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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into(...)
Plattenbau Berlin: A photographic survey of postwar residential architecture
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Made from prefabricated concrete panels, Plattenbauten rose from the ruins of Berlin, providing a quick and inexpensive solution to the severe housing shortage faced by the city after World War II. Although criticized in their day for their sterility and impersonal scale, they nonetheless became an integral part of the city. Drawn from his extensive investigations into Berlin’s urban landscape, Jesse Simon’s texts and photographs offer a convincing argument for the aesthetic and social value of buildings that were once described as “eyesores.”
Architecture since 1900, Europe
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II,(...)
Graphic Designers, Monographs
September 2003, New York
Abram Games : his life and work
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II, he was England's official war poster designer, a position from which he oversaw the design and production of hundreds of posters calling on Britons to stand fast and support the Allied troops. "Abram Games: His Life and Work" is the first monograph on this design legend whose work helped to define the look of modern English culture.
Graphic Designers, Monographs
306090 14: Making a case
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Making a Case focuses on contemporary housing in the United States and the future of the American home. Like the Case Study program after World War II, it seizes on a critical moment in the history of America as a time to reinvent the single-family dwelling unit-post-crisis rather than post-war. The crisis in this case is the collapse of the housing bubble, with its(...)
306090 14: Making a case
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Making a Case focuses on contemporary housing in the United States and the future of the American home. Like the Case Study program after World War II, it seizes on a critical moment in the history of America as a time to reinvent the single-family dwelling unit-post-crisis rather than post-war. The crisis in this case is the collapse of the housing bubble, with its partnering causes and aftershocks: the reality of less oil, the urge to reurbanize, and the results of economic reorganization. Organized in two sections, design cases and commentary, this periodical draws together international contributors from a variety of disciplines to address this critical moment for housing in America.
Magazines
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In 1979, Georges Perec (1936–1982) wrote a brief entertainment called The Winter Journey for a publisher’s catalogue. It quickly became his most frequently reprinted short story. Set on the eve of World War II, it recounts the discovery of a great literary masterpiece that conceals a scandalous secret at the heart of the whole of modern French literature. Every aspect of(...)
Georges Perec and the Oulipo: winter journeys
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In 1979, Georges Perec (1936–1982) wrote a brief entertainment called The Winter Journey for a publisher’s catalogue. It quickly became his most frequently reprinted short story. Set on the eve of World War II, it recounts the discovery of a great literary masterpiece that conceals a scandalous secret at the heart of the whole of modern French literature. Every aspect of literary history will have to be rewritten. However, the War intervenes, and the work is lost forever. The present volume includes and then extends this brief parable, which turns out to be so resonant with possibilities. The result is a novel of digressions, gradual elaboration and bizarre forays into the totally unexpected.
Art Theory
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches(...)
Modernism as memory: building identity in the Federal Republic of Germany
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.
Modernism
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Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while(...)
Bulldozer: demolition and clearance of the postwar landscape
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Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while earthmoving contractors leveled land at an unprecedented pace and scale. In this pioneering history, Francesca Russello Ammon explores how postwar America came to equate this destruction with progress.
Architectural Theory
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger have extensively travelled across Northern Italy in order to document the region’s modern architecture after World War II. Italomodern 1 and 2 is the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their(...)
Architecture since 1900, Europe
December 2016
Italomodern 2: architecture in northern Italy 1946-1976
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger have extensively travelled across Northern Italy in order to document the region’s modern architecture after World War II. Italomodern 1 and 2 is the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their study, they have focused exclusively on distinctive buildings rather than entire urban structures, and they have selected the projects included as exemplary representations of neorealism, rationalism, brutalism, and organic.
Architecture since 1900, Europe
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In ''The City in the City'', Amy Thomas offers the first in-depth architectural and urban history of London's financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as(...)
The city in the city: Architecture and change in London's Financial District
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In ''The City in the City'', Amy Thomas offers the first in-depth architectural and urban history of London's financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as concrete realities; working on four spatial scales—city, street, facade, and interior—the book explores the grand plans, hidden alleys, neo-Georgian elevations, and sweaty dealing floors that have made the financial center work.
Architectural Theory
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Through a reading of the landscape and the topographical structure, Mathias Klotz implements his architectural programme with plastic sensitivity, confirming the importance of the construction and the materials. His reference models range from those of Mies van der Rohe and of those architects active in California after World War II. The Ponce house in Buenos Aires is one(...)
Architecture and projects : Mathias Klotz
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Through a reading of the landscape and the topographical structure, Mathias Klotz implements his architectural programme with plastic sensitivity, confirming the importance of the construction and the materials. His reference models range from those of Mies van der Rohe and of those architects active in California after World War II. The Ponce house in Buenos Aires is one of the best expressions of his talent, which shows his skill as an architect who is coherent in his choice of materials, confident in employing them and overt in exhibiting them. Photographs by Alberto Piovano.
Architecture Monographs
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
October 2017
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.