Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the(...)
Life is not useful
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Indigenous leader and activist Ailton Krenak reminds us that we must awaken from the comatose senselessness we have been immersed in since the beginning of the modern colonial project, where order, progress, development, consumerism, and capitalism have taken over our entire existence, leaving us only very partially alive, and, in fact, almost dead. To awaken from the coma of modernity is, for Krenak, to awaken to the possibility of becoming attuned to “the cosmic sense of life.” He points out that the COVID-19 pandemic affects all so-called “human” lives and that the time is ripe for us all to reflect on and undo the exclusivity and distinction that have characterized the concept of humanity throughout Western modernity.
Social
Becoming an artwork
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For some time, artists and intellectuals struggled for the sovereign right to present themselves to society in their own way – to become self-created works of art. Today everybody has not only a right but also an obligation to practice self-design. We are responsible for the way we present ourselves to others – and we cannot get rid of this aesthetic responsibility.(...)
Becoming an artwork
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For some time, artists and intellectuals struggled for the sovereign right to present themselves to society in their own way – to become self-created works of art. Today everybody has not only a right but also an obligation to practice self-design. We are responsible for the way we present ourselves to others – and we cannot get rid of this aesthetic responsibility. However, we are not able to produce our own bodies. Before we begin to practice self-design, we find ourselves already designed by the gaze of others. That is why the practice of self-design mostly takes a critical and confrontational turn. We want to bring others to see us in the way we want to be seen – not only during our earthly life but also after our death. This is a complicated struggle, and the aim of this book is to describe and analyze it.
Art Theory
Julio Cano Lasso: Natures
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Spanish architect Julio Cano Lasso (1920–1996) was celebrated for his rational and austerely engineered buildings as well as his commitment to designing social housing and urban infrastructure. Lasso’s buildings are practical, modern, and immediately recognisable for their bare-bones aesthetic. He was, in the real sense of the word, an eclectic; fusing diverse sources and(...)
Julio Cano Lasso: Natures
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Spanish architect Julio Cano Lasso (1920–1996) was celebrated for his rational and austerely engineered buildings as well as his commitment to designing social housing and urban infrastructure. Lasso’s buildings are practical, modern, and immediately recognisable for their bare-bones aesthetic. He was, in the real sense of the word, an eclectic; fusing diverse sources and periods in his built works. Featuring previously unpublished texts by authors such as William J.R. Curtis, Juhani Pallasmaa, Iñaki Ábalos, and Juan Navarro Baldeweg, as well as archival images complemented by recent photographs by Iwan Baan, this volume proudly presents Cano Lasso’s legacy.
Architecture Monographs
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In the series ‘Generosity: Housing Design Strategies’, architectural projects identifying with specific design strategies are grouped into four sections: indeterminacy, exteriority, privacy, and interactivity. At the core of the series is the concept of generosity, an essential quality for the design of collective housing. Generosity transforms the condition of the built(...)
a+t 57: Generosity: Housing design strategies. The experience of exteriority
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In the series ‘Generosity: Housing Design Strategies’, architectural projects identifying with specific design strategies are grouped into four sections: indeterminacy, exteriority, privacy, and interactivity. At the core of the series is the concept of generosity, an essential quality for the design of collective housing. Generosity transforms the condition of the built volume and makes it habitable, generating comfort, well-being, and much more. The second issue in the series focuses on the experience of exteriority, featuring work by Atelier Kempe Thill, Caruso St John Architects, Studio Woodroffe Papa, MVRDV, Henley Halebrown, Schneider Studer Primas, Vivas Arquitectos, and more.
Collective Housing
Shigeo Gocho: Works
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Despite his debilitating lifelong physical condition, Shigeo Gocho (1946–1983) left a legacy of three photographic collections and one volume of artwork, as well as contact prints, notebooks, and memo books. The re-evaluation of Gocho’s oeuvre began at the end of the 1980s and continues today. This not only concerns his personal story but also the fact that the allusions(...)
Shigeo Gocho: Works
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Despite his debilitating lifelong physical condition, Shigeo Gocho (1946–1983) left a legacy of three photographic collections and one volume of artwork, as well as contact prints, notebooks, and memo books. The re-evaluation of Gocho’s oeuvre began at the end of the 1980s and continues today. This not only concerns his personal story but also the fact that the allusions to various social phenomena and “edges” portrayed in his works deeply resonate with many people at the core of their being. This impressive overview features Gocho’s photographic series ‘Self and Others’ (1977), ‘Familiar Street Scenes (1981), and ‘Childhood’ (1983), alongside his spiritual and abstract artworks.
Photography monographs
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Photographer Rinko Kawauchi (1972–), known for her expressive mastery of gentle color suffused with light, has revealed the mystery, radiance, frailty, and strength of life in all its forms since her earliest works. Her gaze falls equally on the fragile and delicate beings in her immediate vicinity, be they flora and fauna or family members, and the vast workings of the(...)
Rinko Kawauchi: M/E On this sphere, Endlessly interlinking
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Photographer Rinko Kawauchi (1972–), known for her expressive mastery of gentle color suffused with light, has revealed the mystery, radiance, frailty, and strength of life in all its forms since her earliest works. Her gaze falls equally on the fragile and delicate beings in her immediate vicinity, be they flora and fauna or family members, and the vast workings of the earth, such as volcanoes and glaciers formed over long eons. The unique sensibility underlying her photography reveals the connections between these subjects, which all shimmer with the same vital glow. This will be her first major exhibition in Japan in six years, showcasing the essence of Kawauchi’s oeuvre through work from the past decade combined with never-before-seen images from her archives. M/E, the main subject of this exhibition and inspiration for its title, is a new series Kawauchi began shooting in 2019. The letters stand for ''Mother'' and ''Earth,'' combining to form both ''Mother Earth'' and ''Me.'' At a glance, the series’ images of Iceland’s volcanoes and ice floes and Hokkaido’s snowy landscapes may seem distant and unrelated to the everyday scenes from the COVID-19 pandemic that accompany them in the series. However, both types of image depict events now taking place on the planet we live on, and Kawauchi’s artistry alerts us to the connection between them. This exhibition invites the viewer to reconsider a range of questions about the workings of human life and our relationship with nature. In this exhibition catalog, Kawauchi herself has composed a sequence that allows visitors to relive the three-dimensional exhibition space, from the core series of the exhibition such as the new ''M/E,'' the yet unpublished ''4%,'' and ''An interlinking'' with new images, to her latest video work. The exhibition also includes a conversation with Haruo Saji, who was an influence on Kawauchi’s practice, and three essays, of which one is written by Masatake Shinohara, exploring the current state of Kawauchi’s work through both imagery and text. By changing the format and paper for each series, despite its simple binding, the book becomes a multilayered volume that embodies the depth of the exhibition.
Photography monographs
Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at(...)
Neutral Colors 4: Work
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''Neutral Colors,'' the independent Japanese magazine combining vibrant offset and Risograph printing with a saddle-stitched binding, presents an issue on 'work.' The issue is a bit of an experiment for the publisher, to see if they can make a living (or work) just by making magazines. Its pages are filled with personal ideas, beliefs, and resolutions about the topic at hand. Most notably it includes a record of editor-in-chief Naonori Katoh's visit to Amsterdam, where he stopped by Idea Books and Roma Publications. In addition, there is a feature on the phenomenon of Japanese cold type printing, plus musings on proofreading, the challenges of cultivating 'ant plants,' and more.
Magazines
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens(...)
Fauna and flora
January 2023
Lichens: toward a minimal resistance
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens were at the heart of some of the most pressing and topical questions of our day? Does the fact that they can live everywhere, even in very harsh environments, that they persist when almost all other traces of life have disappeared, mean that, despite their fragility, lichens are a force of resistance?
Fauna and flora
How to think about cities
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Cities are raucous, cacophonous, and complex. Urban policy makers and analysts often attempt to “cut through the noise” of urban disagreement by emphasizing a dominant lens for understanding the key, central logic of the city. This volume sees this tendency to selective vision as misleading and ultimately unjust: cities are many things at once to different people and(...)
How to think about cities
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Cities are raucous, cacophonous, and complex. Urban policy makers and analysts often attempt to “cut through the noise” of urban disagreement by emphasizing a dominant lens for understanding the key, central logic of the city. This volume sees this tendency to selective vision as misleading and ultimately unjust: cities are many things at once to different people and communities. It describes the various ways of seeing the functions and landscapes of the city as place frames, and the constant process of negotiating which place frames best explain the city as place-making. This approach highlights how any given stance opens up some lines of inquiry and understanding while closing off others.
Urban Theory
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how(...)
Profit: an environmental history
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
Environment and environmental theory