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Jadric examines the evolving concept of family in contemporary society, emphasizing that it extends beyond traditional nuclear units to encompass broader communities such as neighborhoods, co-living arrangements, and working groups. These diverse forms of "family" have increasingly adopted the characteristics of closely-knit, mutually supportive social groups, providing(...)
Intimate spaces: Exploring adaptive living spaces in a pandemic era
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Jadric examines the evolving concept of family in contemporary society, emphasizing that it extends beyond traditional nuclear units to encompass broader communities such as neighborhoods, co-living arrangements, and working groups. These diverse forms of "family" have increasingly adopted the characteristics of closely-knit, mutually supportive social groups, providing solace and resilience during challenging times. Through the lens of three distinct projects, Jadric illustrates the diverse rhythms of life experienced by different families navigating the balance between privacy and public engagement. Each project represents a unique interpretation of adaptive living spaces, offering a spectrum of possibilities for self-determination and fulfillment. "Intimate spaces" serves as a thought-provoking resource for architects, urban planners, policymakers, and anyone interested in reimagining the way we live in an ever-changing world. It offers insights into the profound impact of the built environment on our daily lives and emphasizes the potential of innovative design solutions to enhance our collective resilience and quality of life.
Residential Architecture
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and(...)
New York 2020; Architecture and urbanism at the beginning of the new century
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and illustrates the "supertalls" now populating our skyline, lush riverfront parks born from derelict waterfront, iconic cultural destinations, and thousands of smaller, unheralded residential and civic projects that enhance the built environment and the urban fabric. Readers will discover work by leading architects, including Norman Foster, Renzo Piano, Bjarke Ingels, Diller Scofidio + Renfro, Selldorf Architects, Frank Gehry, and Robert A.M. Stern Architects; a dazzling array of museums and institutions, including the High Line, Hudson Yards, the new Whitney Museum, and the expansions of MoMA and Lincoln Center; the rebuilding of the World Trade Center site; and more.
Architecture since 1900, Americas
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Contemporary Architecture
September 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Contemporary Architecture
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a(...)
Totems: Selected essays on architecture
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''Totems'' brings together ten texts by architect, historian, and critic Irénée Scalbert. Written between 2001 and 2025, they reflect nearly three decades of critical engagement with architecture and its cultural contexts. Ranging in length and register—from concise meditations to extended analytical essays—the collection captures the evolution of Scalbert’s thinking as a critic, teacher, and participant in architectural discourse. Organized thematically into sections on buildings, cities, and the environment, ''Totems'' traces a loosely autobiographical arc. Earlier pieces echo Scalbert’s formative years in London during a period of architectural ferment are marked by the work of James Stirling and Norman Foster, influential figures from Europe such as Aldo Rossi, as well as his close association with a generation of contemporaries including Peter St John (Caruso St John Architects), and Tom Emerson and Stephanie Macdonald (6a architects). Later texts expand outward, both geographically and conceptually, as Scalbert brings a speculative and at times personal lens to questions of urbanism, nature, and meaning in contemporary architecture.
Architectural Theory
Mimi Plumb: Blazing light
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"Blazing Light" is published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City, and The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its(...)
Mimi Plumb: Blazing light
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"Blazing Light" is published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City, and The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day.
Photography monographs
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited,(...)
A dirty history of photography: Chemistry, fog, and empire
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.
Photography monographs
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The classical architectural and planning schemes conceived by Canada’s Anglo-settler elite in the early twentieth century embodied a prescriptive vision of power and grandeur for the country and its people on a scale almost unimaginable today. This provocative collection of essays examines the classical design precepts that shaped much of Canada’s built environment –(...)
Classicism in Canada: Ambition, utopia, hubris
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The classical architectural and planning schemes conceived by Canada’s Anglo-settler elite in the early twentieth century embodied a prescriptive vision of power and grandeur for the country and its people on a scale almost unimaginable today. This provocative collection of essays examines the classical design precepts that shaped much of Canada’s built environment – leaving an imprint for how we continue to experience place today. "Classicism in Canada" brings together essays by planning, architectural, art, political, and social historians. Drawing on primary sources and the physical sites themselves, the contributors probe the meaning of a style that melded the École des Beaux-Arts with the sensibilities of the City Beautiful movement and that was rooted in assumptions about order and historical continuity. The transformation of built space and land was motivated by pragmatism, aesthetics, and an ideological infrastructure that reverberated with utopian zeal as much as it was driven by racial discrimination and Indigenous erasure.
Architecture in Canada
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both(...)
British council Nairobi
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A new council office, designed by Squire and Partners, opened in Nairobi in November 2004. The design utilises the local climate and orientation to passively control the building’s environment and has evolved from Squire and Partners’ ethos of contextual modernism. The practice works hard with site locations, aspect and orientation to develop proposals that are both appropriate and culturally of their 'place’. The design responds specifically to both the culture of the British council in East Africa and the site context of central Nairobi to create a dramatic, beautiful space. The British Council’s Visual Arts Department commissioned a site specific work for the new building from artist David Tremlett who was invited to contribute wall drawings to the front and back elevations and to the main corridors leading to the teaching areas within the building. The drawings of rubbed pigment and varnish highlight accentuate the flat planes of the building and the colours harmonise with the vibrant richness of the Kenyan soil, vegetation and sky.
small format
Informal city : Caracas case
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This urban research project examines the often overlooked areas known as "barrios," "shantytowns," or "slums" and assesses their validity as an architectural phenomenon in their own right. The hills outside Caracas are dotted with transient, dilapidated structures which are home to thousands of people who create their own socio-economic environment, one which has a(...)
Urban Theory
August 2005, Munich / Berlin / London / New York
Informal city : Caracas case
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This urban research project examines the often overlooked areas known as "barrios," "shantytowns," or "slums" and assesses their validity as an architectural phenomenon in their own right. The hills outside Caracas are dotted with transient, dilapidated structures which are home to thousands of people who create their own socio-economic environment, one which has a unique place in the city's infrastructure. This publication can be understood as a handbook of informal urban and cultural practice. Its validity extends far beyond Caracas and encompasses nearly all Latin American metropolises. Its essays question the value of traditional Western-style socio-economic and socio-political structures, present a new form of urbanism as a subject for discussion, and show the need for a profound change in our understanding of urban culture, especially in today's era, which is characterized by increasing insecurity and uncertainty. This project was jointly initiated by the "Federal Cultural Foundation" of Germany and the "Urban Think Tank" in Caracas, Venezuela.
Urban Theory
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
Contemporary Art Monographs
September 2005, Como
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
Contemporary Art Monographs