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Not to play with dead things
Not to play with dead things
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
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March 2010
March 2010
Title:
Not to play with dead things
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
Not to play with dead things
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From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
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books
books
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March 2010
March 2010
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books
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$61.00
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
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Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
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books
books
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February 2011
February 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$44.00
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
Title:
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
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books
books
Publication:
April 2011
April 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$107.95
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
$107.95
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
Title:
Lynne Cohen : nothing is hidden
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Lynne Cohen : nothing is hidden
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$107.95
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Summary:
Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Photography monographs
Photography monographs
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books
books
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$30.95
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
Title:
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
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books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
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books
books
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$175.00
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Summary:
Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his(...)
$175.00
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Summary:
Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his(...)
Title:
Daido Moriyama: journey for something
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$175.00
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his classic images and some never-before-seen photographs that have been carefully selected by the artist for this volume. Many of Moriyama’s photographs are shot with a light, hand-held camera, at times through a window or from across the street, often as if he were a tourist himself. A wide assortment of playful and almost surrealist images, Journey for Something follows Moriyama from Tokyo to Osaka, from shimmering rows of nightclubs to shoes dangling from a telephone wire and a man running naked through the streets.
Daido Moriyama: journey for something
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$175.00
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his classic images and some never-before-seen photographs that have been carefully selected by the artist for this volume. Many of Moriyama’s photographs are shot with a light, hand-held camera, at times through a window or from across the street, often as if he were a tourist himself. A wide assortment of playful and almost surrealist images, Journey for Something follows Moriyama from Tokyo to Osaka, from shimmering rows of nightclubs to shoes dangling from a telephone wire and a man running naked through the streets.
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books
books
Publication:
January 2013
January 2013
Subject:
Photography monographs
Photography monographs
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books
books
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$35.00
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
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Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
Title:
Hans Ulrich Obrist : the Czech files
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This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Hans Ulrich Obrist : the Czech files
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$35.00
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Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Franz West: the 1990s
Franz West: the 1990s
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$75.00
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Emerging in the early 1970s, Austrian artist Franz West created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. Key innovations from this period--which included the addition(...)
$75.00
(available to order)
Summary:
Emerging in the early 1970s, Austrian artist Franz West created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. Key innovations from this period--which included the addition(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2015
August 2015
Title:
Franz West: the 1990s
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$75.00
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Emerging in the early 1970s, Austrian artist Franz West created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. Key innovations from this period--which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations--resulted in dynamic, frequently interactive installations that helped to redefine the possibilities of sculpture and the ways in which art is experienced. This publication gives an in-depth overview of this decade, arguably the most important of the artist's lengthy career, and features essays by noted West scholars Eva Badura-Triska and Veit Loers.
Franz West: the 1990s
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$75.00
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Summary:
Emerging in the early 1970s, Austrian artist Franz West created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. Key innovations from this period--which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations--resulted in dynamic, frequently interactive installations that helped to redefine the possibilities of sculpture and the ways in which art is experienced. This publication gives an in-depth overview of this decade, arguably the most important of the artist's lengthy career, and features essays by noted West scholars Eva Badura-Triska and Veit Loers.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Description:
479 pages : illustrations (some color) ; 25 cm
Description:
479 pages : illustrations (some color) ; 25 cm
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Publication:
London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
Title:
Art and social change : a critical reader / edited by Will Bradley and Charles Esche.
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479 pages : illustrations (some color) ; 25 cm
Art and social change : a critical reader / edited by Will Bradley and Charles Esche.
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Description:
479 pages : illustrations (some color) ; 25 cm
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books
books
Publication:
London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
London : Tate Pub. : in association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
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316 pages : illustrations (some color), color map ; 32 cm.
Description:
316 pages : illustrations (some color), color map ; 32 cm.
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Publication:
Paris : Vis à vis éditions, [1997]
Paris : Vis à vis éditions, [1997]
Title:
Architectures et grands travaux, 1977-1997.
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316 pages : illustrations (some color), color map ; 32 cm.
Architectures et grands travaux, 1977-1997.
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316 pages : illustrations (some color), color map ; 32 cm.
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books
books
Publication:
Paris : Vis à vis éditions, [1997]
Paris : Vis à vis éditions, [1997]
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