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The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent(...)
The culture of the copy: striking likenesses, unreasonable facsimiles
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The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality.
Art Theory
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text,(...)
it was always there, it's just grown stronger
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Over the now more than forty-five years that he has been studying and exploring photography, Christian Vogt has discovered new visual vocabularies again and again. In his new work, consisting almost exclusively of contrasting pairs of pictures, he continues to question the relationship between visible reality and its photographic reproduction, between image and text, between seeing and knowing. Using a pinhole camera and modern technology without the intervention of digital manipulation, he deals with the “necessary nonsense,” with unifying opposites, with actual and supposed paradoxes, defining some things through exploration and allowing others to remain undefined.
Theory of Photography
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In recent years, books and websites have been collecting the field's best. While stimulating, these finished projects offer little insight into how visual solutions were reached, making them of limited use to designers wanting to produce work of their own. In Infographic Designers' Sketchbooks, more than fifty leading graphic designers and illustrators open up their(...)
Infographics designers' sketchbooks
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In recent years, books and websites have been collecting the field's best. While stimulating, these finished projects offer little insight into how visual solutions were reached, making them of limited use to designers wanting to produce work of their own. In Infographic Designers' Sketchbooks, more than fifty leading graphic designers and illustrators open up their private sketchbooks to offer a rare glimpse of their creative processes. Emphasizing idea-generating methods—from doodles and drawings to three-dimensional and digital mock-ups—this revelatory collection goes inside designers' studios to reveal the art and craft behind infographic design.
Graphic Design and Typography
Schrofer sketches
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A book of sketches by a graphic designer is unique. Jurriaan Schrofer did not discard his drawings and he even kept production drawings and other pre-press material. His sketches and illustrations from the period 1950-1990 have a special visual and poetic strength. For this publication a large selection of them has been made, introduced by an essay. The book also contains(...)
Schrofer sketches
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A book of sketches by a graphic designer is unique. Jurriaan Schrofer did not discard his drawings and he even kept production drawings and other pre-press material. His sketches and illustrations from the period 1950-1990 have a special visual and poetic strength. For this publication a large selection of them has been made, introduced by an essay. The book also contains an extensive presentation in word and image of the design and printing process in the pre-digital era. Frederike Huygen is an art and design historian and has written many publications about design.
Graphic Designers, Monographs
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A reciprocal framework in architecture is a construction where a building’s weight is held not through a single post or beam, but through an interaction of mutually supportive, interwoven members. Reciprocal frameworks have been in use for hundreds of years—including in the work of such Renaissance masters as Leonardo—but, while they are still used today, they are not(...)
Reciprocal frameworks: tradition and innovation
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A reciprocal framework in architecture is a construction where a building’s weight is held not through a single post or beam, but through an interaction of mutually supportive, interwoven members. Reciprocal frameworks have been in use for hundreds of years—including in the work of such Renaissance masters as Leonardo—but, while they are still used today, they are not particularly well known. This book delves into the history and function of reciprocal frameworks, showing not only how they work but also how newly available digital tools can help architects fruitfully expand their use well beyond current applications.
Engineering Structures
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The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’(...)
Sharing cities: case for truly smart and sustainable cities
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The future of humanity is urban, and the nature of urban space enables, and necessitates, sharing—of resources, goods and services, experiences. Yet traditional forms of sharing have been undermined in modern cities by social fragmentation and commercialization of the public realm. In Sharing Cities, Duncan McLaren and Julian Agyeman argue that the intersection of cities’ highly networked physical space with new digital technologies and new mediated forms of sharing offers cities the opportunity to connect smart technology to justice, solidarity, and sustainability. McLaren and Agyeman explore the opportunities and risks for sustainability, solidarity, and justice in the changing nature of sharing.
Urban Theory
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This publication features the work of over 200 artists, from Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. The book explores themes and issues such as popular uprisings (the Arab Spring, the(...)
Visual impact : creative dissent in the 21st century
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This publication features the work of over 200 artists, from Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. The book explores themes and issues such as popular uprisings (the Arab Spring, the London Riots) social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests, it features exciting work from emerging economies such as Brazil, Russia, China and the Middle East, as well as the US and Europe.
Art Theory
artefacts
Description:
1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
Anker-Steinbaukasten aus der Fabrik von F. Ad. Richter & Cie., Rudolstadt, Nürnberg, Olten, Rotterdam [toy] = Richter's anchor blocks of stone in three colors, also known as "stone building boxes" manufactured by F. Ad. Richter & Co. ... New York = Boîte de construction ancre, F. Ad. Richter & cie, Olten, Rudolstadt, Nuremberg, Vienne = Anker-Steenbouwdoos van F. Ad. Richter & cie., Rotterdam, Rudolstadt, Neuremberg, Weenen = Anker-Stenbyggekasse fra F. Ad. Richter & cie., Rudolstadt, Rotterdam, Nürnberg, Wien.
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1 set of building blocks (600 pieces) : compressed and dyed sandstone ; various sizes in wooden box 16 x 36 x 25 cm. + 24 printed items.
artefacts
[ca. 1912] (Rudolstadt, Thüringen : F. Ad. Richter & Co.)
books
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xiv, 306 pages : illustrations ; 21 cm
New York : W.W. Norton & Company, 2016., ©2014
The second machine age : work, progress, and prosperity in a time of brilliant technologies / Erik Brynjolfsson, Andrew McAfee ; with a new introduction.
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xiv, 306 pages : illustrations ; 21 cm
books
New York : W.W. Norton & Company, 2016., ©2014
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Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical(...)
Architectural Theory
January 1900, Cambridge, Mass.
Placing words : symbols, space and the city
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Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information - from one device to another in the urban scene - creates a digital network that also exists in physical space. "Placing Words" examines this emerging system of spaces, flows, and practices in a series of short essays - snapshots of the city in the twenty-first century. Mitchell questions the necessity of flashy downtown office towers in an age of corporate web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.
Architectural Theory