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Title:
James Welling : glass house
James Welling : glass house
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in(...)
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in(...)
Title:
James Welling : glass house
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$55.00
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with swells of glowing color. As Welling described it in an interview with Artforum, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color." The 45 images presented here, which invite the viewer to draw associations between the camera's lens and the glass surfaces of the house itself, oscillate before our very eyes between photographic abstraction - a recurrent preoccupation for Welling - and depictions of architecture. With this body of work, Welling has located a wholly new approach to, and blend of, both genres.
James Welling : glass house
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$55.00
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Summary:
Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with swells of glowing color. As Welling described it in an interview with Artforum, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color." The 45 images presented here, which invite the viewer to draw associations between the camera's lens and the glass surfaces of the house itself, oscillate before our very eyes between photographic abstraction - a recurrent preoccupation for Welling - and depictions of architecture. With this body of work, Welling has located a wholly new approach to, and blend of, both genres.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$90.00
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Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other(...)
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Summary:
Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
June 2004, New York
June 2004, New York
Title:
Masterpieces of Chicago architecture
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$90.00
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Summary:
Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other world-renowned architects were also based in Chicago, such as Louis Sullivan, who designed the Chicago Stock Exchange, and Daniel Burnham, architect of the famous Rookery Building of the 1890s. The 1940s were to see the completion of Mies van der Rohe's revolutionary Illinois Institute of Technology and his astonishing Lake Shore Drive apartment buildings. Skidmore Owings & Merrill's landmark Inland Steel Building was finished in 1954, their John Hancock Center in 1970, and their Sears Tower in 1974. Philip Johnson and John Burgee's 190 South LaSalle Street office tower went up in 1987. The 200 illustrations in this volume all come from The Art Institute of Chicago's repository of 150,000 architectural drawings, vintage photographs, models, and building fragments, which comprise one of the most important such archives.
Masterpieces of Chicago architecture
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$90.00
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Summary:
Chicago is universally recognized as the cradle of modern architecture. It is known worldwide for the development, beginning in the late 1800s, of the renowned "Chicago School" of commercial building. In the early 1900s, Chicago saw the birth of Wright's "Prairie School" of residential design, which gave rise to the modern, open-plan house we know today. Other world-renowned architects were also based in Chicago, such as Louis Sullivan, who designed the Chicago Stock Exchange, and Daniel Burnham, architect of the famous Rookery Building of the 1890s. The 1940s were to see the completion of Mies van der Rohe's revolutionary Illinois Institute of Technology and his astonishing Lake Shore Drive apartment buildings. Skidmore Owings & Merrill's landmark Inland Steel Building was finished in 1954, their John Hancock Center in 1970, and their Sears Tower in 1974. Philip Johnson and John Burgee's 190 South LaSalle Street office tower went up in 1987. The 200 illustrations in this volume all come from The Art Institute of Chicago's repository of 150,000 architectural drawings, vintage photographs, models, and building fragments, which comprise one of the most important such archives.
Form:
books
books
Publication:
June 2004, New York
June 2004, New York
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
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$49.95
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Summary:
The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists,(...)
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists,(...)
Title:
Weekend utopia : modern living in the Hamptons
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The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists, architects, writers, and society patrons in the 1920s, when it served as a breeding ground for modernism. From the avant-garde influence of luminaries like Jackson Pollock, Robert Motherwell, and Willem de Kooning, to the high modernism of Le Corbusier, Philip Johnson, and Richard Meier, new ideas about art, architecture, and modern living transformed the Hamptons and ultimately made it the destination of choice for those seeking respite from the battles of Wall Street and Madison Avenue. In "Weekend Utopia" Alastair Gordon traces this fascinating and complicated trajectory, both in architectural terms--looking at modest beach houses and modern mansions alike--and in the life stories of the world-famous artists and designers, whose influence is felt on "The Island" even today. Over 175 photographs and illustrations detail the architecture, interiors, and nuances of these beautiful weekend homes, and provide an intimate portrait of the people who inhabit them. This book combines architectural history with a broad social perspective and paints a comprehensive picture of an area that in many ways shaped modern American culture.
Weekend utopia : modern living in the Hamptons
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Price:
$49.95
(available to order)
Summary:
The Hamptons, New York's fashionable summer beach resorts, are well known as weekend havens for city-dwellers who relish their idyllic setting on the Atlantic shore. Once quiet agricultural land, Eastern Long Island first became popular among artists, architects, writers, and society patrons in the 1920s, when it served as a breeding ground for modernism. From the avant-garde influence of luminaries like Jackson Pollock, Robert Motherwell, and Willem de Kooning, to the high modernism of Le Corbusier, Philip Johnson, and Richard Meier, new ideas about art, architecture, and modern living transformed the Hamptons and ultimately made it the destination of choice for those seeking respite from the battles of Wall Street and Madison Avenue. In "Weekend Utopia" Alastair Gordon traces this fascinating and complicated trajectory, both in architectural terms--looking at modest beach houses and modern mansions alike--and in the life stories of the world-famous artists and designers, whose influence is felt on "The Island" even today. Over 175 photographs and illustrations detail the architecture, interiors, and nuances of these beautiful weekend homes, and provide an intimate portrait of the people who inhabit them. This book combines architectural history with a broad social perspective and paints a comprehensive picture of an area that in many ways shaped modern American culture.
Form:
books
books
Publication:
May 2001, New York
May 2001, New York
Subject:
Residential Architecture
Residential Architecture
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books
books
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$84.00
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Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
$84.00
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Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Title:
Long Island Modernism, 1930-1980
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$84.00
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Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Long Island Modernism, 1930-1980
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Price:
$84.00
(available in store)
Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Modernism
Modernism
Form:
books
books
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$40.00
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Summary:
Respected as the international authority on architecture and design, ''Architectural Digest'' magazine gives readers an exclusive look into the most spectacular properties and private homes of celebrities and cultural figures, highlighting the work of the world's top architects, designers, and interior decorators. This volume celebrates the evolution of the revered(...)
$40.00
(available to order)
Summary:
Respected as the international authority on architecture and design, ''Architectural Digest'' magazine gives readers an exclusive look into the most spectacular properties and private homes of celebrities and cultural figures, highlighting the work of the world's top architects, designers, and interior decorators. This volume celebrates the evolution of the revered(...)
Title:
Architectural Digest: Autobiography of a magazine, 1920-2010
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Respected as the international authority on architecture and design, ''Architectural Digest'' magazine gives readers an exclusive look into the most spectacular properties and private homes of celebrities and cultural figures, highlighting the work of the world's top architects, designers, and interior decorators. This volume celebrates the evolution of the revered magazine as told through the voice of its legendary editor for four decades, Paige Rense. An epic visual history of the magazine's meteoric rise penned by Rense, this volume documents exclusively and intimately the renowned magazine's history and cultural significance, and celebration of the ever evolving homes and lifestyles. This volume is full of candid recollections, commentary, archival covers, and interior shots of the magazine and also features the work of the world's top architects and interior designers such as Mario Buatta, Philip Johnson, Tony Duquette, and Sally Sirkin Lewis, as well as the homes of celebrities like Truman Capote, Sonny & Cher, Elton John, Diane Keaton and Ralph Lauren. Each chapter, written in the first person--is followed by lavishly illustrated anecdotes from Rense's memories of past issues. As the editor who gave readers a glimpse into the most enviable homes around the world, Rense is uniquely qualified to tell the story of ''Architectural Digest,'' a tale that her nearly one million loyal fans and readers of the magazine will be eager to read.
Architectural Digest: Autobiography of a magazine, 1920-2010
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$40.00
(available to order)
Summary:
Respected as the international authority on architecture and design, ''Architectural Digest'' magazine gives readers an exclusive look into the most spectacular properties and private homes of celebrities and cultural figures, highlighting the work of the world's top architects, designers, and interior decorators. This volume celebrates the evolution of the revered magazine as told through the voice of its legendary editor for four decades, Paige Rense. An epic visual history of the magazine's meteoric rise penned by Rense, this volume documents exclusively and intimately the renowned magazine's history and cultural significance, and celebration of the ever evolving homes and lifestyles. This volume is full of candid recollections, commentary, archival covers, and interior shots of the magazine and also features the work of the world's top architects and interior designers such as Mario Buatta, Philip Johnson, Tony Duquette, and Sally Sirkin Lewis, as well as the homes of celebrities like Truman Capote, Sonny & Cher, Elton John, Diane Keaton and Ralph Lauren. Each chapter, written in the first person--is followed by lavishly illustrated anecdotes from Rense's memories of past issues. As the editor who gave readers a glimpse into the most enviable homes around the world, Rense is uniquely qualified to tell the story of ''Architectural Digest,'' a tale that her nearly one million loyal fans and readers of the magazine will be eager to read.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
![[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal](/img-bookstore/U2zEypAg4vNoqdQ07aKvxPIdXbM=/700x919/MIG-13694.jpg)
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Summary:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
$93.95
(available to order)
Summary:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
May 2004, Cambridge, Massachusetts
May 2004, Cambridge, Massachusetts
Title:
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
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$93.95
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Summary:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
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Price:
$93.95
(available to order)
Summary:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
Form:
books
books
Publication:
May 2004, Cambridge, Massachusetts
May 2004, Cambridge, Massachusetts
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
375 p. : pls (part col), port. ; 29 cm.
Description:
375 p. : pls (part col), port. ; 29 cm.
Author:
Subject:
- Allen, Mariette Pathy, 1940-,,
- Anders, Hans-Jörg, 1942-,,
- Angenendt, Erich, 1894-1962,,
- Auerbach, Erich, 1911-1977,,
- Bachrach, Fabian, 1917-1984,,
- Bachrach, Louis Fabian, 1881-1963,,
- Bassetti, Fiorenza, 1950-,,
- Batho, Claude, 1935-1981,,
- Bayles, David Paul, 1952-,,
- Bellander, Sten Didrik, 1921-2001,,
- Berko, Ferenc, 1916-2000,,
- Bischof, Werner, 1916-1954,,
- Blum, Dieter, 1936-,,
- Blum, Kurt, 1922-,,
- Boje, Walter, 1905-1992,,
- Boland, John, 1955-,,
- Bot, Marrie, 1946-,,
- Brake, Brian, 1927-1988,,
- Burri, René, 1933-2014,,
- Bush, Diane, 1950-,,
- Cartier-Bresson, Henri, 1908-2004,,
- Clausen, Rosemarie, 1907-1990,,
- Cordier, Pierre, 1933-,,
- Costa, Giacomo, 1896-1982,,
- Darugar, Gitty, 1936-,,
- DeCesare, Donna, 1955-,,
- Dessauer, Erwin von, 1907-1976,,
- Dittmer, Harry, 1910-2000,,
- Edison, Thomas Alva in photography.,
- Eisenstaedt, Alfred, 1898-1995,,
- Elsken, Ed van der, 1925-1990,,
- Erfurth, Hugo, 1874-1948,,
- Erwitt, Elliott, 1928-,,
- Fehr, Gertrude, 1905-1996,,
- Fenzel, Fritz, 1916-,,
- Fieger, Erwin, 1928-,,
- Freund, Gisèle, 1912-2000,,
- Friedel, Michael, 1935-,,
- Friedlaender, Johnny in photography.,
- Garduño, Flor, 1957-,,
- Gasser, Peter, 1947-,,
- Gernsheim, Helmut, 1913-1995,,
- Gilden, Bruce, 1946-,,
- Hajek-Halke, Heinz, 1898-1983,,
- Halsman, Philippe, 1906-1979,,
- Hammarskiöld, Hans, 1925-,,
- Hassner, Rune, 1928-2003,,
- Heinemann, Juergen, 1934-,,
- Heitmann, Adriano, 1951-,,
- Hildenhagen, Günter, 1935-,,
- Hilsdorf, Jacob, 1872-1916,,
- Hoepffner, Marta, 1912-2000,,
- Hopkins, Thurston, 1913-,,
- Hudnall, Earlie, 1946-,,
- Huth, Walde, 1923-,,
- Häuser, Robert, 1924-,
- Höpker, Thomas, 1936-,,
- Jacobi, Lotte, 1896-1990,,
- Jaffe, Barbara, 1942-,,
- Johnson, Tore (Yngvel), 1928-1980,,
- Kallmus, Dora, 1881-1963,,
- Kar, Ida, 1908-1974,,
- Karsh, Yousuf, 1908-2002,,
- Keetman, Peter, 1916-,,
- Kempe, Fritz (Fried Maximillian), 1909-1988,,
- Kessel, Dmitri, 1902-1995,,
- Klemm, Barbara, 1939-,,
- Koudelka, Joseph, 1938-,,
- Kuntz, Paul Vincent, 1961-,,
- Kühn, Heinrich, 1866-1944,,
- Lauterwasser, Siegfried, 1913-2000,,
- Lebeck, Robert, 1929-2014,,
- Light, Ken, 1951-,,
- Lopes, Sal, 1943-,,
- Martin, Paul, 1864-1942,,
- McBean, Angus Rowland, 1904-1990,,
- Michals, Duane, 1932-,,
- Mili, Gjon, 1904-1984,,
- Mulder, Walter de, 1933-,,
- Neusüss, Floris Michael, 1937-,,
- Newman, Arnold, 1918-2006,,
- Nilsson, Pal-Nils, 1929-1995,,
- Oddner, Georg, 1923-2007,,
- Pabel, Hilmar, 1910-2000,,
- Parker, Ann, 1934-,,
- Pieler, Hans, 1951-,,
- Pogue, Alan, 1946-,,
- Reisewitz, Wolfgang, 1917-,,
- Salomon, Erich, 1866-1944,,
- Sander, August, 1876-1964,,
- Scheler, Max, 1928-2003,,
- Schlapper, Fee, 1927-2000,,
- Schmidt, Margot, 1941-,,
- Schneiders, Toni, 1920-,,
- Schreibman, Jane, 1950-,,
- Seymour, David, 1911-1956,,
- Stein, Harvey, 1941-,,
- Steiner, Ralph, 1899-1986,,
- Steinert, Otto, 1915-1978,,
- Stravinsky, Igor 1882-1971,,
- Strelow, Liselotte, 1908-1981,,
- Tatge, George, 1951-,,
- Tausk, Petr, 1927-1988,,
- Thomann, Peter, 1940-,,
- Toth, Franz, 1936-,,
- Wagge, Arthur.,
- Walther, Pan, 1921-1987,,
- Wilson, Dave, 1946-,,
- Windstosser, Ludwig, 1921-1983,,
- Winquist, Rolf, 1910-1968,,
- Wolf, Reinhart, 1930-1988,,
- Gernsheim, Helmut, 1913-1995,
- Gernsheim, Helmut, 1913-,
- Gernsheim, Helmut, (1913-1995),
- Gernsheim, Helmut, (1913-1995) Collections de photographies Catalogues d'exposition.,
- Reiss-Engelhorn-Museen Collections de photographies.,
- Graffiti.,
- Portrait photography.,
- Photography History Exhibitions.,
- Childbirth in photography.,
- Children in photography.,
- Fishmonger in photography.,
- Photography History.,
- Photography 20th century.,
- Portrait: Beaton, Cecil.,
- Portrait: Brandt, Bill.,
- Portrait: Einstein, Albert.,
- Portrait: Hitchcock, Alfred.,
- Portrait: Sandberg, Carl.,
- Portraits Artists: Braque, Georges.,
- Portraits Artists: Dali, Salvador.,
- Portraits Artists: Dix, Otto.,
- Portraits Artists: Giacometti, Alberto.,
- Portraits Artists: Leger, Fernand.,
- Portraits Artists: Menzel, Adolph von.,
- Portraits Artists: Picasso, Pablo.,
- Portraits Artists: Ray, Man.,
- Portraits Photographers: Adams, Ansel.,
- Portraits Statesmen: Adenauer, Konrad.,
- Portraits Statesmen: Churchill, Winston.,
- Portraits Statesmen: Gandhi, Indira.,
- Portrait: Hitler, Adolf.,
- Portraits Writers: Beckett, Samuel.,
- Portraits Writers: Woolf, Virginia.,
- Prostitutes in photography.,
- Self-portrait: Hajek-Halke, Heinz.,
- Self-portrait: Hoepffner, Marta.,
- Photographie Histoire Expositions.,
- Portraits (Photographie),
- Photography,
- Foto's.,
- Mensen.,
- Particuliere verzamelingen.,
- Collection de photographies.,
- Histoire.,
- Photographie (Image),
- Collections de photographies Mannheim (Allemagne),
- New York in photography.,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Catalogues d'exposition.
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Publication:
Ostfildern-Ruit : Hatje Cantz, 2003.
Ostfildern-Ruit : Hatje Cantz, 2003.
Title:
Helmuth Gernsheim. Pionier der Fotogeschichte. Pioneer of photo history / Essays by: Claude W. Sui, Roy Fulkinger, Leif Wigh, Allan D. Colleman' Colin Ford, Hubertus von Amelunxen, Charles Grivel, Ulrich Keller.
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Description:
375 p. : pls (part col), port. ; 29 cm.
Helmuth Gernsheim. Pionier der Fotogeschichte. Pioneer of photo history / Essays by: Claude W. Sui, Roy Fulkinger, Leif Wigh, Allan D. Colleman' Colin Ford, Hubertus von Amelunxen, Charles Grivel, Ulrich Keller.
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Description:
375 p. : pls (part col), port. ; 29 cm.
Form:
books
books
Publication:
Ostfildern-Ruit : Hatje Cantz, 2003.
Ostfildern-Ruit : Hatje Cantz, 2003.
Subject:
- Allen, Mariette Pathy, 1940-,,
- Anders, Hans-Jörg, 1942-,,
- Angenendt, Erich, 1894-1962,,
- Auerbach, Erich, 1911-1977,,
- Bachrach, Fabian, 1917-1984,,
- Bachrach, Louis Fabian, 1881-1963,,
- Bassetti, Fiorenza, 1950-,,
- Batho, Claude, 1935-1981,,
- Bayles, David Paul, 1952-,,
- Bellander, Sten Didrik, 1921-2001,,
- Berko, Ferenc, 1916-2000,,
- Bischof, Werner, 1916-1954,,
- Blum, Dieter, 1936-,,
- Blum, Kurt, 1922-,,
- Boje, Walter, 1905-1992,,
- Boland, John, 1955-,,
- Bot, Marrie, 1946-,,
- Brake, Brian, 1927-1988,,
- Burri, René, 1933-2014,,
- Bush, Diane, 1950-,,
- Cartier-Bresson, Henri, 1908-2004,,
- Clausen, Rosemarie, 1907-1990,,
- Cordier, Pierre, 1933-,,
- Costa, Giacomo, 1896-1982,,
- Darugar, Gitty, 1936-,,
- DeCesare, Donna, 1955-,,
- Dessauer, Erwin von, 1907-1976,,
- Dittmer, Harry, 1910-2000,,
- Edison, Thomas Alva in photography.,
- Eisenstaedt, Alfred, 1898-1995,,
- Elsken, Ed van der, 1925-1990,,
- Erfurth, Hugo, 1874-1948,,
- Erwitt, Elliott, 1928-,,
- Fehr, Gertrude, 1905-1996,,
- Fenzel, Fritz, 1916-,,
- Fieger, Erwin, 1928-,,
- Freund, Gisèle, 1912-2000,,
- Friedel, Michael, 1935-,,
- Friedlaender, Johnny in photography.,
- Garduño, Flor, 1957-,,
- Gasser, Peter, 1947-,,
- Gernsheim, Helmut, 1913-1995,,
- Gilden, Bruce, 1946-,,
- Hajek-Halke, Heinz, 1898-1983,,
- Halsman, Philippe, 1906-1979,,
- Hammarskiöld, Hans, 1925-,,
- Hassner, Rune, 1928-2003,,
- Heinemann, Juergen, 1934-,,
- Heitmann, Adriano, 1951-,,
- Hildenhagen, Günter, 1935-,,
- Hilsdorf, Jacob, 1872-1916,,
- Hoepffner, Marta, 1912-2000,,
- Hopkins, Thurston, 1913-,,
- Hudnall, Earlie, 1946-,,
- Huth, Walde, 1923-,,
- Häuser, Robert, 1924-,
- Höpker, Thomas, 1936-,,
- Jacobi, Lotte, 1896-1990,,
- Jaffe, Barbara, 1942-,,
- Johnson, Tore (Yngvel), 1928-1980,,
- Kallmus, Dora, 1881-1963,,
- Kar, Ida, 1908-1974,,
- Karsh, Yousuf, 1908-2002,,
- Keetman, Peter, 1916-,,
- Kempe, Fritz (Fried Maximillian), 1909-1988,,
- Kessel, Dmitri, 1902-1995,,
- Klemm, Barbara, 1939-,,
- Koudelka, Joseph, 1938-,,
- Kuntz, Paul Vincent, 1961-,,
- Kühn, Heinrich, 1866-1944,,
- Lauterwasser, Siegfried, 1913-2000,,
- Lebeck, Robert, 1929-2014,,
- Light, Ken, 1951-,,
- Lopes, Sal, 1943-,,
- Martin, Paul, 1864-1942,,
- McBean, Angus Rowland, 1904-1990,,
- Michals, Duane, 1932-,,
- Mili, Gjon, 1904-1984,,
- Mulder, Walter de, 1933-,,
- Neusüss, Floris Michael, 1937-,,
- Newman, Arnold, 1918-2006,,
- Nilsson, Pal-Nils, 1929-1995,,
- Oddner, Georg, 1923-2007,,
- Pabel, Hilmar, 1910-2000,,
- Parker, Ann, 1934-,,
- Pieler, Hans, 1951-,,
- Pogue, Alan, 1946-,,
- Reisewitz, Wolfgang, 1917-,,
- Salomon, Erich, 1866-1944,,
- Sander, August, 1876-1964,,
- Scheler, Max, 1928-2003,,
- Schlapper, Fee, 1927-2000,,
- Schmidt, Margot, 1941-,,
- Schneiders, Toni, 1920-,,
- Schreibman, Jane, 1950-,,
- Seymour, David, 1911-1956,,
- Stein, Harvey, 1941-,,
- Steiner, Ralph, 1899-1986,,
- Steinert, Otto, 1915-1978,,
- Stravinsky, Igor 1882-1971,,
- Strelow, Liselotte, 1908-1981,,
- Tatge, George, 1951-,,
- Tausk, Petr, 1927-1988,,
- Thomann, Peter, 1940-,,
- Toth, Franz, 1936-,,
- Wagge, Arthur.,
- Walther, Pan, 1921-1987,,
- Wilson, Dave, 1946-,,
- Windstosser, Ludwig, 1921-1983,,
- Winquist, Rolf, 1910-1968,,
- Wolf, Reinhart, 1930-1988,,
- Gernsheim, Helmut, 1913-1995,
- Gernsheim, Helmut, 1913-,
- Gernsheim, Helmut, (1913-1995),
- Gernsheim, Helmut, (1913-1995) Collections de photographies Catalogues d'exposition.,
- Reiss-Engelhorn-Museen Collections de photographies.,
- Graffiti.,
- Portrait photography.,
- Photography History Exhibitions.,
- Childbirth in photography.,
- Children in photography.,
- Fishmonger in photography.,
- Photography History.,
- Photography 20th century.,
- Portrait: Beaton, Cecil.,
- Portrait: Brandt, Bill.,
- Portrait: Einstein, Albert.,
- Portrait: Hitchcock, Alfred.,
- Portrait: Sandberg, Carl.,
- Portraits Artists: Braque, Georges.,
- Portraits Artists: Dali, Salvador.,
- Portraits Artists: Dix, Otto.,
- Portraits Artists: Giacometti, Alberto.,
- Portraits Artists: Leger, Fernand.,
- Portraits Artists: Menzel, Adolph von.,
- Portraits Artists: Picasso, Pablo.,
- Portraits Artists: Ray, Man.,
- Portraits Photographers: Adams, Ansel.,
- Portraits Statesmen: Adenauer, Konrad.,
- Portraits Statesmen: Churchill, Winston.,
- Portraits Statesmen: Gandhi, Indira.,
- Portrait: Hitler, Adolf.,
- Portraits Writers: Beckett, Samuel.,
- Portraits Writers: Woolf, Virginia.,
- Prostitutes in photography.,
- Self-portrait: Hajek-Halke, Heinz.,
- Self-portrait: Hoepffner, Marta.,
- Photographie Histoire Expositions.,
- Portraits (Photographie),
- Photography,
- Foto's.,
- Mensen.,
- Particuliere verzamelingen.,
- Collection de photographies.,
- Histoire.,
- Photographie (Image),
- Collections de photographies Mannheim (Allemagne),
- New York in photography.,
- Exhibition catalogues.,
- Exhibition catalogs.,
- exhibition catalogs.,
- History,
- Catalogues d'exposition.
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
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Summary:
Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2023
October 2023
Title:
Dóra Maurer: See like this and see differently
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Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
Dóra Maurer: See like this and see differently
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Summary:
Dóra Maurer (born 1937, lives in Budapest) is considered a prominent figure on the Hungarian neo-avant-garde scene. She is one of the artists who have been taking progressive paths outside of Hungary’ s official state cultural policies since the 1960s. Her work in the mediums of print making, photographs, film, performance art, and painting features a conceptual approach. Major aspects are perception, movement, displacement, and transformation. In the early years of West-Germany, abstract art was introduced as a political new beginning in that it represented the so-called open society. Accordingly, numerous collections in German museums are oriented toward this, including the one at the Kunsthalle Bielefeld, whose building was designed by the US-American architect Philip Johnson. While abstract art in the West was considered " free of ideologies " and instrumentalized as such, abstraction in countries such as Hungary, which was part of the Eastern bloc at the time, certainly had an “ oppositional” connotation. Due to both the non-representational nature of her works as well as her contacts and travels in the West prior to 1989 (permitted thanks to her Hungarian-Austrian dual citizenship), Maurer occupies a special position within the Hungarian art world, which in those days was mainly dominated by Socialist Realism. In her experiments in photography and film in the 1970s, as well as in her abstract, geometric works based on a process of displacement, there are obvious parallels to Western European and US-American post-war art. In fact, however, her oeuvre is inconceivable without her experience of life under the official Hungarian system during the socialist period.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$97.95
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Summary:
Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
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Summary:
Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
Title:
American Splendor : the residential architecture of Horace Trumbauer
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
American Splendor : the residential architecture of Horace Trumbauer
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Price:
$97.95
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Summary:
Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
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books
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Publication:
January 1900, New York
January 1900, New York
Subject:
History until 1900
History until 1900
Form:
books
books
Title:
Villas 50 en France
Villas 50 en France
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Alors que le design des années 50 connaît une vogue considérable et que l'architecture de la reconstruction a été très étudiée, les maisons particulières de cette époque restent méconnues. Réservée jusque-là à de grands bourgeois qui s'adressaient à des stars de la modernité comme Robert Mallet-Stevens, Pierre Chareau ou Le Corbusier, la villa connaît, avec l'émergence(...)
$109.95
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Summary:
Alors que le design des années 50 connaît une vogue considérable et que l'architecture de la reconstruction a été très étudiée, les maisons particulières de cette époque restent méconnues. Réservée jusque-là à de grands bourgeois qui s'adressaient à des stars de la modernité comme Robert Mallet-Stevens, Pierre Chareau ou Le Corbusier, la villa connaît, avec l'émergence(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2005, Paris
April 2005, Paris
Title:
Villas 50 en France
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Alors que le design des années 50 connaît une vogue considérable et que l'architecture de la reconstruction a été très étudiée, les maisons particulières de cette époque restent méconnues. Réservée jusque-là à de grands bourgeois qui s'adressaient à des stars de la modernité comme Robert Mallet-Stevens, Pierre Chareau ou Le Corbusier, la villa connaît, avec l'émergence d'une bourgeoisie éclairée plus modeste, un essor remarquable dans la France de l'après-guerre. A l'ombre des grands ensembles, elle constitue une sorte de laboratoire qui permet aux architectes d'innover, mais aussi de mettre en pratique les acquis et les enseignements des maîtres, tout en les détournant et les adaptant, avec la vitalité et l'esprit de provocation caractéristiques de l'époque. Cette architecture domestique, à la fois expérimentale et matérialiste, souvent utopique, caricaturée par Jacques Tati ou Spirou, bénéficie de l'aide des Salons et des concours organisés par des magazines extraordinairement audacieux et inventifs. Montrant à quel point sa modernité se différencie du purisme théoricien qui prévalait avant la guerre, l'auteur Raphaëlle Saint-Pierre analyse dans la première partie de l'ouvrage le vocabulaire architectural français qui se met en place, nourri d'influences américaines, scandinaves, japonaises et brésiliennes, balançant entre organicisme, rationalisme, brutalisme et art total, sans déroger aux règles de fonctionnalité du plan, aux nouveaux impératifs d'équipement et au rapport, désormais indispensable, entre habitat et nature. Dans un second temps, la visite détaillée de vingt-cinq maisons, construites par les maîtres que sont Le Corbusier, André Lurçat, Alvar Aalto et Philip Johnson, par de jeunes architectes comme Claude Parent ou André Wogenscky, des ingénieurs et des artistes tels que Jean Prouvé, André Bloc et Pierre Soulages, nous fait découvrir la richesse de ce patrimoine architectural profondément original.
Villas 50 en France
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Price:
$109.95
(available in store)
Summary:
Alors que le design des années 50 connaît une vogue considérable et que l'architecture de la reconstruction a été très étudiée, les maisons particulières de cette époque restent méconnues. Réservée jusque-là à de grands bourgeois qui s'adressaient à des stars de la modernité comme Robert Mallet-Stevens, Pierre Chareau ou Le Corbusier, la villa connaît, avec l'émergence d'une bourgeoisie éclairée plus modeste, un essor remarquable dans la France de l'après-guerre. A l'ombre des grands ensembles, elle constitue une sorte de laboratoire qui permet aux architectes d'innover, mais aussi de mettre en pratique les acquis et les enseignements des maîtres, tout en les détournant et les adaptant, avec la vitalité et l'esprit de provocation caractéristiques de l'époque. Cette architecture domestique, à la fois expérimentale et matérialiste, souvent utopique, caricaturée par Jacques Tati ou Spirou, bénéficie de l'aide des Salons et des concours organisés par des magazines extraordinairement audacieux et inventifs. Montrant à quel point sa modernité se différencie du purisme théoricien qui prévalait avant la guerre, l'auteur Raphaëlle Saint-Pierre analyse dans la première partie de l'ouvrage le vocabulaire architectural français qui se met en place, nourri d'influences américaines, scandinaves, japonaises et brésiliennes, balançant entre organicisme, rationalisme, brutalisme et art total, sans déroger aux règles de fonctionnalité du plan, aux nouveaux impératifs d'équipement et au rapport, désormais indispensable, entre habitat et nature. Dans un second temps, la visite détaillée de vingt-cinq maisons, construites par les maîtres que sont Le Corbusier, André Lurçat, Alvar Aalto et Philip Johnson, par de jeunes architectes comme Claude Parent ou André Wogenscky, des ingénieurs et des artistes tels que Jean Prouvé, André Bloc et Pierre Soulages, nous fait découvrir la richesse de ce patrimoine architectural profondément original.
Form:
books
books
Publication:
April 2005, Paris
April 2005, Paris
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
