative approach, using over sixty world and regional maps. Mapping such diverse aspects as materials and resources, technologies, structural systems, symbolism, forms and service systems on a cross-cultural and comparative basis, the "Atlas of Vernacular Architecture of the World" reveals the distribution, diversity and relationships of the world’s vernacular building traditions. Indicating geographical patterns, developments, lacunae and anomalies, it gives rise to new insights and understandings, stimulating new hypotheses, questions and research efforts. Augmenting the award-winning Encyclopedia of Vernacular Architecture of the World, the "Atlas of Vernacular Architecture of the World" constitutes a unique and unparalleled resource for anyone involved in the growing field of vernacular architecture studies, including architects, geographers, art historians, planners, folklorists, conservationists, builders, and anthropologists as well as being of use to all those working in the fields of heritage conservation, architecture, regeneration, energy efficient building, resources management, development and sustainability.
Green Architecture
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Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly(...)
Japanese architecture: traditional skills and natural materials
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Traditional Japanese architecture is characterized by the working of natural materials such as wood, earth, and rock into remarkable structures. This precious cultural heritage has been preserved over the years in the form not only of the buildings themselves, but also of scale models created during repairs and other occasions. This book turns to those astoundingly precise models to give a historical overview of the artistry and craftsmanship handed down through the generations in buildings of wide-ranging styles and techniques, from the seventh-century five-storied pagoda at Horyuji temple in Nara to the 1933 Nihombashi Takashimaya department store in Tokyo. Also included is a chapter on architectural plans, tools, and other materials illustrating the “traditional skills, techniques and knowledge of the conservation and transmission of wooden architecture in Japan,” which was inscribed on the UNESCO Intangible Cultural Heritage list in 2020. The accompanying discussion details efforts to overcome today’s challenges in passing Japan’s architectural heritage on to the next generation, including attracting and training new artisans, furthering skills, and securing tools and raw materials.
History until 1900, Asia
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Contemporary Art Monographs
March 2008, Texas
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
Contemporary Art Monographs
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The complexity and scale of the environmental problems confronting humanity today provoke a wide range of responses, from indifference to anger to creativity. Among a growing number of architects, landscape architects, and planners, however, these problems have inspired a new vision - sustainability - to guide their practices. nbsp; In Nature, Landscape, and Building for(...)
Nature, Landscape, and Building for Sustainability
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The complexity and scale of the environmental problems confronting humanity today provoke a wide range of responses, from indifference to anger to creativity. Among a growing number of architects, landscape architects, and planners, however, these problems have inspired a new vision - sustainability - to guide their practices. nbsp; In Nature, Landscape, and Building for Sustainability,a diverse group of contributors considers the concept of sustainability, both philosophically and practically. Some take a broad view of the divisions between nature and humanity, exploring the incomprehensible scale of human intervention in the natural world, the relationship between how we feelabout nature and what we doabout it, and the commodification of the natural world. Other essays focus on sustainable design practices: sustainability's roots in the American conservation tradition, its utility as a framework for future design practice, and the necessity of moving beyond demonstration projects into the mainstream. Together, these essays suggest that the gap between the promise and reality of sustainable design, although significant, can be bridged through diligence and practice.
Landscape Theory
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à(...)
sale books
November 2005, Lausanne
America
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à l'assiette-souvenir en passant par des boîtes de conservation et de rangement, des tapis de bain ou encore une montre. Constantin Boym : an execptional figure in the design world. Born in Russia, an émigré to the USA, Boym has made American culture his prime source of inspiration. From everyday objects he extracts fine, subtle forms. Working for such fcompanies as Authentics, Swatch, Swarovski and Vitra, he has carried out projects ranging from an armchair to a souvenir plate, by way of storage boxes, bath mats and a watch. In his "Buildings of Disaster" series he reproduces in miniature buildings that have become associated with tragedy : Twin Towers. Tunnel de l'Alma, Chernobyl. Était à $53.95 / Was $53.95
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For some 20 years, Kunming, a provincial capital city in China - 3.2 million inhabitants - has been the twin town of the European metropolis Zurich. As a direct result of this partnership, Kunming now has the first inner-city bus line in China, the first large-scale conservation of a historical part of the town, and new concepts for urban development at a regional(...)
Contemporary Asian Architecture
September 2002, Basel
The Kunming project : urban development in China - a dialogue
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For some 20 years, Kunming, a provincial capital city in China - 3.2 million inhabitants - has been the twin town of the European metropolis Zurich. As a direct result of this partnership, Kunming now has the first inner-city bus line in China, the first large-scale conservation of a historical part of the town, and new concepts for urban development at a regional level. This pioneering collaboration between western and Chinese planning teams, and the ways in which urban planning has been managed, are not only significant for Kunming but are of importance for all countries which are interested in sharing the expertise and knowledge of professionals whether they be from East or West, North or South, for countries which wish to benefit from western building practice whilst avoiding their mistakes. The challenge of such joint projects surely lies in the confrontation resulting from the traditional and historical background in large Asian cities together with their sense of modernity which has often surpassed the modern western world not only in terms of progress but also problems. In English and Chinese
Contemporary Asian Architecture