8496 Results
Form:
exhibitions
exhibitions
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Location:
Baile Park
Baile Park
Date:
6 May 2004 to 6 September 2004
6 May 2004 to 6 September 2004
Title:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Form:
exhibitions
exhibitions
Date:
6 May 2004 to
6 September 2004
6 May 2004 to
6 September 2004
Location:
Baile Park
Baile Park
Form:
drawings
drawings
Actions:
Reference number:
DR1966:0001:038
Description:
- This sketch elevation of the tomb of Pope Leo XI shows the monument set in a semi-circular niche.
DR1966:0001:038
Description:
- This sketch elevation of the tomb of Pope Leo XI shows the monument set in a semi-circular niche.
People:
Subject:
architecture, interior design
architecture, interior design
Date:
ca. 1764
ca. 1764
Title:
Sketch elevation of Algardi's tomb of Leo XI, Rome
Actions:
DR1966:0001:038
Description:
- This sketch elevation of the tomb of Pope Leo XI shows the monument set in a semi-circular niche.
Sketch elevation of Algardi's tomb of Leo XI, Rome
Actions:
DR1966:0001:038
Description:
- This sketch elevation of the tomb of Pope Leo XI shows the monument set in a semi-circular niche.
Form:
drawings
drawings
Date:
ca. 1764
ca. 1764
People:
Subject:
architecture, interior design
architecture, interior design
Form:
graphic materials
graphic materials
Actions:
Reference number:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
People:
Date:
between 1965 and 2008, predominant 1976-1981
between 1965 and 2008, predominant 1976-1981
Title:
Posters and mailouts for various events
Actions:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
Posters and mailouts for various events
Actions:
DR2012:0012:050
Description:
File containing assorted posters and mailouts for the following events, etc.: - poster for Quebec release of For a few dollars more; - mailout for Robert Rauschenberg exhibition at Sonnabend Gallery; - poster for Robert Rauchenberg's White paintings at Leo Castelli Gallery; - posters for Melvin Charney: other monuments, six works exhibition at the Art Gallery of Ontario; - poster for Between observation and intervention: the painted photographs of Melvin Charney; - mailout for Frank Stella lithographs at Castelli Graphics [Leo Castelli Gallery]; - invitation for the opening of Montréal, plus ou moins?; - poster for Edward Rushca Liquid word series at the Alexandre Iolas Gallery; - poster for a conference at the Technische Hogeschool Eindhoven in which Melvin Charney participated; - poster and unfolded brochure for Corridart; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Melvin Charney's exhibition Other monuments: 1970-1976 at Gund Hall, Harvard University; - poster for James Rosenquist exhibition at Leo Castelli Gallery; - poster for Jasper Johns exhibition at Leo Castelli Gallery; - colour and black-and-white publication dummies for a book about Melvin Charney by the Musée d'art contemporain de Montréal; - poster for exhibition for the 6th residential course of the Labratorio internazionale di Architettura e Disegno Urbano.
Form:
graphic materials
graphic materials
Date:
between 1965 and 2008, predominant 1976-1981
between 1965 and 2008, predominant 1976-1981
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
People:
Subject:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Title:
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Form:
works of art
works of art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Reference number:
DR1966:0001:037
Description:
- This sketch elevation of the tomb of Paul III shows the monument set in a semi-circular niche between two columns.
DR1966:0001:037
Description:
- This sketch elevation of the tomb of Paul III shows the monument set in a semi-circular niche between two columns.
People:
Subject:
architecture, interior design
architecture, interior design
Date:
ca. 1764
ca. 1764
Title:
Sketch elevation of Della Porta's tomb of Paul III, St. Peter's, Rome
Actions:
DR1966:0001:037
Description:
- This sketch elevation of the tomb of Paul III shows the monument set in a semi-circular niche between two columns.
Sketch elevation of Della Porta's tomb of Paul III, St. Peter's, Rome
Actions:
DR1966:0001:037
Description:
- This sketch elevation of the tomb of Paul III shows the monument set in a semi-circular niche between two columns.
Form:
drawings
drawings
Date:
ca. 1764
ca. 1764
People:
Subject:
architecture, interior design
architecture, interior design
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
People:
Date:
[1800-1868]
[1800-1868]
Title:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Level of archival description:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
People:
Subject:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Title:
Design for an altar with an altarpiece showing the Entombment of Christ
Actions:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Entombment of Christ
Actions:
DR1988:0322
Description:
- This print depicts an altarpiece with painted and sculpted elements. The architectural framework consists of two pairs of columns, unfluted Corinthian and Solomonic, supporting an elaborate broken pediment. In the centre is a tall painting depicting the entombment of Christ in a diagonal composition, with Mary Magdalen kneeling prominently in the foreground. The top of the altar is adorned with angels holding instruments of the Passion - cross, nails, crown of thorns - and a staff with a cross symbolizing the Resurrection. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Form:
works of art
works of art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
People:
Date:
circa 1979-1981
circa 1979-1981
Title:
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Block 11 e 12, Kottbusser Damm [11-12 Kottbusser Damm], Berlin, Germany (1979-1981)
Actions:
AP178.S1.1980.PR03
Description:
The project series documents the 1980 design entry for Block 11-12 (Kottbusser Damm). While the records were held in the office’s archives this project was assigned the number 3/80. The office assigned the date 1980 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted three other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), and Block 121 (Bonjour Tristesse), which was his first built international project. He would later submit design proposals for two other projects: Monument to Gestapo victims Prinz-Albrecht-Palais and the Kulturforum. The design proposal for Block 11-12 was for a residential building on Kottbusserstrasse in Kreuzberg. Documenting the design proposal are drawings, photographs, negatives, slides, and textual documentation. Among the drawings are sketches, studies, elevations, floor plans, and site plans. Photographs and negatives depict the project site and surrounding area; additionally there are slides of drawings and the model. Also included is a work contract from the IBA signed by Siza and IBA official Hardt-Waltherr Hämer, as well as several notes and calculations. Note that textual documentation in this project series includes materials on Block 70 and 89, see AP178.S1.1980.PR03.008. Sketches in this project series may also include sketches related to other Berlin projects, such as Block 70 and 89.
Level of archival description:
Project
Project
Date:
circa 1979-1981
circa 1979-1981
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Ernest Cormier fonds
Ernest Cormier fonds
Reference number:
AP001
Synopsis:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
AP001
Synopsis:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
People:
Date:
1857-1980
1857-1980
Title:
Ernest Cormier fonds
Actions:
AP001
Synopsis:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Ernest Cormier fonds
Actions:
AP001
Synopsis:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1857-1980
1857-1980
People:
Form:
textual records
textual records
Title:
Notes for Un dictionnaire...
Notes for Un dictionnaire...
Actions:
Reference number:
DR2012:0012:079:003
Description:
Ring binder labelled "DICTIONNAIRE / NOTES" containing documents in English, including descriptions and notes related to the "Un Dictionnaire" project but also the Monument series.
DR2012:0012:079:003
Description:
Ring binder labelled "DICTIONNAIRE / NOTES" containing documents in English, including descriptions and notes related to the "Un Dictionnaire" project but also the Monument series.
People:
Date:
1974-2002
1974-2002
Title:
Notes for Un dictionnaire...
Actions:
DR2012:0012:079:003
Description:
Ring binder labelled "DICTIONNAIRE / NOTES" containing documents in English, including descriptions and notes related to the "Un Dictionnaire" project but also the Monument series.
Notes for Un dictionnaire...
Actions:
DR2012:0012:079:003
Description:
Ring binder labelled "DICTIONNAIRE / NOTES" containing documents in English, including descriptions and notes related to the "Un Dictionnaire" project but also the Monument series.
Form:
textual records
textual records
Date:
1974-2002
1974-2002
People:
