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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse(...)
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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse(...)
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Arne Schmitt: The new inequality: A Photo Book Tracing Neo-Liberal Architectures
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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse in 2009 of the Stadtarchiv, Europe’s largest and oldest historical city archive. Built in the 1970s, the Stadtarchiv’s structural failure could be seen as symbolic of the disastrous consequences of the neo-liberal economic policies in Germany, the U.S. and Britain that led to the 2008–9 global economic collapse. Critiques of neo-liberalism often run into difficulty because they lack a clearly defined object of focus. Faced with structural complexities, their analysis and criticism is often directed toward isolated instances. Schmitt confronts this political conversation with the resolutely straightforward approach of the documentary eye.
Arne Schmitt: The new inequality: A Photo Book Tracing Neo-Liberal Architectures
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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse in 2009 of the Stadtarchiv, Europe’s largest and oldest historical city archive. Built in the 1970s, the Stadtarchiv’s structural failure could be seen as symbolic of the disastrous consequences of the neo-liberal economic policies in Germany, the U.S. and Britain that led to the 2008–9 global economic collapse. Critiques of neo-liberalism often run into difficulty because they lack a clearly defined object of focus. Faced with structural complexities, their analysis and criticism is often directed toward isolated instances. Schmitt confronts this political conversation with the resolutely straightforward approach of the documentary eye.
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books
books
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August 2016
August 2016
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Photography monographs
Photography monographs
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books
books
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a(...)
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a(...)
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Feminist worldmaking and the moving image
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term ''feminism''; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
Feminist worldmaking and the moving image
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term ''feminism''; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
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books
books
Publication:
August 2022
August 2022
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the(...)
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the(...)
Title:
Architecture on display: On the history of the Venice Biennale of Architecture
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the most prestigious forums for architectural discourse today, and has served as a model for a range of international exhibitions. The book explores the biennale through the directors who established its particular discourse, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt W Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that these exhibitions raise, with the hope of offering a model for future curatorial endeavours.
Architecture on display: On the history of the Venice Biennale of Architecture
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Architecture on Display is a research initiative that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the most prestigious forums for architectural discourse today, and has served as a model for a range of international exhibitions. The book explores the biennale through the directors who established its particular discourse, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt W Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that these exhibitions raise, with the hope of offering a model for future curatorial endeavours.
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books
books
Publication:
November 2010
November 2010
Subject:
Museology
Museology
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books
books
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$32.95
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
Title:
Pride in modesty : modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Pride in modesty : modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
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The ten essays in ''After the Wagnerian Bouillabaisse'' offer original critical discussions of some of the major European artists and movements in the twentieth century, beginning with important reassessments of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. Welchman writes with verve and insight(...)
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The ten essays in ''After the Wagnerian Bouillabaisse'' offer original critical discussions of some of the major European artists and movements in the twentieth century, beginning with important reassessments of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. Welchman writes with verve and insight(...)
Title:
After the Wagnerian Bouillabaisse, Volume 2: essays on european avant-garde art XX-XXI
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The ten essays in ''After the Wagnerian Bouillabaisse'' offer original critical discussions of some of the major European artists and movements in the twentieth century, beginning with important reassessments of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. Welchman writes with verve and insight about the production, and circumvention, of affect in the work of Henri Matisse and Fernand Léger; the delirious splits and metaphorical ricochets fired up by Salvador Dalí; and the social and philosophical ideas mobilized by René Magritte. The second half of the volume examines mid- and later-twentieth century artists, offering a revisionist assessment of Hans Hartung; a new analysis of major themes and issues in the work of Antoni Tàpies; a meditation on ''whiteness'' in the practice and thinking of Günter Brus; and an exploration of exchanges between the US and the UK about sculpture between 1945 and the 1970s.
After the Wagnerian Bouillabaisse, Volume 2: essays on european avant-garde art XX-XXI
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The ten essays in ''After the Wagnerian Bouillabaisse'' offer original critical discussions of some of the major European artists and movements in the twentieth century, beginning with important reassessments of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. Welchman writes with verve and insight about the production, and circumvention, of affect in the work of Henri Matisse and Fernand Léger; the delirious splits and metaphorical ricochets fired up by Salvador Dalí; and the social and philosophical ideas mobilized by René Magritte. The second half of the volume examines mid- and later-twentieth century artists, offering a revisionist assessment of Hans Hartung; a new analysis of major themes and issues in the work of Antoni Tàpies; a meditation on ''whiteness'' in the practice and thinking of Günter Brus; and an exploration of exchanges between the US and the UK about sculpture between 1945 and the 1970s.
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books
books
Publication:
June 2019
June 2019
Subject:
Art Theory
Art Theory
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books
books
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
Title:
Gabor Szilasi: the art world in Montréal 1960-1980
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Gabor Szilasi: the art world in Montréal 1960-1980
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Michele Zaza
Michele Zaza
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$90.00
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The monograph is the first to cover the life and artistic career of Michele Zaza in systematic fashion.With an introductory essay on the historical and critical background of his work, this volume documents his production from the 1970s to the present day through a chronology replete with illustrations, unpublished materials, texts and quotations of the artist. The (...)
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The monograph is the first to cover the life and artistic career of Michele Zaza in systematic fashion.With an introductory essay on the historical and critical background of his work, this volume documents his production from the 1970s to the present day through a chronology replete with illustrations, unpublished materials, texts and quotations of the artist. The (...)
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Michele Zaza
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The monograph is the first to cover the life and artistic career of Michele Zaza in systematic fashion.With an introductory essay on the historical and critical background of his work, this volume documents his production from the 1970s to the present day through a chronology replete with illustrations, unpublished materials, texts and quotations of the artist. The production ranges from the early sequences of photographs, with their symbolic references to the artist’s own body, the figures of his parents, and his family home, to the creation of large installations, characterized by the presence of photographic elements and sculptures with pure and totemic forms that hold a direct dialogue with their architectural setting. In a vision of existence in which everything is interconnected, he aspires in his work to a transcendence of the contingent, immersing the viewer in an environment that has been re-created through images but is at the same time real.
Michele Zaza
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The monograph is the first to cover the life and artistic career of Michele Zaza in systematic fashion.With an introductory essay on the historical and critical background of his work, this volume documents his production from the 1970s to the present day through a chronology replete with illustrations, unpublished materials, texts and quotations of the artist. The production ranges from the early sequences of photographs, with their symbolic references to the artist’s own body, the figures of his parents, and his family home, to the creation of large installations, characterized by the presence of photographic elements and sculptures with pure and totemic forms that hold a direct dialogue with their architectural setting. In a vision of existence in which everything is interconnected, he aspires in his work to a transcendence of the contingent, immersing the viewer in an environment that has been re-created through images but is at the same time real.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$25.95
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Summary:
Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed(...)
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed(...)
Title:
The new enclosure: the appropriation of public land in neoliberal Britain
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed from public to private hands. Forest land, defence land, health service land and above all else local authority land- for farming and school sports, for recreation and housing - has been sold off en masse. Why? How? And with what social, economic and political consequences? “The New Enclosure” provides the first ever study of this profoundly significant phenomenon, situating it as a centrepiece of neoliberalism in Britain and as a successor programme to the original eighteenth-century enclosures. With more public land still slated for disposal, the book identifies the stakes and asks what, if anything, can and should be done.
The new enclosure: the appropriation of public land in neoliberal Britain
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Much has been written about Britain's trailblazing post-1970s privatization program, but the biggest privatization of them all has until now escaped scrutiny: the privatization of land. Since Margaret Thatcher took power in 1979, and hidden from the public eye, about 10 per cent of the entire British land mass, including some of its most valuable real estate, has passed from public to private hands. Forest land, defence land, health service land and above all else local authority land- for farming and school sports, for recreation and housing - has been sold off en masse. Why? How? And with what social, economic and political consequences? “The New Enclosure” provides the first ever study of this profoundly significant phenomenon, situating it as a centrepiece of neoliberalism in Britain and as a successor programme to the original eighteenth-century enclosures. With more public land still slated for disposal, the book identifies the stakes and asks what, if anything, can and should be done.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Urban Landscapes
Urban Landscapes
Form:
books
books
Title:
Ezra Stoller, photographer
Ezra Stoller, photographer
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$69.95
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
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Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$65.95
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social(...)
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2012
October 2012
Title:
Heartland: the photographs of Terry Evans
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social documentary images of people in Kansas. She became a landscape photographer in 1978, focusing on the grasses, land, and skies of the prairie; this was followed by an aerial survey of the entire Great Plains, from Texas to Canada. She has also photographed Chicago from the air, an abandoned military site, small-town life in Kansas, and historical samples of prairie flora and fauna from Chicago’s Field Museum. More recently, she has documented the steel industry in the Midwest and oil and gas drilling in North Dakota. This illustrated book examines all of these works, which together reveal the enduring beauty of the prairie landscape.
Heartland: the photographs of Terry Evans
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social documentary images of people in Kansas. She became a landscape photographer in 1978, focusing on the grasses, land, and skies of the prairie; this was followed by an aerial survey of the entire Great Plains, from Texas to Canada. She has also photographed Chicago from the air, an abandoned military site, small-town life in Kansas, and historical samples of prairie flora and fauna from Chicago’s Field Museum. More recently, she has documented the steel industry in the Midwest and oil and gas drilling in North Dakota. This illustrated book examines all of these works, which together reveal the enduring beauty of the prairie landscape.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
