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books
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Title:
Lewis Baltz
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
Publication:
April 2017
April 2017
Title:
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
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books
books
Publication:
April 2017
April 2017
Form:
books
books
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$31.00
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2009, Köln
January 2009, Köln
Title:
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
Form:
books
books
Publication:
January 2009, Köln
January 2009, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$39.95
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
Title:
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
Form:
books
books
Publication:
November 1997
November 1997
Subject:
Land Art
Land Art
Form:
books
books
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$59.95
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence(...)
$59.95
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence(...)
Title:
Art & Graphic Design: George Maciunas, Ed Rusche, Sheila Levrant de Bretteville
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
Art & Graphic Design: George Maciunas, Ed Rusche, Sheila Levrant de Bretteville
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$59.95
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Summary:
This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Art Theory
Art Theory
Form:
books
books
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$61.00
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
$61.00
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
Title:
Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Hans Eijkelboom: Good intentions and modern housing
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Summary:
Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$44.00
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
Title:
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
journals and magazines
journals and magazines
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This third issue of Back Office #3 is devoted to various experiences of reading on screens. Over the course of the last decades, this change has introduced deep shifts whose effects are still being assessed. Following the possible end of linear writing, predicted by the “communicologist” Vilém Flusser as early as the 1970s, the philosopher Jacques Derrida reflected on the(...)
$37.95
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Summary:
This third issue of Back Office #3 is devoted to various experiences of reading on screens. Over the course of the last decades, this change has introduced deep shifts whose effects are still being assessed. Following the possible end of linear writing, predicted by the “communicologist” Vilém Flusser as early as the 1970s, the philosopher Jacques Derrida reflected on the(...)
Title:
Back Office n.3 : écrire l'écran / writing the screen
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This third issue of Back Office #3 is devoted to various experiences of reading on screens. Over the course of the last decades, this change has introduced deep shifts whose effects are still being assessed. Following the possible end of linear writing, predicted by the “communicologist” Vilém Flusser as early as the 1970s, the philosopher Jacques Derrida reflected on the “end of paper” as the primary medium for inscription. The proliferation of screens and the dawn of the internet paved the way for expression forms falling under the category of an enlarged “graphosphere”, presumably still dominated by the norms and figures of paper (ligns, the sheet, the page, paragraphs, margins, etc.). Could the task of the designer be to accompany, as smoothly as possible, this transition from one technical era to the next, or could it be, on the contrary, to postpone the passage from paper to screen?
Back Office n.3 : écrire l'écran / writing the screen
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$37.95
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Summary:
This third issue of Back Office #3 is devoted to various experiences of reading on screens. Over the course of the last decades, this change has introduced deep shifts whose effects are still being assessed. Following the possible end of linear writing, predicted by the “communicologist” Vilém Flusser as early as the 1970s, the philosopher Jacques Derrida reflected on the “end of paper” as the primary medium for inscription. The proliferation of screens and the dawn of the internet paved the way for expression forms falling under the category of an enlarged “graphosphere”, presumably still dominated by the norms and figures of paper (ligns, the sheet, the page, paragraphs, margins, etc.). Could the task of the designer be to accompany, as smoothly as possible, this transition from one technical era to the next, or could it be, on the contrary, to postpone the passage from paper to screen?
Form:
journals and magazines
journals and magazines
Publication:
September 2019
September 2019
Subject:
Magazines
Magazines
Form:
books
books
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$107.95
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Summary:
Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
$107.95
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Summary:
Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
Title:
Lynne Cohen : nothing is hidden
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$107.95
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Lynne Cohen : nothing is hidden
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$107.95
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Summary:
Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$30.95
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Summary:
The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
Title:
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The snows of Venice
The snows of Venice
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$55.00
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Summary:
American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge(...)
$55.00
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Summary:
American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge(...)
Title:
The snows of Venice
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$55.00
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American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge responded to this celestial critique with a story about the technically controlled power of a squadron of bombers bossing the skies over Aleppo, which Lerner answered with a sonnet. Step by step this gave rise to poems, stories, and conversations in which the heavens show their bewitching and threatening qualities. This literary dialogue is published in 'The Snows of Venice'. A series of twenty-one photographs that Gerhard Richter took in Venice in the 1970s augments the interplay of texts and the principle of interconnecting poetic horizons.
The snows of Venice
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$55.00
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Summary:
American author Ben Lerner and German film-maker and writer Alexander Kluge come from two different generations but share a single passion: an interest in the long-term effects of things. A line from Lerner’s poem “The sky stops painting and turns to criticism” that Kluge was struck by some years ago became the starting point for their first joint book project. Kluge responded to this celestial critique with a story about the technically controlled power of a squadron of bombers bossing the skies over Aleppo, which Lerner answered with a sonnet. Step by step this gave rise to poems, stories, and conversations in which the heavens show their bewitching and threatening qualities. This literary dialogue is published in 'The Snows of Venice'. A series of twenty-one photographs that Gerhard Richter took in Venice in the 1970s augments the interplay of texts and the principle of interconnecting poetic horizons.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Literature and poetry
Literature and poetry
