Cities made differently
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What makes a city a city? Who says? Drafted over decades out of a dialogue between artist and author Nika Dubrovsky, the late anthropologist David Graeber, and Nika's then four-year-old son, this delightful and provocative book ''Cities Made Differently'' opens a space for invention and collaboration. Fusing anthropology, literature, play, and drawing, the book is(...)
Cities made differently
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What makes a city a city? Who says? Drafted over decades out of a dialogue between artist and author Nika Dubrovsky, the late anthropologist David Graeber, and Nika's then four-year-old son, this delightful and provocative book ''Cities Made Differently'' opens a space for invention and collaboration. Fusing anthropology, literature, play, and drawing, the book is essentially a visual essay that asks us to reconsider our ideas about cities and the people who inhabit them. Drawing us into a world of history and myth, science and imagination, Graeber and Dubrovsky invite us to rethink the worlds we inhabit—because we can, and nothing is too strange or too wonderful to be true.
Urban Theory
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Across the world, walking is a vital way to assert one's presence in public space and discourse. ''Walking'' maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the(...)
Walking : Documents of contemporary art
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Across the world, walking is a vital way to assert one's presence in public space and discourse. ''Walking'' maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act.
Art Theory
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How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, "Architecture and affect in the Middle Ages" explores the(...)
Architecture and affect in the Middle Ages
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How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, "Architecture and affect in the Middle Ages" explores the relationship between medieval buildings and the complexity of experience they engendered. Paul Binski examines long-standing misconceptions about the way viewers responded to medieval architecture across Western Europe and in Byzantine and Arabic culture between late antiquity and the end of the medieval period. He emphasizes the importance of the experience itself within these built environments, essentially places of action, space, and structure but also, crucially, of sound and emotion.
Architectural Theory
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The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet’s population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In(...)
The Architecture of Urbanity: Designing for Nature, Culture, and Joy
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The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet’s population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In this visionary book, Vishaan Chakrabarti argues for an "architecture of urbanity," showing how the design of our communities can create a more equitable, sustainable, and joyous future for us all. Taking readers from the great cities of antiquity to the worldwide exurban sprawl of our postindustrial age, Chakrabarti examines architecture’s relationship to history’s greatest social, technological, and environmental dilemmas. He then presents a rich selection of work by a global array of practicing architects, demonstrating how innovative design can dramatically improve life in big cities and small settlements around the world, from campuses and refugee camps to mega-cities like São Paulo, Lima, Los Angeles, New York, Paris, and Tokyo.
Urban Theory
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
Architecture against democracy: histories of the nationalist international
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
Architectural Theory
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their(...)
The lies of the artists: Essays on Italian art, 1450-1750
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In the three centuries from 1450 to 1750 painters, sculptors, and architects emerged from the medieval craft guilds of Italy to claim a new social status as creators, whose gorgeous handiwork, now called "art," expressed lofty inspiration as much as manual skill. In "The lies of the artists", Ingrid Rowland takes us into the world of these artists, and into their seemingly miraculous ways of transforming transcendent ideas into tangible works of art that challenged and redefined reality, "lies" with the power to reveal a deeper truth. As the great art patron Daniele Barbaro wrote: "bisogna aprire gli occhi," or "you have to open your eyes." And this is precisely what Rowland does in these essays, bringing her knowledge, keen perception, and singular wit to bear on the art and lives of Renaissance masters.
Art Theory
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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for(...)
101 things to learn in art school, revised
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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
Art Theory
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Framed against the backdrop of contemporary waves of feminism and the history of computing design, "In through the side door" foregrounds the stories of the women working in the field of computing and the emergent discipline of interaction design as the graphical user interface was developed. Erin Malone begins with a handful of pioneers who brought to the field various(...)
In through the side door: Fifty years of women in interactive design
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Framed against the backdrop of contemporary waves of feminism and the history of computing design, "In through the side door" foregrounds the stories of the women working in the field of computing and the emergent discipline of interaction design as the graphical user interface was developed. Erin Malone begins with a handful of pioneers who brought to the field various methods from a variety of backgrounds including design, technical communication, social psychology, ethnography, information science, and mechanical engineering. Moving into the early days of desktop computing, the book highlights the women on the teams inventing contemporary desktop computer interfaces and related tools, including those at Xerox PARC, Apple’s Human Interface Group, and Microsoft.
Design Theory
The feeling of space
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Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for(...)
The feeling of space
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Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity—our exchange of conscious and unconscious thoughts.
Architectural Theory
Democracy and urban form
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"Never have the potential political consequences of architecture been greater, and never has the political sensibility of architecture been less." This was the state of the discipline that social theorist and urban thinker Richard Sennett declared when he addressed an audience at the Harvard University Graduate School of Design in 1981. Over a series of six lectures,(...)
Democracy and urban form
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"Never have the potential political consequences of architecture been greater, and never has the political sensibility of architecture been less." This was the state of the discipline that social theorist and urban thinker Richard Sennett declared when he addressed an audience at the Harvard University Graduate School of Design in 1981. Over a series of six lectures, Sennett presented discourse as the foundation of democracy, and posited that our cities are uniquely positioned to either empower or constrict this discourse—and that the difference could lie in architecture and urban design. Now, over 40 years later, as political polarization persists and its consequences arise in both new and familiar ways, "Democracy and urban form" revisits questions that remain relevant: If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse?
Urban Theory