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When reality fails us, what can designers do? Question design’s relationship to reality, as Anthony Dunne and Fiona Raby do, in this exhilarating, yet thoughtful, journey to the edges of science, philosophy, and literature to find new ways of thinking about the possible—and about the meaning, function, and place of design in that speculative world of "not here, not now."(...)
Not here, not now: Speculative thought, impossibility, and the design imagination
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When reality fails us, what can designers do? Question design’s relationship to reality, as Anthony Dunne and Fiona Raby do, in this exhilarating, yet thoughtful, journey to the edges of science, philosophy, and literature to find new ways of thinking about the possible—and about the meaning, function, and place of design in that speculative world of "not here, not now." A conceptual travelogue of sorts, "Not here, not now" brings together words, images, and objects that capture, in design form, some of the ideas encountered along the way. Itself a design experiment, the richly illustrated book explores ways to bring these ideas into conversation with objects through imagined archives, libraries, glossaries, taxonomies, lists, tales, and essays.
Design Theory
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began(...)
Ruth Asawa and the artist-mother at midcentury
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.
Art Theory
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Home is shaped by many factors: culture, region, environment, citizenship, economics, state of mind, and more. Edited by Alexandra Cunningham Cameron, Christina De León, and Michelle Joan Wilkinson, ''Making Home'' explores the diverse perspectives on home across the United States, US Territories, and Tribal Nations to reveal how design impacts this country, its value(...)
Architectural Theory
April 2025
Making home: Belonging, memory, and utopia in the 21st century
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Home is shaped by many factors: culture, region, environment, citizenship, economics, state of mind, and more. Edited by Alexandra Cunningham Cameron, Christina De León, and Michelle Joan Wilkinson, ''Making Home'' explores the diverse perspectives on home across the United States, US Territories, and Tribal Nations to reveal how design impacts this country, its value systems, and the people who inhabit its landscapes. Positioning home not only as a place of dwelling but also as a complex and highly subjective ecosystem, contributors show h Probing urgent topics related to home such as colonialism, technological innovation, landscapes and the environment, and aesthetics and culture, ''Making Home'' uses the framework of design to pair investigative and practical analyses with imaginative and speculative ones. Contributors include designers, scholars, writers, artists, and critical thinkers across disciplines whose work and lived experiences illustrate specific circumstances that shape the contemporary home.ow notions of home resonate through private and public consciousness to inform the shared or conflicting histories that impact our country.
Architectural Theory
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"An anthology of Blackness" examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
An anthology of blackness: the state of black design
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"An anthology of Blackness" examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice.
Design Theory
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
Fail better: Reckonings with artists and critics
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Art Theory
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the(...)
Picturing aura: A visual biography
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.
Art Theory
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"The architecture of the wire" explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to "micro-architectures," such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò(...)
The architecture of the wire: infrastructures of telecommunication
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"The architecture of the wire" explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to "micro-architectures," such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical "things" with architecture and art. Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments.
Architectural Theory
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"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners.(...)
Against reason, Volume 1. Tony Smith, culture and other modernisms
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"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smith's work. Their contributions reflect upon the modernist era in which Smith's work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories.
Architectural Theory
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's(...)
The additional element in architecture: On Kazimir Malevich's Arkhitektons and Planits
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Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's elusive arkhitektons to startling, three-dimensional life and show how these objects form a comprehensive universe that embodies the artist's Suprematism—his belief in the supremacy of pure artistic sensation in abstraction. The book features digital reconstructions of 15 arkhitektons and planits that are lost in their original physical form.
Architectural Theory
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional(...)
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional solutions. ''Designing the X'' meets this moment with a bold and timely proposition: when data, science, and analysis alone are insufficient to move us forward, we must turn to design as a powerful mode of reasoning through synthesis, where intuition meets insight and imagination drives action. Design enables us to move with complexity, not against it, and to shape futures beyond the limits of the present. Grounded in praxis and research—including 67 interviews with designers, technologists and scientists, innovators and entrepreneurs, urbanists, and educators— ''Designing the X'' makes a compelling case for design as an essential partner to science and technology: integrative, inventive, and profoundly human. The “X” stands for what’s missing in today’s analytic methods: the leap from parts to greater wholes, from current conditions to future potential. This book is for anyone seeking agency in an age of accelerating change. It’s a compass for those ready to imagine—and design—the future we cannot yet see.
Design Theory