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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic(...)
Publishing manifestos: an international anthology from artists and writers
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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. "Publishing Manifestos" gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
Art Theory
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far(...)
Into the white: the Renaissance Arctic and the end of the image
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Art Theory
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video(...)
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video to social media suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.
Art Theory
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These essays make the case for a reignited understanding of aesthetics- one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the ''critical'' stance of(...)
Aesthetics equals politics: new discourses across art, architecture and philosophy
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These essays make the case for a reignited understanding of aesthetics- one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the ''critical'' stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed
Architectural Theory
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Adapted from the successful BBC Radio 3 series, Cornerstones explores how different rock types give rise to their own distinct flora and fauna, and even affect the food we eat. Some of the authors express a sense of awe in the face of the abyss of time that is locked into the lie of the land, a sense that jostles up against our own fleeting encounters with it. For(...)
Cornerstones: subterranean writings
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Adapted from the successful BBC Radio 3 series, Cornerstones explores how different rock types give rise to their own distinct flora and fauna, and even affect the food we eat. Some of the authors express a sense of awe in the face of the abyss of time that is locked into the lie of the land, a sense that jostles up against our own fleeting encounters with it. For example, Sara Maitland tries to grasp the extraordinary journey through space and time that's been undertaken by Lewisian gneiss, one of the most ancient of rocks found in the UK, while Alan Garner captures the ways in which flint has enabled and accompanied human evolution, ever since our ancestors walked out of Africa with it, stone in hand.
Landscape Theory
La pomme et l'étoile
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La pomme, c'est Ozias Leduc. L'étoile, Paul-Émile Borduas. C'est à partir de la relation entre le maître et l'élève de Saint-Hilaire, entre deux générations, qu'Étienne Beaulieu parvient à penser et à aimer à la fois ses territoires intimes et collectifs. Que demander de plus, comme lectrice, comme lecteur, que de voir un auteur devenir sous nos yeux un écrivain, une(...)
La pomme et l'étoile
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La pomme, c'est Ozias Leduc. L'étoile, Paul-Émile Borduas. C'est à partir de la relation entre le maître et l'élève de Saint-Hilaire, entre deux générations, qu'Étienne Beaulieu parvient à penser et à aimer à la fois ses territoires intimes et collectifs. Que demander de plus, comme lectrice, comme lecteur, que de voir un auteur devenir sous nos yeux un écrivain, une prose sortir de ses gonds, un cœur s'affoler. « Je me suis enfin mis au monde », voilà les derniers mots de ce magnifique essai, œuvre de maturité qui réussit à réconcilier l'ici et l'ailleurs, le jour et la nuit, à raconter du même souffle une histoire du Québec, une histoire de l'art et une histoire d'amour.
Art Theory
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Cet essai sociologique, urbanistique et politique montre ce que serait le visage futur de la ville, moins spectaculaire et plus effrayant que la vision futuriste offerte par Philip K. Dick. L'ouvrage explique que Los Angeles porte déjà en elle le modèle vers lequel tendent toutes les mégapoles : la destruction de la mixité sociale par cloisonnement strict des couches de population.
Au-delà de Blade Runner : Los Angeles et l'imagination du désastre, n.é.
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Cet essai sociologique, urbanistique et politique montre ce que serait le visage futur de la ville, moins spectaculaire et plus effrayant que la vision futuriste offerte par Philip K. Dick. L'ouvrage explique que Los Angeles porte déjà en elle le modèle vers lequel tendent toutes les mégapoles : la destruction de la mixité sociale par cloisonnement strict des couches de population.
Urban Theory
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A truly radical response to conservative heritage tours and banal day trips, ''Rebel footprints'' brings to life the history of social movements in England’s capital. David Rosenberg transports readers from well-known landmarks to history-making hidden corners, while telling the story of protest and struggle in London from the early nineteenth to the mid-twentieth(...)
Rebel footprints: a guide to uncovering London's radical history. 2nd edition
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A truly radical response to conservative heritage tours and banal day trips, ''Rebel footprints'' brings to life the history of social movements in England’s capital. David Rosenberg transports readers from well-known landmarks to history-making hidden corners, while telling the story of protest and struggle in London from the early nineteenth to the mid-twentieth century. From the suffragettes to the socialists, from the chartists to the trade unionists, Rosenberg invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Rosenberg sets London’s radical campaigners against the backdrop of the city’s multi-faceted development. Self-directed walks pair with narratives that seamlessly blend history, politics, and geography, while specially commissioned maps and illustrations immerse the reader in the story of the city.
Urban Theory
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Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for(...)
On this patch of grass: city parks and the politics of occupied land
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Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for everyone. But no park is innocent. Parks are lionized as "natural oases," and urban parks as "pure nature" in the midst of the city -- but that's absurd. Parks are as "natural" as the roads or buildings around them, and just as political. Every park in North America is performing modernity and settler colonialism everyday. Furthermore, parks are not private property, but while they are called ''public'', they are highly regulated spaces that normatively demand and closely control behaviours. Parks are a certain kind of property, and thus creations of law, and they are subject to all kinds of presumptions about what parks are for, and what kinds of people should be doing what kinds of things in them. Parks- as they are currently constituted- are colonial enterprises.
Landscape Theory
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These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive(...)
Out of bounds: the collected writings of Marcia Tucker
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These influential, hard-to-obtain texts—many of which have never before been published— by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
Art Theory