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Eccentric spaces
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Like all of Robert Harbison's works, "Eccentric Spaces" is a hybrid, informed by the author's interests in art, architecture, fiction, poetry, landscape, geography, history, and philosophy. The subject is the human imagination and the mysterious interplay between the (...)
Eccentric spaces
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Like all of Robert Harbison's works, "Eccentric Spaces" is a hybrid, informed by the author's interests in art, architecture, fiction, poetry, landscape, geography, history, and philosophy. The subject is the human imagination and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Palaces and haunted houses, Victorian parlors, Renaissance sculpture gardens, factories, hill-towns, ruins, cities, even novels and paintings constructed around such environments: these are the spaces over which the author broods. Brilliantly learned, deliberately remote in form from conventional scholarship, "Eccentric Spaces" is a magical book, an intellectual adventure, a celebration. Originally published in 1977.
books
April 2000, Cambridge, Mass.
Architectural Theory
Royden Rabinowitch
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Le MAMCO, qui a montré Royden Rabinowitch dès son ouverture publique en 1994, possède un ensemble d'une trentaine de ses œuvres, composé essentiellement de sculptures en acier, mais aussi de dessins et de toiles, constituant l'un des plus importants ensembles appartenant à un seul et même artiste détenu par l'institution. Il est le moyen de connaître ce travail dans toute(...)
Contemporary Art Monographs
February 2022
Royden Rabinowitch
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Le MAMCO, qui a montré Royden Rabinowitch dès son ouverture publique en 1994, possède un ensemble d'une trentaine de ses œuvres, composé essentiellement de sculptures en acier, mais aussi de dessins et de toiles, constituant l'un des plus importants ensembles appartenant à un seul et même artiste détenu par l'institution. Il est le moyen de connaître ce travail dans toute son ampleur et sa radicalité, celle d'un art post-minimaliste nourri par de multiples lectures et références, surtout liées aux mathématiques et à la géométrie. Cet ensemble est amplement étudié pour la première fois dans cet ouvrage à travers un essai d'Alessandro Gallicchio et des notices détaillées de Sophie Costes, fournissant des outils de compréhension d'une vision de la sculpture qui offre une approche renouvelée de l'histoire de cette dernière à travers des constructions complexes et légères et à la fois.
Contemporary Art Monographs
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into(...)
Best highrises 2010-11
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Based on nominations worldwide, The International Highrise Award is bestowed every two years jointly on the developer and planner of a completed building. Finalists are chosen by an esteemed jury of architects, engineers and property specialists who judge on the basis of a building's special aesthetics, pioneering design, sustainability, cost efficiency, integration into its urban context and use of innovative technology. Presented by Deutsches Architekturmuseum and DekaBank Deutsche Girozentrale, the prestigious award consists of a monetary prize of 50,000 Euro and is accompanied by a certificate and a sculpture by renowned German artist Thomas Demand. This book presents the 27 nominated projects encompassing a range of uses in cities throughout the world: Bangkok, Barcelona, Brisbane, Cádiz, Chicago, Doha, Dubai, Frankfurt am Main, Hong Kong, London, Luxembourg City, Munich, New York, Osaka, Paris, Philadelphia, Rotterdam, Seoul, Shanghai, Tokyo and Winnipeg.
Gratte-ciels
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over(...)
Contemporary Art Monographs
April 2011
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.
Contemporary Art Monographs
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely(...)
Absalon
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This catalogue is the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his brief life (1964-1993), and this austerely designed volume effectively constitutes an Absalon catalogue raisonné. Absalon’s best known works, the Cellules, rewrite Cezanne’s “treat nature as the cylinder, the sphere and the cone” to read “treat architecture as the cell, the bunker and the turret.” Not that the Cellules are straightforwardly architecture: they equally evoke Minimalist sculpture, Matt Mullican’s maquettes, Kurt Schwitters’ Merzbauen and the Concrete sculptures of George Vantongerloo. But the model that the Cellules most overtly evoke is the monastic cell.
Contemporary Art Monographs
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard(...)
The art-architecture complex
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Hal Foster argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a “global style” of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the “international style” of Le Corbusier, Gropius and Mies—a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that “the art-architecture complex” is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate.
Architectural Theory
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
Contemporary Art Monographs
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
Contemporary Art Monographs
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During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a(...)
The garden of forking paths: an anthology about contemporary follies
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During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a landscape). Artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta all devised their own fantastical narratives in response to Bomarzo. The Garden of Forking Paths enlarges upon this innovative exhibition with reproductions of installed works, and essays by architecture and garden theorists and writers on the history of follies and the interaction between art and garden: Lars Bang Larsen, Michael Bracewell, Horst Bredekamp, Brian Dillon, Patrick Eyres, Heike Munder, Anthony Vidler and Catherine Wood.
Gardens
John Pawson: katalog
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British architect John Pawson (born 1949) is a master of minimalism. His buildings and objects are defined by his devotion to simplicity and the art of “leaving out,” and by their purity of space, proportion, light and material. Influenced by Japanese culture and minimalist sculpture, Pawson defines his idea of the minimum as a perfection and quality that arises when(...)
John Pawson: katalog
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British architect John Pawson (born 1949) is a master of minimalism. His buildings and objects are defined by his devotion to simplicity and the art of “leaving out,” and by their purity of space, proportion, light and material. Influenced by Japanese culture and minimalist sculpture, Pawson defines his idea of the minimum as a perfection and quality that arises when every detail and connection is reduced to only that which is essential. With models, large-format photographs, material studies and objects, this publication provides an overview of Pawson’s work and demonstrates the phenomenon of “emptiness.” Among the projects presented are the Cistercian monastery Novy Dvur in Czech Republic (2004), the footbridge Sackler Crossing in London (2006), the Stone House for La Triennale di Milano (2010) and the St. Moritz church in Augsburg, currently in its planning stages.
Architecture Monographs